One day in 1984 character actor Stephen Tobolowsky (Groundhog Day, the original, unaired pilot of Buffy The Vampire Slayer) was walking down the street when Jonathan Demme pulled up and asked if he wanted to see a movie he was finishing. Tobolowsky accepted: taking his girlfriend Beth Henley, they went to the Academy Linwood Dunn Theatre to watch the rough cut of the movie, Stop Making Sense. The audience in the otherwise empty theatre consisted of Tobolowsky, Henley, and Demme, along with members of Talking Heads, including David Byrne and Tina Weymouth. Later, Byrne passed Tobolowsky on his bike and asked if he wanted to work on a new movie. Interest sparked again, and during the ensuing collaboration Tobolowsky shared his past experience of psychic phenomena. Inspired, Byrne went on to write Radio Head. The song was heard by Thom Yorke and became the name of his band. All of this is a true story, based on puzzling evidence. [more inside]
"This is the story of Walter and Ina…" "It begins before they met, when he was taking aerial photographs of occupied France from a Sopwith A2, and she was looking for work in rural Texas and worrying about the boys “over there.” They continued on separate paths until 1924." I'm a sucker for a good love story, and one that elicits nostalgia through historical documents is even better. Here is one such story. Although I have only just now begun to read the correspondence myself, I immediately thought that MeFi was a good place to share it. The curator of these letters is Dr. Alan Dove, a virologist and podcaster. Walter and Ina were his grandparents.
The King's Speech is an extremely well-made film with a seductive human interest plot, very prettily calculated to appeal to the smarter filmgoer and the latent Anglophile. But it perpetrates a gross falsification of history. - Christopher Hitchens on the historical revisionism of The King's Speech. The LA times suggests that this, along with the History Channel digging up footage of King George VI not really stuttering all that badly at all, might be the beginning of a backlash against the film, which has been gaining Oscar momentum since it's SAG Award wins. With The Social Network, 127 Hours and The Fighter also having a basis in reality, is today's film making too hung up on the "true" story?