Welcome to Bloom — a literary site devoted to highlighting, profiling, reviewing, and interviewing authors whose first major work was published when they were age 40 or older. Bloom is also a community of artists and readers who believe that “late” is a relative term, not an absolute one, and who are interested in bringing to attention a wide variety of artistic paths — challenging any narrow, prevailing ideas about the pacing and timing of creative fruition. (via Ask)
Paul Madonna (previously on MeFi) and his wife have been evicted from the home and workspace in which they've lived for ten years. In response, Paul is drawing and writing All Over Coffee: The Eviction Series about his life in San Francisco right now.
Science Fiction grandmaster Samuel R. Delaney interviewed by SF Signal, with a very long answer in part 2, and by The New Yorker where he talks about race, recent Hugo controversies being nothing new, and the past and future of science fiction.
The Role of Writers in a STEM Obsessed Society
“As writers, it’s easy to think of how we matter to literature classrooms, but what the appointment of writers-in-residence in hospitals, history classrooms, foreign language learning spaces, and cooking schools reminds us is that we are relevant wherever there is humanity—which is to say, wherever humans are with their stories. Writing is healing. Writing is art. Writing is learning. As such, writing across the disciplines matters. Many models of artist residencies depend upon the retreat model, wherein the artist sequesters herself away with a small community of other artists. While these models have value, especially when considering how solitude relates to the creative process, it’s heartening to me to see more models catch on that value the place of the writer in society, rather than hidden away from it.”
"The thing I find very exciting is waiting for the subway train and sometimes you'll get a glorious one that arrives decorated like a birthday cake!" Watching My Name Go By is a short 1976 BBC documentary about graffiti, artists, and graffiti artists in New York City. The film is based on Norman Mailer's 1974 essay for Esquire magazine, "The Faith of Grafitti." [via]
As with anything in this world, excess is excess, but inadequate is inadequate. A writer must know when the weight of the words used to describe a scene is bearing down on the scene itself. A writer should develop the measuring tape to know when to describe characters' thoughts in long sentences and when not to. But a writer, above all, should aim to achieve artistry with language which, like the painter, is the only canvas we have. Writers should realize that the novels that are remembered, that become monuments, would in fact be those which err on the side of audacious prose, that occasionally allow excess rather than those which package a story — no matter how affecting — in inadequate prose.Chigozie Obioma for The Millions: The Audacity of Prose.
David Sedaris talks about surviving the suicide of his sister Tiffany
The Great Silence is a collaboration between artists Allora & Calzadilla and writer Ted Chiang. Transcript
Seb Lester is an astonishing calligrapher and graphic designer. In this clip, he freehands a number of famous logos... [more inside]
Founded by celebrated poet and White House guest Kenneth Goldsmith, Ubuweb for years has been housing massive gigabites of work that exists outside the lines—from audio archives of rare performances by avant-garde musicians and video artists, known and unknown, to whole lifetimes of textual and interpretative work dug up and given new life online. -- Vice on how Ubu Publishes the Unpublishable. [more inside]
When Annie Dillard wrote Pilgrim at Tinker Creek, she didn't think anyone would want to read a memoir by a "Virginia housewife". So she left her domestic life out of the book - and turned her surroundings into a wilderness. The Thoreau of the Suburbs.
Leviathan - a short story by David Sedaris
Alan Moore's Jerusalem - "The frequently confusing cross-currents of Moore's late work make much more sense, in fact, when one sees them not just as entertainment products but as attempts at building a better reality."
Arcade Story - the co-founder of innovative OS X and iOS software outfit Panic reminisces about learning how to beat Dragon's Lair in the pre-Internet age, but that's not the fun part...
