Creative writing professor Hanif Kureishi says such courses are 'a waste of time' [The Guardian]
Buddha of Suburbia author, who teaches subject at Kingston University, added that many of his students could 'write sentences' but not tell stories.
Legendary science fiction editor Gardner Dozois once said that the job of a science fiction writer was to notice the car and the movie theater and anticipate the drive-in – and then go on to predict the sexual revolution. I love that quote, because it highlights the key role of SF in examining the social consequences of technology – and because it shows how limited our social imaginations are. Today, we might ask the SF writer to also predict how convincing the nation’s teenagers to carry a piece of government-issued photo ID (a driver’s license) as a precondition for participating in the sexual revolution set the stage for the database nation, the idea that people are the sort of thing that you count and account for, with the kind of precision that the NSA is now understood to bring to the problem.
Meghan McCarron interviews Kelly Link for Gigantic magazine. They talk about The Vampire Diaries, fanfic, patterns in stories and the craving for distortion, among other topics. Great news for Link fans: she has a new short story collection, Get in Trouble, coming out in 2015 and is working on a novel!
Why Writers Are the Worst Procrastinators "Over the years, I developed a theory about why writers are such procrastinators: We were too good in English class. This sounds crazy, but hear me out."
"If you want to predict the future, just think about how bad it could be and make a joke out of it, and there you go."
Ed Neumeier on the writing of the original RoboCop.
Ed Neumeier on the writing of the original RoboCop.
These days, the idea of being a “good reader” or a “good critic” is very much out of fashion — not because we believe that such creatures do not exist, but because we all identify as both. The machine of consumerism is designed to encourage us all to believe that our preferences are significant and self-revealing; that a taste for Coke over Pepsi, or for KFC over McDonald’s, means something about us; that our tastes comprise, in sum, a kind of aggregate expression of our unique selfhood. We are led to believe that our brand loyalties are the result of a deep, essential affinity between the consumer and product — this soap is “you”; this bank is “yours” — and social networking affords us countless opportunities to publicise and justify these brand loyalties as partial explanations of “who we are”.
How Iowa Flattened Literature
The Iowa Writers’ Workshop emerged in the 1930s and powerfully influenced the creative-writing programs that followed. More than half of the second-wave programs, about 50 of which appeared by 1970, were founded by Iowa graduates. Third- and fourth- and fifth-wave programs, also Iowa scions, have kept coming ever since. So the conventional wisdom that Iowa kicked off the boom in M.F.A. programs is true enough. [...] Over the past 40 years, creative writing’s small-is-beautiful approach has served it well, as measured by the discipline’s explosive growth while most of its humanities counterparts shrink and cower. The reasons for this could fill many essays. For one thing, creative writing has successfully embedded itself in the university by imitating other disciplines without treading on their ground. A pyramid resembles a pedagogy—it’s fungible, and easy to draw on the board. Introductory math and physics professors like to draw diagrams too, a welcome analogy for a discipline wishing both to establish itself as teachable and to lengthen its reach into the undergraduate curriculum, where a claim of pure writerly exceptionalism won’t cut it.
Last week's episode of True Detective featured a stirring tent-revival sermon from a wildly charismatic preacher. It was heavily edited with dialogue between the stars of the show. Nic Pizzolatto (the writer/creator of the series) thought it so good, he released the full 6-minute sermon for you to enjoy. [more inside]
Laura is super passionate about girls fighting evil, creating collages with short stories about various groups of girls fighting off demons - from radio DJs and the interns at Night Vale, to Dorothy Gale, travelers, and of course Beyonce. Sometimes the girls are helping the demons: evil counterparts to Cinderella, Belle, and Snow White, the underwater orchestra, even the underlord's admin assistant. Sometimes they fight each other; sometimes they fight themselves. Some of these fighters are real. Sometimes they'll let you borrow their style.
