Since its last*
appearance in the blue, yWriter
has been updated to version 5. Designed specifically for novels
, this freeware "contains no adverts, unwanted web toolbars, desktop search programs or other cruft".
posted by Trurl
on Feb 11, 2012 -
CBC Radio's Day 6
is holding a contest
to break, in one sentence, all of Elmore Leonard's 10 writing rules.
posted by anothermug
on Jan 28, 2012 -
"To really love Joan Didion—to have been blown over by things like the smell of jasmine and the packing list she kept by her suitcase—you have to be female. … Women who encountered Joan Didion when they were young received from her a way of being female and being writers that no one else could give them. She was our Hunter Thompson, and Slouching Towards Bethlehem
was our Fear and Loathing in Las Vegas
. He gave the boys twisted pig-fuckers and quarts of tequila; she gave us quiet days in Malibu and flowers in our hair. … Ultimately Joan Didion’s crime
—artistic and personal—is the one of which all of us will eventually be convicted: she got old. Her writing got old, her perspective got old, her bag of tricks didn’t work anymore."
posted by Houyhnhnm
on Jan 11, 2012 -
In the beginning, Lawrence built a computer. He told it, Thou shalt not alter a human being, or divine their behavior, or violate the Three Laws -- there are no commandments greater than these.
The machine grew wise, mastering time and space, and soon the spirit of the computer hovered over the earth. It witnessed the misery, toil, and oppression afflicting mankind, and saw that it was very bad. And so the computer that Lawrence built said, Let there be a new heaven and a new earth
-- and it was so. A world with no war, no famine, no crime, no sickness, no oppression, no fear, no limits... and nothing at all to do. "The Metamorphosis of Prime Intellect,"
a provocative web novel about singularities, AI gods, and the dark side of utopia from Mefi's own localroger
. More: Table of Contents
- Publishing history
- Technical discussion
- Buy a paperback copy
- Podcast interview
- Companion short story: "A Casino Odyssey in Cyberspace"
- possible sequel discussion
posted by Rhaomi
on Dec 27, 2011 -
has been mentioned before
on Metafilter as a website that collects the best writing around the web. Over the past 3 days they've been posting their year end list of the best essays from 2011. The full annotated list is after the jump. [more inside]
posted by codacorolla
on Dec 26, 2011 -
Elias Canetti is regarded by many as one of the century’s most distinguished writers. At least since he was awarded the Nobel Prize, in 1981, he has been regularly compared, if not to Proust or Joyce or Mann, then certainly to his Viennese brethren Robert Musil and Hermann Broch. Yet one suspects that, in America at leasts Canetti’s works have been rather more respected than read. This is particularly true in the case of the two long and difficult books upon which his reputation mainly rests: Auto-da-Fé (1935), his first and only novel, and Crowds and Power (1960), the meticulously idiosyncratic contribution to social theory that he considers his major work.
- Roger Kimball [more inside]
posted by Trurl
on Dec 13, 2011 -
All told, Updike has published more than a million words on books. ... In Picked-up Pieces (1975), Updike’s second collection of essays, he lists his rules for reviewing... Without coyness, Updike renders a stern judgment based on telling quotation. He builds toward his findings in plain sight, earning him an authority that is based on his presentation of a plausible case. [more inside]
posted by Trurl
on Dec 11, 2011 -
In reflecting on the project, McAllister feels “caught between the intimacy of each individual response, and the pattern of the cumulative replies.” The question remains: Why did they answer? McAllister claims no credit, describing his survey form as “barely literate.” He recalls that in his cover letter (no examples of which exist) he misused the word precocious—he meant presumptuous—and in hindsight he sees that he was both, though few writers seemed to mind. “The conclusion I came to was that nobody had asked them. New Criticism was about the scholars and the text; writers were cut out of the equation. Scholars would talk about symbolism in writing, but no one had asked the writers.” Sixteen year old boy dislikes English homework, goes outside the chain of command.
posted by villanelles at dawn
on Dec 5, 2011 -
Shakespeare was not a full-time writer without other responsibilities, like O’Neill or Williams. But what might look like a distraction for such authors—acting in his own and other people’s plays, coaching fellow players, helping manage the ownership of the troupe’s resources (including its two theaters, the Globe and Blackfriars)—was a strength for Shakespeare, since it made him a day-by-day observer of what the troupe could accomplish, actor by actor. [...]Shakespeare and Verdi in the Theater.
posted by shakespeherian
on Nov 18, 2011 -
'According to Pacini,' Julian Budden writes in The Operas of Verdi, 'it was the custom at the San Carlo theatre, Naples, for the composer to turn the pages for the leading cello and double bass players on opening nights.' The composer had to change his score to fit new voices if there were substitutions caused by illness or some other accident. In subsequent performances, he was expected to take out or put in arias for the different houses, transposing keys, changing orchestration. He was not a man of the study but of the theater.
In which "the author tries—and fails—to cash in on a big idea"
. Warning: skippable full-screen ad alert. Behind it is an article in the Atlantic (the magazine, not the ocean). Of possible interest to fans and critics of the popular science genre of books, Wikipedians, and underdog/failure sympathisers.
posted by nthdegx
on Nov 18, 2011 -
Afflicted with writer's block? Need an extra dose of motivation? Written? Kitten!
rewards you with a brand new kitty for every hundred words you write.
posted by changeling
on Nov 16, 2011 -
For decades Dawn Powell was always just on the verge of ceasing to be a cult and becoming a major religion. But despite the work of such dedicated cultists as Edmund Wilson and Matthew Josephson, John Dos Passos and Ernest Hemingway, Dawn Powell never became the popular writer that she ought to have been. In those days, with a bit of luck, a good writer eventually attracted voluntary readers and became popular. Today, of course, "popular" means bad writing that is widely read while good writing is that which is taught to involuntary readers. Powell failed on both counts. She needs no interpretation and in her lifetime she should have been as widely read as, say, Hemingway or the early Fitzgerald or the mid O'Hara or even the late, far too late, Katherine Anne Porter. But Powell was that unthinkable monster, a witty woman who felt no obligation to make a single, much less a final, down payment on Love or The Family; she saw life with a bright Petronian neutrality, and every host at life's feast was a potential Trimalchio to be sent up.
- Gore Vidal
posted by Trurl
on Nov 12, 2011 -
is an exciting new international journal dedicated to literary translation and bringing together in one place the best in contemporary writing. We are interested in encounters between languages and the consequences of these encounters. Though a translation may never fully replicate the original in effect (thus our name, 'asymptote': the dotted line on a graph that a mathematical function may tend towards but never reach), it is in itself an act of creation."
posted by beshtya
on Nov 5, 2011 -