Laura is super passionate about girls fighting evil, creating collages with short stories about various groups of girls fighting off demons - from radio DJs and the interns at Night Vale, to Dorothy Gale, travelers, and of course Beyonce. Sometimes the girls are helping the demons: evil counterparts to Cinderella, Belle, and Snow White, the underwater orchestra, even the underlord's admin assistant. Sometimes they fight each other; sometimes they fight themselves. Some of these fighters are real. Sometimes they'll let you borrow their style.
The extended setting of the Harry Potter series is fertile soil for fans interested in worldbuilding, especially since the release of Pottermore (previously), a companion site to the books that includes back-story and adjunt information direct from J.K. Rowling. Some of these worldbuilding projects include explorations on wizarding fashion, magical education (including other magical schools), fantastic beasts (and perhaps where to find them), Muslims at Hogwarts, and the next generation of Hogwarts students. [more inside]
The city is a fountain that never stops: it generates its energy from the human interactions that take place in it. Unfortunately, we’re getting to a point where many of New York’s citizens have been excluded from this equation for too long. David Byrne comments on New York's hospitability to creative types.
In February 1963, a new publication took advantage of the New York City printers strike and launched with a daring editorial: It does not, however, seek merely to fill the gap created by the printers’ strike in New York City but to take the opportunity which the strike has presented to publish the sort of literary journal which the editors and contributors feel is needed in America. The New York Review of Books is now 50. [more inside]
It is doubtless tempting to exclaim against the ignorant bourgeois; yet it should not be forgotten, it is he who is to pay us, and that (surely on the face of it) for services that he shall desire to have performed. Here also, if properly considered, there is a question of transcendental honesty. To give the public what they do not want, and yet expect to be supported: we have there a strange pretension, and yet not uncommon, above all with painters. The first duty in this world is for a man to pay his way; when that is quite accomplished, he may plunge into what eccentricity he likes; but emphatically not till then. Till then, he must pay assiduous court to the bourgeois who carries the purse. Robert Louis Stevenson on art as a career.
Ever Upward isn't just a blog about space but a love letter to the wonder and beauty lurking in the science of space. It is written, and occasionally drawn, by MeFite Narrative Priorities [more inside]
In the wake of the rumoured demise of The Dandy, artist Jamie Smart writes about the necessity of All-ages comics and how to make them work. Bonus links: The origins of new British weekly kids comic, The Phoenix. Al Ewing on that most British weekly comicsy of institutions: The readers voice. Tips for aspiring comics creators.
Your parent dies. You hurt. You weep. You mourn. You do and say the necessary things even as your daemon’s disciplined askesis has you (against your will) coldly taking notes on what the emotion feels like, how others around you react to the death, what the corpse of your parent looks like, how you feel while looking down at it, what voids there are in that feeling, what pretenses, what posturings. It's all part of finding your daemon that dwells perpetually in the Condition of Fire. Other entries in Dan Simmons' series On Writing Well.
Finnegans Wake, Joyce's famously unreadable masterpiece (read it online here), was considerably more readable in one of its earlier drafts. Watch Joyce cross out decipherable words and replace them with less decipherable ones! Watch him end, not with a whimper, but with a slightly less impressive whimper! Sadly, Shem's schoolbook, which in the finished version is a House of Leaves-esque compendium of side columns and footnotes, was not written until much later (according to the footnotes of that section). The introduction to this draft by David Hayman, who assembled it, is worth a read.
