The Last Hurrah of Difficult Men, commentary on a tv show, a book and an essay in Esquire. "I'll just say it: The first few episodes that I saw are better than Breaking Bad. They are smarter. They are sharper. I have never seen a prequel handled so cleverly." [more inside]
With the momentous series finale of Breaking Bad just hours away, fans of the show are hungry for something, anything to wile away the time before the epic conclusion tonight. So why not kick back and chew the fat with your fellow MeFites with the help of a little tool I like to call "The Periodic Table of Breaking Bad." [more inside]
Francesco Francavilla is an artist who has been producing minimalist posters for each of the last 8 episodes of Breaking Bad.
In an unusually enlightening ninety-minute panel, the cast of Breaking Bad – including show creator Vince Gilligan – discuss the process of making the show, of bringing it to an end, and of coping with its aftermath. Towards the end, Gilligan spoke fondly of show director Rian Johnson, known for his work on films like Brick and Looper. Johnson had previously directed Breaking Bad's most controversial episode, Fly, which critic Alan Sepinwall called the best bottle episode in TV history. Gilligan took his praise a step further: "[Rian directed] what may be the best episode we've ever done." [approx 1:27:30] He was referring, not to Fly, but to Ozymandias, the show's third-to-last episode, and the inspiration for this previous post. Ozymandias, which aired tonight, was accompanied by [SPOILER LINKS FROM THIS POINT FURTHER] livetweets from Aaron Paul, who plays Jesse Pinkman, and provoked immediate visceral reactions from critics and fans alike.
How To End It All - Vince Gilligan (Breaking Bad), Alan Ball (Six Feet Under and True Blood) and Damon Lindelof and Carlton Cuse (Lost) talk about making television in this goldening age, wrestling with expectations, and the very difficult, quasi-existential task of ending it all. Explaining The Sopranos' final scene
Dr. Donna Nelson is the science advisor for Breaking Bad. After reading an interview where show creator Vince Gilligan said no one on the show's staff had a scientific background, she reached out to the Breaking Bad creator. The rest is history.
"[T]he only real way to do it is to tell an honest human story, but to do it in a way that people feel like they haven’t seen before."
A fascinating interview with Vince Gilligan, showrunner of Breaking Bad. The questions are as excellent as the answers.
This points to that quality of improvisation with the work you’re doing. In a traditional crime show, like “CSI,” if it were a big band, it’s a big band working off charts. The arrangements are very tightly controlled. And what I sense with “Breaking Bad” is a sense of, I don’t know, “John Coltrane on acid.” You have this sense of improvisation where you go with things you know, where you tell the story the length it needs to be told. You’re inspired collectively by a moment and you decide to go deeper into that moment. You’re in essence leading a parallel life with your characters and letting those characters take you where they want to go — not necessarily where the dictates of commercial convention say they have to go.Meanwhile, Alan Sepinwall asks actors Bryan Cranston (2) and Aaron Paul about some of their most iconic moments on the show. [more inside]
"TV is where writers get to tell interesting stories right now, because writers, for the most part, run television." Matthew Weiner of Mad Men, Vince Gilligan of Breaking Bad and David Milch of Deadwood talk to GQ about writing for television. Also: The New Rules of TV everything you need to know about the Golden Age of Television. Want to hear even more about the world of writing rooms, showrunners and screenwriting? Check out the Nerdist Writer's Panel Podcast.