is a film-interview conducted by Jean-Luc Godard of his “old friend” Woody Allen, in 1986. With JLG-style editing (and JLG-style trolling??). Previously
posted by zbsachs
on Dec 5, 2013 -
–Can you tell us in 25 seconds a synopsis of your new picture
–Uh, in 25 seconds? Yes, it's a picture, it's a drama about um human emotion in the United States, it deals with the tragedy of divorce as it relates to the child and those who have to suffer continually from the effects of an unhappy home.
–Sounds like a very serious picture.
–Yes. It is.
–There's no comedy in it whatsoever?
–No, I try and keep as much comedy out of my films as possible.
A 40-minute Woody Allen from 1971 promoting Bananas
. He does not answer a single question truthfully. via
posted by timshel
on Dec 3, 2013 -
Woody Allen's 2011 movie Midnight in Paris
tells the story of a modern-day character repeatedly finding himself in the 1920s, in a kind of temporary time travel. As it turns out, this is a real-life phenomenon known as a time slip
. Perhaps the most famous documented case was from 1901, at the Palace of Versailles. [more inside]
posted by mark7570
on Jul 21, 2012 -
"Well, all right, why is life worth living
? That's a very good question. Well, there are certain things I guess that make it worthwhile. Uh, like what? Okay. Um, for me... oh, I would say... what, Groucho Marx
, to name one thing... and Willie Mays
, and... the second movement of the Jupiter Symphony
, and... Louis Armstrong's recording of Potatohead Blues
... Swedish Movies
, naturally... Sentimental Education
by Flaubert... Marlon Brando
, Frank Sinatra
... those incredible apples and pears by Cezanne
... the crabs at Sam Wo's
... Tracy's face
posted by vronsky
on Dec 11, 2009 -
"At once sublime and witty, the 26 minutes of Meetin' WA consist of an interview Jean-Luc Godard conducted in 1986 with Woody Allen, the director of What's Up, Tigerlilly and Men of Crisis: The Harvey Wallinger Story (and soon to be featured in the final moments of Godard's abortive Cannon Pictures' King Lear). The chat itself is amiable enough; certainly avoiding any conceivable adversarial notes; but this, along with the New York setting (giving Allen the home field advantage as it were) does nothing to prevent a visible anxiety from growing on the part of the filmmaker as the interview goes on."
posted by vronsky
on Aug 14, 2008 -