Sunday, April 28, would have been Roberto Bolaño's 60th birthday. The Centre de Cultura Contemporània de Barcelona is holding an event that day, in conjunction with their recent exhibit of Bolaño's archive, to celebrate the life and work of the writer. Or if you're not in Barcelona, the celebration is #DiaBolaño on twitter. [more inside]
After years of silence, enigmatic programmer/musician/surrealist why the lucky stiff is publishing to the web again (temporarily). Five days ago he released a number of short collages; today, his site is outputting a number of stories and essays, which are being collected in several Scribd repositories. _why writes about a strange old Oprah show starring guests who've removed themselves from society [parts 2 3 4 5 6], discussing M. Night Shyamalan's The Happening with a friend [2 3 4 5 6], and suffering a personal crisis after reading the complete works of Kafka [2 3 4 5 6 7]. (One final story, "Dentist", has been uploaded to a public Dropbox account [2 3 4 5 6 7 8].) There's also this somewhat ominous web site. [more inside]
Proudly Fraudulent: [The Awl] An Interview With MoMA's First Poet Laureate, Kenneth Goldsmith. [Previously] [Previously]
Every film Pixar has produced has landed in the top fifty highest-grossing animated films of all time. What's their secret? Mathematics. Oh, and 22 Rules of Storytelling. [more inside]
"The new constitution 'recognizes the role of Christianity in preserving nationhood,' and art that is deemed blasphemous or 'anti-national' is now the target of a full-blown campaign of suppression."
With cities, it is as with dreams: everything imaginable can be dreamed, but even the most unexpected dream is a rebus that conceals a desire or, its reverse, a fear. Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else. December 2012 marks the 40th anniversary of Invisible Cities -- the sublime metaphysical travelogue by author-journalist Italo Calvino. In a series of pensive dialogues with jaded emperor Kublai Khan, the explorer Marco Polo describes a meandering litany of visionary and impossible places, dozens of surreal, fantastical cities, each poetically reifying ideas vital to language, philosophy, and the human spirit. This gracefully written love letter to urban life has inspired countless tributes, but it's just the most accessible of Calvino's fascinating literary catalogue. Look inside for a closer look at his most remarkable works, links to English translations of his magical prose, and collections of artistic interpretations from around the web -- including this treasure trove of essays, excerpts, articles, and recommended reading. [more inside]
[Joseph] McElroy's sense of original and authentic contemporaneity makes him the most important novelist now writing in America, the artist who has most consistently combined the mastering capabilities of systems perspectives and an art of excess. Women and Men is the capstone of his career and, I believe, the most significant American novel published since Gravity's Rainbow. - Tom LeClair [more inside]
There are sixteen panels I can put in this grid. Six are televisions, three are flashbacks, six are close-ups of objects falling through space. The other one... hurts.
Decompressed is a podcast in which comics writer and former Rock Paper Shotgun journalist Kieron Gillen (X-Men, Thor, Phonogram) talks to artists and writers about the process involved in writing a single issue of a comic. Decompressed 6 broke format and is instead a discussion with Mark Waid and Matt Fraction about scripting comics using the "Marvel Method", or "plot first" - in which the artist draws the comic from a story outline and dialogue is added later, rather than the writer supplying a panel by panel script. For a while out of favour even at Marvel, the method is seeing a resurgance. The podcast page contains visual aids, and embedded version of the podcast, the script of DEFENDERS #9 complete with B&W art and additional links, including links to Warren Ellis’ 3-part tutorial on writing comics (1, 2, 3). Jamie McKelvie and a vultue put in guest appearances. Further example comicbook scripts are available at the Comic Book Script Archive (previously).
Fan fiction has, arguably, existed in some form since 1614, and it has certainly been in existence since the Star Trek fanzine, Spockanalia was published in 1967, while derivative works and unofficial adaptations have long existed (such as Edison's Frankenstein) in the mass market, most obviously Nosferatu (unofficial trailer, whole film) and the infamous Tijuana bibles, but in the modern world of extended copyright and Internet commerce are fan fiction and fan art legal?