The extended setting of the Harry Potter series is fertile soil for fans interested in worldbuilding, especially since the release of Pottermore (previously), a companion site to the books that includes back-story and adjunt information direct from J.K. Rowling. Some of these worldbuilding projects include explorations on wizarding fashion, magical education (including other magical schools), fantastic beasts (and perhaps where to find them), Muslims at Hogwarts, and the next generation of Hogwarts students. [more inside]
Jorge Luis Borges called the stories of Craig Strete “shattered chains of brilliance.” Salvador Dali said, “like a new dream, his writings seizes the mind.” First published in1974 and then again in 1977, [The Bleeding Man] has its foreward written by none other than the great Virginia Hamilton who dubs him “the first American Indian to become a successful Science Fiction writer” and says that “the writing is smooth and unassuming, and yet the fabric of it is always richly textured.” The Bleeding Man and many other out-of-print titles by Strete are available in eBook format[s (PDF, PRC, ePUB)] for free. [more inside]
You might not know me, but I’m famous. Don’t feel bad. Until recently, I didn’t know I was famous either, and most days, even now, it’s hard to tell.
I had done all the research I was going to do, assembled enough material to fill a silo. And now I had no idea what to do with it - John McPhee, on narrative structure. [more inside]
If you think monkeys are fascinating and you want to understand and be of value to them, it's not enough to be an expert on what monkeys should ideally eat. You have to understand what monkeys actually eat.
2013 had a lot of great longform writing. Longreads and Longform lead the way with their best of lists. Lots of sites provided year end lists: The American Prospect, The Atlantic, Business Week Buzzfeed, The Daily Beast, Dazed Digital, Deadspin, Esquire UK, Flavorwire, Gawker, Inc., Impose Magazine, Indiewire, i09, Lifehacker, Maclean's, Mashable, Mother Jones, National Geographic, National Journal, The New Yorker, On Earth, Out, Pocket, ReadWrite, Slate, Spin, Sports on Earth, The Electric Typewriter, The Verge, The Voice Media Group, and The Washington Post. [more inside]
“A writer who waits for ideal conditions under which to work will die without putting a word on paper.” The daily routines of famous writers. [more inside]
When I published my first novel 20 years later, I found myself faced with the same challenge: how do I talk about this book to people whose entire conception of science fiction and fantasy are built around Star Wars and The Hobbit? How do I convince folks that stories about the dissolution of a marriage in Montreal in 2155 are just as serious an endeavor as writing about the dissolution of a marriage in Montreal 1955?
Hey! It looks like you're trying to write an original character for your fiction/fanfic/RPG, why not run it through The Universal Mary Sue Litmus Test and make sure you're not actually writing a self-insert wish-fulfillment fantasy.
Stuck on that novel or just looking for some writing inspiration? Swing by the WritingPrompts subreddit for a wealth of clever prompts, each with a different set of constraints. Be sure to browse the stories submitted in the comments. [more inside]
The 2013 Black List has been released. For those unfamiliar, the “Black List” is a list of the most liked unproduced screenplays circulating around Hollywood, as voted on by over 250 film executives, and past Black List scripts include The Social Network, Saving Mr. Banks, The King’s Speech, and Slumdog Millionaire.
Having trouble coming up with an idea or a SEO friendly title for your next web article? Portend's Content Idea Generator comes to the rescue.
Demand Media, once valued higher than the New York Times, is seeing a rapid decrease in profits because of Google changing its search algorithms. Does this mean the beginning of the end for "content farms"?
The city is a fountain that never stops: it generates its energy from the human interactions that take place in it. Unfortunately, we’re getting to a point where many of New York’s citizens have been excluded from this equation for too long. David Byrne comments on New York's hospitability to creative types.
In the UK Guardian: Eight passages of raunchy prose are in contention for Literary Review's bad sex in fiction award. [some passages are ikky to read] [more inside]
"He logged onto the central network using his personal computer, and waited while the system verified his identity. With a few keystrokes he entered an electronic ticketing system, and entered the codes for his point of departure and his destination. In moments the computer displayed a list of possible flights, and he picked the earliest one. Dollars were automatically deducted from his personal account to pay for the transaction." -- If all stories were written like science fiction stories, by Mark Rosenfelder.
