RIP Barry Hines, author of A Kestrel for a Knave that was adapted into the British film classic Kes. He also wrote the screenplay for Threads. [more inside]
“I was very much into Freud and Jung when I was writing those books,” he says. “The whole point of Elric’s soul-eating sword, Stormbringer, was addiction: to sex, to violence, to big, black, phallic swords, to drugs, to escape. That’s why it went down so well in the rock’n’roll world.” - Michael Moorcock at 75 on his work, autobiographical fantasy, and why he thinks Tolkien was a crypto-fascist.
In the wake of the rumoured demise of The Dandy, artist Jamie Smart writes about the necessity of All-ages comics and how to make them work. Bonus links: The origins of new British weekly kids comic, The Phoenix. Al Ewing on that most British weekly comicsy of institutions: The readers voice. Tips for aspiring comics creators.
What If Other Authors Had Written The Lord Of The Rings?...Wilde, Wodehouse, and more.
A Guide to Writing Sherlockian-Tea Habits. In which EnigmaticPenguin (of death) schools fanfiction authors in correct English tea theory and practice. Follow up: Biscuits.
Alan Garner's Weirdstone of Brisingamen trilogy is to be concluded with Boneland, over 50 years after it started.
The Guardian has a new series of webchats with various people in the publishing industry starting with literary agent Karolina Sutton. Also various writers are asked: Can you teach creative writing?
"My exact words were: I’d like to overthrow the government. I was a young firebrand and I wanted to answer honestly. I was very angry about the social injustice in Britain under Thatcher and I’m delighted that came into the show." - former Doctor Who script editor Andrew Cartmel on the shows 80s political stance. Terrance Dicks and Andrew Cartmel on Newsnight. Meanwhile former Doctor David Tennant gives his veiws on the Master-like characteristics of Tory leader David Cameron.
For quite some time, I’d wanted to make a screwball comedy. A fast-talking, wildly acclerating ensemble comedy that gets stupider and stupider. I never imagined it would be about a war, and inspired by a very recent war at that. But Simon, Jesse, Tony and I all felt that the more we found out about the dysfunction in Washington and the naivety in London leading up to the Iraq invasion, the more obvious it was that the only way to deal accurately and fairly with this topic was as a screwball comedy. - The Oscar nominated script for In The Loop, with an introduction by writer Armando Iannucci.
The 21 Scariest Doctor Who Moments Ever, according to SFX magazine. Waters of Mars, which aired in the UK this weekend and airs in the US on December 20th, may add to that list. Meanwhile, in other formats, Michael Moorcock is writing a Doctor Who novel.
For Graham Greene he was "unquestionably our best thriller writer". John le Carré once called him "the source on which we all draw". With the six novels he wrote in the years leading up to the second world war - five of which have just been reissued by Penguin Modern Classics - Eric Ambler revitalised the British thriller, rescuing the genre from the jingoistic clutches of third-rate imitators of John Buchan, and recasting it in a more realist, nuanced and leftishly intelligent - not to mention exciting - mould. - The writing of Eric Ambler
The Russell T. Davis papers – As he prepares to leave the role of Doctor Who show runner (previously) he’s releasing a book of email exchanges with Doctor Who Magazine writer Benjamin Cook about his time on the longstanding British SF series, revealing the younger face of Who he’s like to see, and plans for a Doctor Who/Harry Potter crossover which never materialized.
As of 2010 Steven Moffat will be replacing Russell T. Davies as lead writer and executive producer of Doctor Who. In 2005 Davies revived the series, which had been dormant (bar the odd US co-production or audiodrama) since 1989, for BBC Wales. It won awards and was successful enough to spawn the spin-offs Sarah Jane Adventures and the popular-in-America Torchwood. He is replaced by Moffat, one of the regular writers on the show, whose highly acclaimed episodes have won a number of awards and nominations. "I applied before but I got knocked back 'cos the BBC wanted someone else. Also I was seven. Anyway, I'm glad the BBC has finally seen the light and it's a huge honour to be following Russell into the best - and the toughest - job in television. I say toughest 'cos Russell's at my window right now, pointing and laughing."
Edinburgh author Iain M. Banks, creator of the post capitalist space faring society The Culture and it's oddly named ships, has long been the UKs top science fiction writer, but has never had more than a toehold in the US (in part through lack of availability, in part due to lack of promotion and in part due to some pretty awful covers. That could change: Matter, his latest, has been heavily promoted in the US and sports a cover nearly identical to the UK edition. This week Orbit are releasing US editions of the two earliest Culture novels, with the third following in July, which could mean a complete release of all the novels in the US in order. [more inside]
The 50 greatest British writers since 1945. A few interesting choices here... the 'novelist's poet' at #1 seems fair enough, but this one, this one and this one?
Norman Mailer has posthumously won this year's Literary Review Bad Sex Award for his novel on the early life of Hitler, The Castle in the Forest. He was up against some stiff competition but Norman managed to rise to the occasion (sorry). Safe for work, but you might feel a bit dirty in the morning.