"Its not like we all sat in silence and stared blankly at our TVs waiting for the Internet to show up. We have probably always had vernacular webs of communication." Digital studies scholar Robert Glenn Howard talks about vaccines, the Christian right [PDF], AC/DC guitar tutorials and other "born-digital folklore" on the "vernacular web."
Ice Cubes - A Recipe. The comments offer many helpful tips.
"The only merit I have is to have painted directly from nature with the aim of conveying my impressions in front of the most fugitive effects."
11th grader David Sukhin's Snow Day Calculator uses weather data, user judgment calls, and algorithms of his own devising to predict the chances of a snow day for any school in the US. And, so far, to his knowledge it has never been wrong.
Museums build some pretty cool websites. To help people find them, use them, and give them props, the Museums and the Web conference has held an annual Best of the Web contest since 1997. This year's nominees are here. Just a sample: the MOMA on Bauhaus, the Center for New Media's Bracero History Archive, the Textile Museum of Canada's In Touch:Connecting Cloth, Culture, and Art, Perception Deception from The National Science and Technology Center of Australia, The Letters of Vincent Van Gogh from the Van Gogh Museum, the Smithsonian's Prehistoric Climate Change and Why it Matters Today, and more . If that doesn't wash out the remainder of your Friday, you can always dig into the past nominees.
Making the Modern World presents a set of twisty little passages through the history of science and invention, from the eighteenth century to the contemporary era, brought to you by the UK's Science Museum.
Circuits are flipping on in the nation's attic. A couple of weeks ago, 31 "digerati" -- like Clay Shirky, Chris Anderson, and George Oates -- dropped in to the Smithsonian Institution for the invitation-only conference "Smithsonian 2.0: A Gathering to Re-imagine the Smithsonian in the Digital Age". Dan Cohen of the Center for History and New Media provides a great summary (and continues to pose provocative questions) on his own blog. Those whose invitations were somehow lost in the mail can play fly-on-the-wall by watching the keynotes, paging through the Flickr pool of envymaking glimpses of their behind-the-scenes lab and collections tours, reading the blog (where Bruce Wyman of the Denver Art Museum lays out a succinct road map for museums using social media), and poking around in the SI's website gallery. Want to cheer on the USA's favorite 163-year-old "Establishment for the increase & diffusion of knowledge" without taking the trip to DC? Thanks to their recent efforts, you can now follow the SI on Twitter, listen to its podcasts, watch its YouTube channel, visit the Latino Virtual Museum in Second Life, or use the FaceBook gifts page to send your best friends their very own pair of Dorothy's ruby slippers, Hope diamond, Negro Leagues baseball, or coelocanth.
Global Museum is sort of a daily paper for the museum world. The site, which marked its tenth year in 2008, aggregates museum news, job listings, and links from around the world, helping readers stay up-to-date on issues and events like artifact repatriation, art theft and trade, archaeological discoveries, innovative programs, unusual museums, threats to collections from war and natural disasters, and plenty of stuff just for fun. [more inside]
The recent passing of Studs Terkel sparked a renewed interest in his interview projects, like Working, Race, and Hard Times. But Studs was not just a broadcaster who liked people; he was a practitioner of oral history, a method of gathering information about the past through preserving individual recollections. It's a subfield of history, with its own ethics, techniques, professional literature, uses, and limitations. Learn how to collect and share oral histories yourself, from interviewing to recording and getting clearances to preserving and disseminating. Oral histories have been preserved as text transcripts for decades; now digital media isreinvigorating the form, bringing new ease to recording and wider opportunities for the public to see and hear the content. Explore oral history projects on the web with stories of veterans, suffragists, Tibetans, jazz cats, Nevada nuclear test site witnesses, Basque Americans, rodeo cowboys and cowgirls, musicians, Katrina survivors, ACT UP activists, Cambodians under the Khmer Rouge, Native Americans, women whose lives were affected by the Pill, survivors of the Triangle Shirtwaist Factory fire,women in World War II, Hawai'ians, workers in Paterson, NJ....
Omeka is a newly available, open-source web platform, bringing good-looking, functional online exhibitry within reach of smaller museums, libraries, and arts groups. From the Center for History and New Media.
Visual Arts: No Revolution in Hyperspace "A former insider laments the dumbing down of art museum websites." Nice, short overview of art museums and the web with good links.
Voice Thread Now the online world can lend support in your family argument about what really happened on your fifth birthday.