"You are standing in a hallway at nine in the morning, facing a dining room/kitchen to the south. To the west are stairs up. To the north is an office." -- The Writing Life as interactive fiction, as lived through by Patricia C. Wrede.
On the Lovecraftian Mode - Gord Sellar on why he writes lovecraftian fiction. Elizabeth Bear on the same question. I. N. J. Culbard on adapting Lovecraft.
Hey, scholars, academics, and assorted geeks: Palgrave MacMillan is offering their first 100 Palgrave Pivots (midlength academic writings from around 25,000 to 50,000 words) for free until 11/1 at 1:00 p.m. GMT. Go!
Infographic shows you how award-winning science fiction is born - From Jeff Vandermeer (and collaborators) Wonderbook: The Illustrated Guide to Creating Imaginative Fiction. Trailer, website, interview.
In February 1963, a new publication took advantage of the New York City printers strike and launched with a daring editorial: It does not, however, seek merely to fill the gap created by the printers’ strike in New York City but to take the opportunity which the strike has presented to publish the sort of literary journal which the editors and contributors feel is needed in America. The New York Review of Books is now 50. [more inside]
Buzzfeed without the GIFs - for those that love Buzzfeed's writing but can't stand the pesky GIFs getting in the way.
For your October delight: Top 10 horror movies, as picked by Guardian critics, Ten Exceptionally Well-Written Horror Films, Top Ten Horror-Sci-Fi Films: A Primer And Pseudo-History, The 12 Weirdest Vampire Movies Ever Made, The Top Grossing Scary Movies Of All-Time, and, perhaps most importantly of all: The 25 best horror films on netflix instant.
The Pen is Mightier than The Diving Elbow Drop Lucha Libre is Mexico's answer to wrestling. Fighters put on masks an duke it out in the ring. In Peru they have Lucha Libro where aspiring authors put on masks go on stage where they are given 3 random words with which they are given 5 minutes to write a short story. The loser has to take off his mask. The winner goes onto another round. The grand prize winner receives a book contract.
The most Irish island in the world. Booker Prize winning author Anne Enright travels to the edge of Newfoundland. (single page version, may trigger printer).
Why I Hate the Goldberg Variations, by Jeremy Denk, whose new (lovely) recording of the Goldberg Variations is now streaming on NPR. Also by Denk: Hannibal Lecter's Guide to the Goldberg Variations, which explores the famous cannibal killer through the lens of Bach. This is Your Brain on the Goldberg Variations, which gets in-depth on just how the Variations vary.
Writing advice from Oates, Wolfe, Levine, Pynchon, Stein, Welty, DeLillo, Chekhov, Gallant, and Elkin; Baldwin, Miller, Morrison, Vonnegut, Atwood, Nabokov, and Stein again; Maugham, Hughes, Duras, Orwell, Ashbery, Sontag, Creeley, and Steinbeck; O'Connor, Baxter, Didion, Yeats, Hejinian, Cocteau, du Plessix Gray, and Bolaño; Waldrop, Cary, Pessoa, Amis, Carroll, Atwood, and Le Guin; Vinge, Williams, Crane, Creeley once more, Gallant, Vargas Llosa, Mathews, and Wolfe again. [more inside]
Once upon a time, typographical practice was anarchy. Printers put in all sizes of spaces in haphazard ways, including after periods. Then, a standard emerged: the single space after a period. Unfortunately, the evil typewriter came along, and for some unknown reason, people began to put wider double spaces after periods. Typographers railed against the practice, but they could do nothing. [more inside]
The Writer As Reader: Melville and his Marginalia In the General Rare Books Collection at Princeton University Library sits a stunning two-volume edition of John Milton that once belonged to Herman Melville. Melville's tremendous debt to Milton — and to Homer, Virgil, the Bible, and Shakespeare — might be evident to anyone who has wrestled with the moral and intellectual complexity that lends Moby Dick its immortal heft, but to see Melville's marginalia in his 1836 Poetical Works of John Milton is to understand just how intimately the author of the great American novel engaged with the author of the greatest poem in English. Checkmarks, underscores, annotations, and Xs reveal the passages in Paradise Lost and other poems that would have such a determining effect on Melville's own work.