"I can’t imagine a nonfiction writer who wasn’t influenced by the fiction he or she had read. But the “thriller-like pacing” you find in my writing may come more from my own beat than from thrillers. I walk fast and am impatient. I get bored easily—no less with my own ideas than with those of others. Writing for me is a process of constantly throwing out stuff that doesn’t seem interesting enough. I grew up in a family of big interrupters." Janet Malcolm interviewed by Katie Roiphe in The Paris Review
posted by escabeche
on Jul 25, 2011 -
There is no paradigm for this kind of place. Accidental Norbiton is contingent, marginal, superfluous, an ugly necessity; it is like the wires coiled under your desk, behind your bookcases; it is like the suitcases gathering dust under your bed, on top of your wardrobe; an adjunct to living, part of the logistics, the bureaucracy, never what you might call life itself, the movement and centre and focus of which seem to prevail elsewhere.
Perfect, then, for a life of accidental failure. Welcome to Norbiton
. [more inside]
posted by carsonb
on Jul 23, 2011 -
OK, so you've partly written a novel, but you're having trouble finishing the damn thing. What to do? Summon stamina, press on, and be proud of your literary success? Or, post your abandonment for all the world to see! Ladies and gentlemen, a place for your unfini--
posted by anothermug
on Jul 12, 2011 -
Joseph Mitchell was a reporter. It's tempting to say his beat was the waterfront, but though he's certainly the poet laureate of the Fulton Fish Market, this would be too literal-minded and geographically limiting. His beat was the margins, including the metaphysical margin of life itself. Mitchell invented a temporal dimension for his stories, a strange and twilit place—Mitchell Time—where a density of historical fact and the feeling of whole eras fading from view are sharply juxtaposed with scenes of cinematic immediacy related in the present tense. A cozy aura of death pervades his work, which often features oldsters experiencing the chilling fear of its approach while gleefully playing hide-and-seek with the reaper.
- The Village Voice [more inside]
posted by Trurl
on Jul 10, 2011 -
Roger Ebert has discovered the Macmillan Reader's Edition of The Great Gatsby
and he hates it: "This is an obscenity."
Macmillan Reader's Editions are geared to ESL students
. Ebert thinks that's a really bad idea: "Why not have ESL learners begin with Young Adult novels? Why not write books with a simplified vocabulary? Why eviscerate Fitzgerald?" [more inside]
posted by CCBC
on Jul 8, 2011 -
As much as any book I know, Crippled Detectives transcribes the dream state, not just in its flights of fancy and logic-jumping juxtapositions, but in the mutating narrative tactics, the topsy-turvy focus (the climax is over in a flash, whereas digressions distend to marvelous effect), and especially the inconsistent point of view... I forgot to mention that Lee Tandy Schwartzman was all of seven years old when she wrote it.
posted by Trurl
on Jun 27, 2011 -
Anatomy of a Writer. "Like the protagonist of 1984, who risked his life to purchase a notebook and signed it away by filling it with words, writers sometimes find themselves huddled in a corner, crouching onto their guilty pleasure protectively, hoping that their spouse, or friends won’t catch them at it."
posted by Phire
on Jun 26, 2011 -
One night, I awoke out of a dead sleep, and jumped to my computer, and instantly began typing up an article about David Letterman. I kept going for ten minutes, until I realized I had dreamed it all. There was no article to write; I was simply typing up the same meaningless phrases that we all always used: “LADY GAGA PANTLESS ON LATE NIGHT WITH DAVID LETTERMAN,” or some such.
AOL Hell: An AOL Content Slave Speaks Out.
posted by Horace Rumpole
on Jun 17, 2011 -
"What I'm asking is this: Are screenwriters now affected by "spoiler culture" before they even begin the writing process? If you know a twist will be unavoidably revealed before the majority of people see the work itself, and if you concede that selling and marketing a film with a major secret will be more complicated for everyone involved … would you even try? Would you essentially stop yourself from trying to write a movie that's structured like The Sixth Sense?" Are Spoilers Flipping the Script?
posted by Brandon Blatcher
on Jun 17, 2011 -
Listen to a conversation between
legendary American crime novelist Raymond Chandler and James Bond inventor Ian Fleming recorded by the BBC in 1958. The talk ranges from Mafia hits to the nature of villainy to the difference between English and American thriller.
posted by Bookhouse
on Jun 12, 2011 -
The public pillorying of Janet Malcolm is one of the scandals of American letters. ... why is it Malcolm, a virtuoso stylist and a subtle, exciting thinker, who drives critics into a rage? What journalist of her caliber is as widely disliked or as often accused of bad faith? And why did so few of her colleagues stand up for her during the circus of a libel trial that scarred her career? In the animus toward her there is something almost personal. [more inside]
posted by Trurl
on Jun 1, 2011 -
This is not an attempt to tweet mindlessly the entire contents of
Ulysses, word-for-word, 140 characters at a time. That would be dull and impossible. What is proposed here is a recasting or a reimagining of the reading experience of this novel, start to finish, within the confines of a day-long series of tweets from a global volunteer army of Joyce-sodden tweeps. (previously!)
posted by Trurl
on May 25, 2011 -
Bad (and some so bad they're good) excerpts from bad romance novels. Includes things like: "And as he ground sinuously against her tender flesh, she began to quake and contract, whimpering with tortured delight. Her senses exploded; her very body seemed to dissolve into a fierce, white-hot blast of elemental heat. And in that boundless, exploding star of pleasure she felt his essence mingle with hers as he buried his face in her hair and erupted, pouring his passion into her soft, responsive frame."
posted by fantodstic
on Apr 16, 2011 -
Free Darko calls it quits
. Contributors to the irreverent basketball writing site that Brian Philips describes as "a vintage record shop that radiation turned into a grad student" talk about what Free Darko meant to them. Also, an interview
with Free Darko writer and illustrator Bethlehem Shoals and Jacob Weinstein.
posted by AceRock
on Apr 11, 2011 -
Aboriginal Science Fiction
was started in 1987 to rethink the look and feel of SF magazines; Charles Ryan published it in full sized magazine format, on glossy paper, with four-color interior illustrations and it sold well. Aboriginal
kept up a full schedule
through 1991, when a personal financial crisis nearly shut him down. He kept putting out the occasional issue until 2001, but the irregularity made it hard to find.
Aboriginal courted new writers, one of whom was Robert A. Metzger
, an electrical engineer and laser specialist who wrote quirky, fun hard SF stories. After Aboriginal mostly folded and he got shafted on his first book deal
, he mostly walked away from writing. He's drifted back in a bit since 2001, but fortunately at some point along the way he decided to put some of his boomerang era pieces
online. And that's how it's possible for you to read one of the most haunting, breathtaking short stories I've ever read:
In the Shadow of Bones
posted by localroger
on Mar 17, 2011 -
Amanda Hocking is 26 years old. She has 9 self-published books to her name, and sells 100,000+ copies of those ebooks per month. She has never been traditionally published. ... And it’s no stretch to say – at $3 per book/70% per sale for the Kindle store... there is no traditional publisher in the world right now that can offer Amanda Hocking terms that are better than what she’s currently getting, right now on the Kindle store, all on her own. (related)
posted by Joe Beese
on Mar 1, 2011 -