MetaFilter posts tagged with VillageVoice and music

2003 Pazz & Jop

boltman — Thu, 19 Feb 2004 21:57:18 -0800

The 2003 Pazz & Jop results are in! Apparently it was the year of hip hop (sort of), in both albums and singles. Country music gets kudos for being so "cocksure" in a world of uncertainty. Acoustic jazz scores a big win with The Bad Plus coming in at number 60!

White + Black = Grey

boost ventilator — Wed, 18 Feb 2004 10:05:24 -0800

DJ Danger Mouse has been making waves recently with his Grey Album that cross-pollinates the music of The Beatles' classic White Album with the lyrics and delivery of Jay-Z's recent swan song, the Black Album. The results? "One of the more interesting pirate mashups ever done." (Pitchfork). "Most ambitious remix." (Village Voice). "As fun as it is daring." (Boston Globe). "Ultimate remix record." (Rolling Stone). Not surprisingly, EMI is far from amused by the unsanctioned and unapproved project and the limited release will no longer be distributed. So, download it now (or check out these Real Player samples).

Village Voice's 2002 Pazz & Jop Poll

boost ventilator — Tue, 11 Feb 2003 19:53:30 -0800

Pazz & Jop 2002 - The Village Voice has tabulated the top albums and singles from 695 critics (and 10,2002 LPs). Some of the ballot-fillers even got a little personal. The usual essays are included. If your fav CD didn't make the cut, perhaps it made it onto the dean's list.

martk — Tue, 11 Jun 2002 08:44:40 -0800

Post-War Jazz: An Arbitrary Road Map In this two-part Village Voice piece, Gary Giddins presents a personal road map to post-war jazz, introducing 57 of his most cherished tracks from 1945 to 2001. Any glaring ommissions? I'd add Witchitai-To by Jim Pepper. In addition to being one of the first jazz-rock fusion proponents, Pepper, a Native American, also blended the music of his people into his compositions.

MiguelCardoso — Tue, 11 Jun 2002 08:41:59 -0800

One Defining Jazz Track Per Year, From 1945 To 2001? An Impossible Task! Well, not for Gary Giddins, arguably our greatest contemporary jazz critic. He's just spent five months going through his record collection to come up with a terrific and deliciously debatable list for The Village Voice. Yeah, how could he leave out...*insert your particular obsession here*...?[Here's a 74-page 1996 interview with him(in pdf format) that's practically a mini-history of jazz.]

rex — Tue, 12 Feb 2002 18:27:56 -0800

Village Voice Pazz & Jop Pool is out. Albums and Singles.

ryanshepard — Mon, 17 Dec 2001 05:30:39 -0800

White Rap Revisited: Following up on last month's discussion, here's the reader blowback from "N. Bedford Crouch's" article, featuring confirmation of the put-on and a tip of the pen to Metafilter.

ryanshepard — Thu, 29 Nov 2001 12:32:00 -0800

Fighting Words on White Rap: but not what you'd expect, especially from the Village Voice:

Our children—are in crisis, trapped in the grip of a culture that glorifies drug use and debauchery, slovenly dress, and lack of respect for authority. A culture whose worship of antisocial behavior and debasement is rivaled only by its amoral concessions to the dictates of mammon.

This can largely be attributed to the unfortunate dominance of black popular culture, and—more specifically—hip-hop. In the past, mainstream culture refined raw black cultural materials, resulting in musical zeniths such as the recent neo-swing movement, which briefly presented a viable outlet for young dancers unwilling to subject themselves to the degrading influence of rap and rave music. This has got to be a put-on . . .

saladin — Thu, 20 Sep 2001 11:37:05 -0800

Is the music industry headed in a new direction after the events of last week? And I'm not talking about the release of the new Jay-Z album.

freakytrigger — Tue, 13 Feb 2001 16:43:26 -0800

Never mind the Oscars, here's the Pazz And Jop Poll: which for some reason seems to have more cred than other music end-of-year lists. A double whammy for Outkast, and critical vindication for Eminem? What did they get right, what did they leave out, and what do these big crit-fests prove anyway?