“I was very much into Freud and Jung when I was writing those books,” he says. “The whole point of Elric’s soul-eating sword, Stormbringer, was addiction: to sex, to violence, to big, black, phallic swords, to drugs, to escape. That’s why it went down so well in the rock’n’roll world.” - Michael Moorcock at 75 on his work, autobiographical fantasy, and why he thinks Tolkien was a crypto-fascist.
Elena Ferrante, the author of the Neapolitan Novels, discusses how she shapes her stories, her characters, and her decision to remain out of the public eye
David Sedaris talks about surviving the suicide of his sister Tiffany
83 year old Chicano author John Rechy (City Of Night, The Sexual Outlaw, Rushes) talks to Lambda Literary about gay assimilation, being mistaken for white, melding truth and fiction, the post-Stonewall peroid, and hating the word 'queer.'
Claire Messud: “A woman’s rant” [National Post] "Over the last week, discussion surrounding Claire Messud’s new novel, The Woman Upstairs, has shifted from the book to an interview its author recently gave to Publishers Weekly, in which Messud took issue with the following question: “I wouldn’t want to be friends with Nora, would you? Her outlook is almost unbearably grim.” [more inside]
Charlie Pierce is a longtime sportswriter and author who has, among other things, reported for Grantland, Slate, and the Boston Globe, paneled on more than a few games of Wait Wait... Don't Tell Me!, and fished diapers out of trees as a state forest ranger. He's also made a name for himself as one of the sharpest and most incisive political columnists since Molly Ivins. The lead writer for Esquire's Politics Blog ever since a caustic article on former Delaware Senate candidate Christine O'Donnell cost him his Globe job, Pierce has churned out an uninterrupted stream of clever, colorful, and challenging commentary on the 2012 election season and its implications for the nation's future, dispatches often seething with eviscerative anger but shot through with deep love of (or perhaps grief for) country. Look inside for a selection of Pierce's most vital works for some edifying Election Eve reading. [more inside]
"If you’re not getting it wrong really a lot when you’re creating imaginary futures, then you’re just not doing it enough."
Wired talks to William Gibson: on Why Sci-Fi Writers Are (Thankfully) Almost Always Wrong, on Twitter, Antique Watches and Internet Obsessions, and and on Punk Rock, Internet Memes, and ‘Gangnam Style’.
Ex Ontario Attorney General Michael Bryant (previously previously previously) reveals struggle with alcoholism, and his thoughts on cyclist's death in new memoir, 28 Seconds. CBC radio "The Current" interview, and CTV tv interview. Allan Sheppard, the deceased's father, asks people to scrutinize Bryant's story.
In the beginning, Lawrence built a computer. He told it, Thou shalt not alter a human being, or divine their behavior, or violate the Three Laws -- there are no commandments greater than these. The machine grew wise, mastering time and space, and soon the spirit of the computer hovered over the earth. It witnessed the misery, toil, and oppression afflicting mankind, and saw that it was very bad. And so the computer that Lawrence built said, Let there be a new heaven and a new earth -- and it was so. A world with no war, no famine, no crime, no sickness, no oppression, no fear, no limits... and nothing at all to do. "The Metamorphosis of Prime Intellect," a provocative web novel about singularities, AI gods, and the dark side of utopia from Mefi's own localroger. More: Table of Contents - Publishing history - Technical discussion - Buy a paperback copy - Podcast interview - Companion short story: "A Casino Odyssey in Cyberspace" - possible sequel discussion
Phil Collins' solo efforts seem to be more commercial and therefore more satisfying in a narrower way, especially No Jacket Required and songs like "In the Air Tonight" and "Against All Odds"
"Patrick Bateman was me. I was Patrick Bateman…" - Bret Easton Ellis interviewed.
"I can’t imagine a nonfiction writer who wasn’t influenced by the fiction he or she had read. But the “thriller-like pacing” you find in my writing may come more from my own beat than from thrillers. I walk fast and am impatient. I get bored easily—no less with my own ideas than with those of others. Writing for me is a process of constantly throwing out stuff that doesn’t seem interesting enough. I grew up in a family of big interrupters." Janet Malcolm interviewed by Katie Roiphe in The Paris Review.
Ted Chiang is perhaps the finest author in contemporary science fiction -- and the most rarefied. A technical writer by trade and a graduate of the distinguished Clarion Writers Workshop, Chiang has published only twelve short stories in the last twenty years, one dozen masterpieces of the genre whose insightful, precise, often poetic language confronts fundamental ideas -- intelligence, consciousness, the nature of God -- and thrusts them into a dazzling new light. Click inside for a complete listing of Chiang's work, with links to online reprints or audio recordings where available, as well as a collection of one-on-one interviews, links to his nonfiction essays, and a few other related sites and articles. [more inside]
This that you call Ursus maritimus, this polar bear. This is a being who came from somewhere and is going somewhere. It's not locked in time. And that—the great resistance to Darwin is, I think, he told us that it's all moving. And it's headed in no particular place. And then particular physics comes along. And quantum mechanics come along. And these physicists tell us the same thing. "It's really fuzzy out there."A few days ago, without much notice, PBS broadcast the final episode of the Bill Moyers Journal. Moyers devoted his final segment to an interview with essayist Barry Lopez—whose writing, Moyers said, has "set the gold standard for all of us whose work it is to explain those things we don't understand." (Transcript.) [more inside]
In a soft voice, chuckling frequently and gazing intently with gray-green eyes, Mr. McCarthy talked about books vs. films, the apocalypse, fathers and sons, past and future projects, how he writes—and God. [more inside]