Artist and film-maker, Hito Steyerl, asks us to stand shoulder to shoulder with our digital equivalents. Digital images are Things (like you and me) - a plethora of compressed, corrupted representations pushed and pulled through increasingly policed and capitalised information networks. If 80% of all internet traffic* is SPAM - a liberated excess withdrawn** from accepted channels of communication - perhaps it is in The Poor Image we find our closest kin? [more inside]
For decades Dawn Powell was always just on the verge of ceasing to be a cult and becoming a major religion. But despite the work of such dedicated cultists as Edmund Wilson and Matthew Josephson, John Dos Passos and Ernest Hemingway, Dawn Powell never became the popular writer that she ought to have been. In those days, with a bit of luck, a good writer eventually attracted voluntary readers and became popular. Today, of course, "popular" means bad writing that is widely read while good writing is that which is taught to involuntary readers. Powell failed on both counts. She needs no interpretation and in her lifetime she should have been as widely read as, say, Hemingway or the early Fitzgerald or the mid O'Hara or even the late, far too late, Katherine Anne Porter. But Powell was that unthinkable monster, a witty woman who felt no obligation to make a single, much less a final, down payment on Love or The Family; she saw life with a bright Petronian neutrality, and every host at life's feast was a potential Trimalchio to be sent up. - Gore Vidal
The results of the Women Working in Comics survey are in. Meanwhile Comics Alliance has asked creators how comics can do better at female characters. (previously, previously)
[Harold] Brodkey produced fiction that was epic too, but chiefly in its elaboration of human intimacy. To read his prose is to be incarcerated in the situations of his characters; indeed, it is to be very nearly overwhelmed by them. ... Brodkey moved forward with new forms for rendering human consciousness. His protagonist was, almost always, "a mind shaped like a person." The action consisted of that mind discovering its thoughts. [more inside]
Joseph Mitchell was a reporter. It's tempting to say his beat was the waterfront, but though he's certainly the poet laureate of the Fulton Fish Market, this would be too literal-minded and geographically limiting. His beat was the margins, including the metaphysical margin of life itself. Mitchell invented a temporal dimension for his stories, a strange and twilit place—Mitchell Time—where a density of historical fact and the feeling of whole eras fading from view are sharply juxtaposed with scenes of cinematic immediacy related in the present tense. A cozy aura of death pervades his work, which often features oldsters experiencing the chilling fear of its approach while gleefully playing hide-and-seek with the reaper. - The Village Voice [more inside]
As much as any book I know, Crippled Detectives transcribes the dream state, not just in its flights of fancy and logic-jumping juxtapositions, but in the mutating narrative tactics, the topsy-turvy focus (the climax is over in a flash, whereas digressions distend to marvelous effect), and especially the inconsistent point of view... I forgot to mention that Lee Tandy Schwartzman was all of seven years old when she wrote it.
Zombie Baby, Fucking Jane Austen, The Last Witch Hunter, Abraham Lincoln: Vampire Hunter, American Bullshit, Better Living Through Chemistry... just some of the titles that made this year's Black List, a list of the best unproduced screenplays of the year as voted on by industry insiders. LA Times and Deadline Hollywood have pieces on it and here's an October audio interview with Franklin Leonard, creator of the Black List. In past years, aspiring screenwriters could find PDFs of the scripts online. It's gonna be a lot harder now.
"The modern hand-written love letter is dead," says Doyle. "That is the consensus. People communicate differently now – though not necessarily without meaning. They still are learning to get to know each other through the written word." Love written digitally may not have the romantic image of quill and ink (though ink-stained fingers may also have dampened some ardour in the old days), but the new medium doesn't necessarily harden the heart. Think only of the popularity of dating websites, which prove that communicating feelings of hope and tenderness in text continues to thrive in certain quarters. ~ The dying art of the billet doux
Guillermo del Toro talks about vampires, movies, Lovecraft, adaptations, fairytales and art.
Archives of the Fellows from the Kelly Writers House - mp3s and videos from some great writers, including David Milch, Joyce Carol Oates, Joan Didion, Art Spiegelman, EL Doctorow, Richard Ford, Robert Creeley and many others.
Platt Rogers Spencer was born in 1800 near the Hudson River. His family was too poor to afford paper so Spencer practiced on whatever was handy – leaves, bark, snow and sand – everything was a canvas for handwriting. [more inside]
Page: 1 2