is a podcast in which comics writer and former Rock Paper Shotgun journalist Kieron Gillen (X-Men, Thor, Phonogram
) talks to artists and writers about the process involved in writing a single issue of a comic. Decompressed 6
broke format and is instead a discussion with Mark Waid
and Matt Fraction
about scripting comics using the "Marvel Method"
, or "plot first" - in which the artist draws the comic from a story outline and dialogue is added later, rather than the writer supplying a panel by panel script. For a while out of favour even at Marvel, the method is seeing a resurgance. The podcast page contains visual aids, and embedded version of the podcast, the script of DEFENDERS #9 complete with B&W art and additional links, including links to Warren Ellis’ 3-part tutorial on writing comics (1
). Jamie McKelvie
and a vultue put in guest appearances. Further example comicbook scripts are available at the Comic Book Script Archive
posted by Artw
on Aug 26, 2012 -
Cynthia Ozick on Henry James: The Lesson of the Master: ...in earlier days I felt I had been betrayed by Henry James. I was like the youthful writer in “The Lesson of the Master” who believed in the Master’s call to live immaculately, unspoiled by what we mean when we say “life”—relationship, family mess, distraction, exhaustion, anxiety, above all disappointment.
posted by shivohum
on Aug 21, 2012 -
"Last week, I graduated from the 2012 Clarion Writer’s Workshop. And everything people tell you about it is true—it’s incredible, it’s transformative, it will make you into the writer you were meant to be, it builds unbreakable bonds with a ton of other brilliant writers. AND you’ll be devastated when it’s over. As I attempt to process my grief at Clarion’s end, I thought I would transcribe the copious notes that I took during the course of those six weeks." Clarion 2012: Every Brilliant Piece of Writing Advice
posted by Artw
on Aug 14, 2012 -
Food writing’s shameful secret, wrote John Thorne his seminal essay, “Cuisine Mécanique”,
is its intellectual poverty. John himself is a notable exception. He is one of those rare authors who have the gift of transporting us into a world of their own creation which we are happy to occupy for a while in preference to any other. They are Virgils to our Dante, showing us around the territory and introducing us to the natives. In these magic realms, strangers speak to us immediately as old friends; arriving unexpectedly at dinner time, we find a place already set for us. [more inside]
posted by Egg Shen
on Aug 11, 2012 -
A fascinating interview with Vince Gilligan, showrunner of Breaking Bad.
The questions are as excellent as the answers.
This points to that quality of improvisation with the work you’re doing. In a traditional crime show, like “CSI,” if it were a big band, it’s a big band working off charts. The arrangements are very tightly controlled. And what I sense with “Breaking Bad” is a sense of, I don’t know, “John Coltrane on acid.” You have this sense of improvisation where you go with things you know, where you tell the story the length it needs to be told. You’re inspired collectively by a moment and you decide to go deeper into that moment. You’re in essence leading a parallel life with your characters and letting those characters take you where they want to go — not necessarily where the dictates of commercial convention say they have to go.
Meanwhile, Alan Sepinwall asks actors Bryan Cranston (2)
and Aaron Paul
about some of their most iconic moments on the show. [more inside]
posted by Rory Marinich
on Jul 25, 2012 -
To Use and Use Not: [NYTimes.com]
"In an interview in The Paris Review in 1958
Ernest Hemingway made an admission that has inspired frustrated novelists ever since: The final words of “A Farewell to Arms
,” his wartime masterpiece, were rewritten “39 times before I was satisfied.” A new edition of “A Farewell to Arms,” which was originally published in 1929, will be released next week, including all the alternate endings, along with early drafts of other passages in the book."
posted by Fizz
on Jul 8, 2012 -
In 1891 author and lecturer ”Max O’Rell
” (being the pen name of one Léon Paul Blouet) published an amusing account of his travels through the States and Eastern Canada - "A Frenchman In America
" - that, along with the charming illustrations, reflect on then popular national stereotypes and character and is presented on Project Gutenberg in its entirely. (via
posted by The Whelk
on Jul 7, 2012 -
"I had these clubs when I was a young bachelor, hair down to my shoulders, tearing up the town in a 1990 Volvo 740 SEL with the sunroof open and the road before me like some great American Dream ready to be snatched, the way candy is from a baby, or a kiss from an easy and drunk woman."
