Borrah Minevitch & His Harmonica Rascals - Harmonica Specialty and Rascal Bill McBride's vocal turn on Always In My Heart are excerpts from Borrah Minevitch & His Harmonica School--a wmv video file of a Vitaphone Short which with no surprise we find at Vitaphone Shorts, a subsection of Dr. Macro's High Quality Movie Scans--which was first brought to our attention by the noble crunchland, albeit at another and now defunct URL, let it be noted. . [more inside]
posted by y2karl on Jan 24, 2008 - 5 comments

Jump Jim Crow, through the hoops of one Robert Christgau's erudition as he surveys the literature extant in In Search of Jim Crow: Why Postmodern Minstrelsy Studies Matter, through multiple readings of Raising Cain: Blackface Performance from Jim Crow to Hip Hop, Demons of Disorder: Early Blackface Minstrels and Their World and and Love and Theft: Blackface Minstrelsy and the American Working Class. Consider, too, The Minstrel Cycle from Reading The Commitments and other various and sundry attempts to peek inside the minstrel mask—all multiple readings reading blackface minstrels from the pejorative to the explorative, subversive to oppressive, past to future, unfolding tesseractly, if not exactly, with singing, dancing and extraordinary elocutions. Buy your tickets and step within for The Meller Drammer of Minstrelsy in The Minstrel Show 2.0…
posted by y2karl on Mar 31, 2005 - 17 comments

While culling my clippings file for the big move, I came across Ragtime: No Longer a Novelty in Sepia, which led me to the The Rag-Time Ephemeralist, a labor of love by one Chris Ware , whose 'The Acme Novelty Library' and Jimmy Corrigan, Smartest Boy In The World I had long admired. The Ragtime Ephemeralist's mention of Out of Sight - The Rise of African American Popular Music, 1889-1895---here's a review from Musical Traditions--and, its very own links page, as a consequence, led to this post about Ragtime, Cakewalks, Coon Songs and Vaudeville, with a slight nod to Barbershop Quartets. There's more, of course...
posted by y2karl on Jan 21, 2005 - 27 comments

The Minstrel Show The Minstrel Show presents us with a strange, fascinating and awful phenomenon. Minstrel shows emerged from preindustrial European traditions of masking and carnival. But in the US they began in the 1830s, with working class white men dressing up as plantation slaves. These men imitated black musical and dance forms, combining savage parody of black Americans with genuine fondness for African American cultural forms. By the Civil War the minstrel show had become world famous and respectable. Late in his life Mark Twain fondly remembered the "old time nigger show" with its colorful comic darkies and its rousing songs and dances. By the 1840s, the minstrel show had become one of the central events in the culture of the Democratic party.. The image of white men in blackface, miming black song, dance and speech is considered the last word in racist bigotry for some. And yet, standing at the crossroads of race, class and high and low culture, blackface minstrelsy is one fascinating topic in academic circles. It’s history is intertwined with the rise of abolitionism, the works of Mark Twain and the histories of vaudeville, American vernacular music, radio, television, movies, in fact all of what is called popular culture. Details within.
posted by y2karl on Mar 13, 2002 - 26 comments