Anohni's new album, Hopelessness , has a lot to say. She grapples with the surveillance state, ecocide, drone warfare, gender, and more in a more electronic setting than her previous work with Antony and the Johnsons. "A big part of [the album] is an examination of my own complicity and my own inability to truly extricate myself from the brokenness of the system that I'm a part of. It's that chasm, that denial that I wanted to model, an inquiry into and within myself." [more inside]
Being A Girl: A Brief Personal History of Violence [The Belle Jar]
Vankadarath Saritha, Delhi's first female bus driver - "Women have been to space so why can't we drive a bus?"
Women as Background Decoration: Part 2 – Tropes vs Women in Video Games (28 min 33 sec; here's a pointer to the identical video at YouTube). Warning: contains graphic sexual and violent game footage. Presented by Anita Sarkeesian of the video blog, Feminist Frequency. The website version (first link) is annotated to include links and resources, an "about the series" section, games referenced in this episode, and a transcript. [more inside]
... is a time to commemorate past victims of violence — and rededicate ourselves to ending it. [TW: brief descriptions of some murders.]
The Trouble with "Carrie": Strong Female Characters and Onscreen Violence.
Whether she's volunteering to take her sister's place in the arena or grooming her son to lead the resistance; gunning down the gangsters who sell drugs to the kids in her neighborhood or swinging swords to avenge her daughter, the "strong female character" is often stirred by a maternal concern, a quintessential desire to preserve her community, to protect the weak and vulnerable. Her bad-assery must be in the service of a greater good. Even when she's more ethically complex (like the Bride, who begrudgingly admits that all the people she killed to get to her daughter, "felt good"), she never takes a place at the table of Walter White's grand epiphany: "I did it for me."
Carrie does what Beatrix Kiddo and Ellen Ripley and Katniss Everdeen don't: She does it for herself. Her vengeance, her violence, is in service to no one, no noble good. She doesn't kill because her family and friends have been threatened. There are no friends, no fellow outcasts, to protect from the bullies. No little sister to shield from Mama's wrath. Only her. And she is enough. Carrie kills because she was wronged.
In July 2007, NPR published a two part series (direct links: 1, 2) about a four year old uninvestigated rape case at the Standing Rock Sioux Reservation. Sparked in part by a 2006 report (pdf) from Amnesty International that included a startling statistic: "One in three Native American women will be raped in her lifetime," NPR's investigation led to the reopening of the case and Congressional hearings. In February 2011, Harper's published an update of sorts: Tiny Little Laws: A Plague of Sexual Violence in Indian Country (Via)
"As someone who [...] advocates against violence against women and for rape survivors' rights, I never really felt I was allowed to participate in the fantasy of my own violation."
At the end of October, National Domestic Violence Awareness Month, members of the men’s movement group RADAR (Respecting Accuracy in Domestic Abuse Reporting ) gathered on the steps of Congress to lobby against what they say are the suppressed truths about domestic violence: that false allegations are rampant, that a feminist-run court system fraudulently separates innocent fathers from children, that battered women’s shelters are running a racket that funnels federal dollars to feminists, that domestic-violence laws give cover to cagey mail-order brides seeking Green Cards, and finally, that men are victims of an unrecognized epidemic of violence at the hands of abusive wives."[more inside]
Video discussion on being a man with, and The Seven P's of Men's Violence by, Michael Kaufman, International Director of the White Ribbon Campaign. [more inside]
Woman wins Orange Prize for novel "many people will hate" Lionel Shriver's We Need to Talk About Kevin is one of the few novels I've read in which the protagonist admits that she dislikes her child and is ambivalent (to put it mildly) about motherhood in general. In this case, she has good reason--the boy has a few problems, which culminate in a school gym massacre (preceded by something really grisly). (I'm not giving anything away by saying this, it's not a mystery novel.) Many people do indeed hate it; I personally thought it was fascinating. See also The Independent, The Guardian, ID Theory, Salon, and many more.