Writer Marc Lewis
is selling his awful golf clubs.
posted by mattdidthat
on Jun 29, 2012 -
“[...] it took more than a dozen calls to work out the details of her zombie contagion. “After about the 17th time,” says McGuire, “I called and said, ‘If I did this, this, this, this, this, this and this, could I raise the dead?’ And got, ‘Don’t … don’t do that.’ And at that point, I knew I had a viable virus
posted by batmonkey
on Jun 27, 2012 -
1,143,839,622,748,050,000,000,000,000 Sonnet Anagrams
and oodles of other oddities
from Mike Keith involving constrained writing, mathematics, music, and the number π.
posted by Wolfdog
on Jun 26, 2012 -
is a simple tool for telling stories
, and a public library of human experience
, incorporating text
, and characters
. These are the Sagas so far.
posted by Potomac Avenue
on Jun 13, 2012 -
The Hemingway Papers:
The legendary writer’s reporting from the Toronto Star archives, featuring historical annotations by William McGeary, a former editor who researched Hemingway’s columns extensively for the newspaper, along with new insight and analysis from the Star’s team of Hemingway experts.
posted by Fizz
on May 28, 2012 -
The game that you fell in love with as a child will seem lost; a thump on the floorboard of your new Mercedes, swerved at high speeds to avoid a shadow in the night. The sights and sounds and smells of football, sensual memories that stir the passions in the soul, will be reconceived and recategorized, buried behind newer, odorless versions.
Former Bronco Nate Jackson offers wisdom on the trappings of stardom to two young draftees
posted by swift
on May 1, 2012 -
Earth, 2147. The legacy of the Metal Wars, where man fought machines—and machines won. Bio-Dreads — monstrous creations that hunt down human survivors... and digitize them!
In 1987, before he created Babylon 5, J. Michael Straczynski was a writer for Captain Power and the Soldiers of the Future
, a live-action sci-fi show for kids. 24 episodes were produced. Straczynski wrote or co-wrote 14 of them, including multi-episode plot arcs. A line of interactive toys
brought the battle into kids’ living rooms, and Captain Power
was also one of the very first shows on television to feature computer animation in every episode. But in an attempt to appeal to both children and the adults who watched with them, the campy show included some concepts and scenes critics deemed too violent for children and lasted only a single season in syndication. The full run of the show has now been uploaded to Youtube. [more inside]
posted by zarq
on Apr 1, 2012 -
"I get up every morning at 5, go for a half-hour walk in the desert, come home and have a cup of coffee, sit down at the desk and ask myself what I would say if I were him, and what I would do if I were her. I think curiosity is actually a moral virtue. I think a person who is curious is slightly more moral than one who is not curious, because sometimes he enters into the skin of another. I think a curious person is even a better lover than one who is not curious. Even my political approach to the Palestinian question, for example, sprang from curiosity. I am not a Middle East expert or a historian or a strategist. I simply asked myself, at a very young age, what it would be like if I were one of them. So, that’s what I do − get up in the morning and ask myself: What if?"
- Israeli writer Amos Oz reflects on his life, on Israel, on writing, and discusses his newest work [more inside]
posted by beisny
on Mar 29, 2012 -
In June 1979, I left Paris, returning home to San Francisco without saying farewell to Barthes. Why advertise my failure? I left Paris without fulfilling my reason for coming. His letter arrived in October. Barthes explained that he was retiring from the Ecole des Hautes Etudes at the end of the year. If I wished to complete my thesis under his direction, then I would have to have it written and in his hands by the 15th of December. No extension was possible. The date was a deadline. "A vous de jouer," he wrote. "Your move."
- Deadline [pdf]
by Stewart Lindh, Roland Barthes' last doctoral student, is an account of how he wrote his Ph.D. thesis.
posted by Kattullus
on Mar 18, 2012 -
Are you thinking what I’m thinking? Don’t even go there! You know as well as I do, I’ve literally been there, done that, bought the t-shirt and to be honest with you at the end of the day when push comes to shove and it all boils down to it if you’re not part of the solution, you’re part of the problem. Know what I mean? Basically, what I’m trying to say is with all due respect between you and me screenwriting is not rocket science, it’s about breaking the mold, thinking outside the box, giving it 110% 24/7. And I think we can all agree clichés suck but, hey, it’s a job. You gotta do what you gotta do. Just remember you’re writing for an audience and there’s no “I” in . . . you get the picture.
Definitive List of Cliched Dialogue
, Go Into The Story
posted by ob1quixote
on Mar 11, 2012 -