"You're going nowhere, son. Just you, me ad the walls. So wipe that bloody grin off before it's shot off, and don't slouch. You toe rag. You bin
. Pay attention when I break you. And break you I will, boy. You're in my manor, now." Buck up! It's Terry Finch's
THE REPRISALIZER! Follow
Bob Shuter, whose mission of reprisal against his brother's killers, their families, associates, progeny and property takes him across the desolate wasteland of 70s Britain, primarily Kent AKA
FINCHLAND. Finch, writer of The Reprisalizer and
DRAW!, the cowboy whose name means death, is soon to be the subject of
a major motion picture from Matthew Holness, creator of
Garth Marenghi's Darkplace.
posted by Artw
on Dec 13, 2011 -
15 comments
The Reel History of Britain, a BFI/BBC co-production, brings archive film into the nation’s living rooms. The footage shown in the series has been selected from the hundreds of thousands of films and programmes preserved in Britain’s film and television archives. We are complementing the series by making many of the films featured in The Reel History of Britain available online in their entirety, alongside expert commentary from the nation’s archive curators.
posted by Trurl
on Oct 17, 2011 -
4 comments
Cul-de-sac is a new independent film (
trailer, briefly NSFW) by London-based directors
Ramin Goudarzi Nejad & Mahshad Torkan. It tells the story of Kiana Firouz, a filmmaker, actress, and lesbian activist who fled Iran after authorities learned of her attempt to make an underground documentary about the lives of
Iranian gays and lesbians. According to
this interview, Firouz didn't write the film, but plays herself. Earlier this month, her asylum petition was allegedly
denied. The denial shouldn't have been surprising according to statistics in a
report (pdf) by the
UK Lesbian and Gay Immigration Group, which states that the refusal rate for lesbians and gay men is as high as 98-99%. Although the Home Office claims it takes the sexual orientation of asylum seekers into consideration, laws which permit deportation of gay and lesbian asylum seekers have recently been
challenged in the supreme court.
posted by treepour
on May 13, 2010 -
10 comments
Music! - A 1968 documentary by the National Music Council of Great Britain, featuring folk singing, The Beatles, and even early electronic music produced by tape splicing.
Part 1,
part 2,
part 3,
part 4,
part 5.
posted by Artw
on Mar 7, 2010 -
8 comments
For quite some time, I’d wanted to make a screwball comedy. A fast-talking, wildly acclerating ensemble comedy that gets stupider and stupider. I never imagined it would be about a war, and inspired by a very recent war at that. But Simon, Jesse, Tony and I all felt that the more we found out about the dysfunction in Washington and the naivety in London leading up to the Iraq invasion, the more obvious it was that the only way to deal accurately and fairly with this topic was as a screwball comedy. - The Oscar nominated script for
In The Loop, with an introduction by writer Armando Iannucci.
posted by Artw
on Feb 13, 2010 -
33 comments
Colour on the Thames is a 7 minute film shot in 1935 using
Gasparcolor, one of the many early forms of tinting black and white film. Beside
Colour on the Thames, which provides a wonderful view of 1930's England, the only film made in Gasparcolor I could find online was
Colour Flight by New Zealand artist Len Lye, an abstract cartoon set to instrumental 1930's pop music.
The story of Gasparcolor is in itself interesting, for instance touching on Nazis, Hungary between the wars and early color animation.
posted by Kattullus
on Jan 27, 2009 -
12 comments
'Ten years ago, while working on The South Bank Show, Melvyn Bragg and I had a heated discussion on the pros and cons of film censorship. Broadly speaking, Melvyn was against it, while I, much to his surprise, was absolutely for it. He then dared me to write a script that I thought should be banned. I accepted the challenge and a month or so later sent him a short subject entitled A Kitten for Hitler. “Ken,” he said, “if ever you make this film and it is shown, you will be lynched.'
That film has been made.
The story behind it.
posted by fearfulsymmetry
on Jan 25, 2009 -
69 comments
"The German invasion of Britain took place in July 1940, after the British retreat from Dunkirk". We see, documentary-style, members of the Wehrmacht trooping past Big Ben and St Paul's Cathedral, lounging in the parks, having their jackboots shined by old cockneys, and appreciatively visiting the shrine of that good German,
Prince Albert, in Kensington Gardens.
Kevin Brownlow and
Andrew Mollo's film "
It Happened Here", with its
cast of hundreds (.pdf), imagines what a Nazi occupation might have been like — complete with underground resistance, civilian massacres, civil strife, torch-lit rallies, Jewish ghettos, and organized euthanasia. Shot on weekends, eight years in production, made for about $20,000 with nonactors and borrowed equipment and Stanley Kubrick's help, "It Happened Here" was originally envisioned by
Brownlow as a sort of Hammer
horror flick about a Nazi Britain. Thanks in part to
Mollo's fanatical concern with historical accuracy, however,
it became something else. The most remarkable thing about this account of everyday fascism is that it has no period footage.
Brownlow's 1968 book about the film's production, "
How It Happened Here", has recently been
republished. More inside.
posted by matteo
on Feb 12, 2006 -
16 comments
BFI presents screenonline | The
British Film Institute announces the launch of
screenonline: "This new site features an unrivalled collection of archive film and television footage from the
bfi National Film and Television Archive.... [It] is the first time the
bfi has given the public access online to its comprehensive collection of film and television material, giving teachers, students and film enthusiasts an exceptional opportunity to investigate British history, culture and society through cinema. "
posted by jacknose
on Dec 1, 2003 -
6 comments
The British Empire in Colour -- a three-part documentary series from the producers of the BAFTA (British Academy of Film and Television Arts) award-winning
Britain at War in Colour will air this month. The series is supposed to include "a treasure-trove of early colour movies filmed before 'technicolour' transformed film making in the 1930s. Unique colour footage of the Edwardian splendour of 1906 British India, soldiers of the First World War and class divided Britain in 1926 as seen for the first time by a modern visually sophisticated audience."
Apparently, it also includes
Horrifying footage of last days of Raj.
posted by Bixby23
on Sep 2, 2002 -
17 comments
