But in addition to our retreat into wishfulness, something else was brewing: a sense that the past was not only better than the present, but that the past’s predictions for the future were also better than what had actually become the present. No longer content to live in (or through) our memories of the past, we also yearned to live in the past’s vision of the future. We were nostalgic for yesterday’s prognostications: You could say that we succumbed to prognostalgia. Living with our backs to the future, on the cultural fixation with past dreams of the future, on the 50th anniversary of Isaac Asimov's write-up on the 1964 World's Fair, which is still being reviewing to track Asimov's hits and misses [via mefi projects] [more inside]
Authentic Wm. Gibson promises “synopses for William Gibson novels that are definitely 100% real, but only in a timeline with greater authenticity than this one.”, and delivers exactly that.
In 1992, renowned sci-fi author and futurist William Gibson (Neuromancer, Virtual Light) released Agrippa (A Book of the Dead), a self-playing poem contained on a floppy disk for old Macintosh computers that, once its text had scrolled up the screen one time, would be rendered unreadable on purpose. Now, 20 years later, a PhD student at the University of Toronto is enlisting the aid of cryptographers in hopes of figuring out how the program works. [more inside]
This summer, The Paris Review interviewed two science fiction writers at length, Samuel R. Delany and William Gibson. Below the cut there are two passages, one from each interview. They aren't representative, they are just two of the many, many passages which have been going around in my head for the last few days. [more inside]
William Gibson has been taking questions on his long-dormant blog since March 31st and continued until today. Some favorites, Gibson talking about: how writing is hard, that he started watching The Wire because of the shipping containers, George Bush's raincoat and his first attempt at fiction.
The Agrippa Files presents a fairly expansive overview of the original and very rare 1992 art book Agrippa (a book of the dead), a collaboration between artist Dennis Ashbaugh, author William Gibson, and award-winning journalist Kevin Begos, Jr. that presciently explored the ephemeral nature of and decay of memories and information. [more inside]
William Gibson now on William Gibson then. Yep, that is indeed me, though nothing I'm saying there, at such painful length, is even remotely genuine. They were offering $500 for someone to monologue about the summer of lurve, etc., and I was (1) somewhat articulate, and (2) wanted desperately to get my ass out of Yorkville ... $500 was serious money