Chiptune musician Professor Shyguy does a cover of Janelle Monae's Tightrope, and pretty much nails it.
(Mildly NSFW-ish lyrics) Youtube user strizzalo does a slow, sensitive, acoustic cover of The Bloodhound Gang's "The Bad Touch."
The Baseballs are a German rock and roll band founded in Berlin in 2007. They became popular with 50s and 60s style rock cover versions of modern hits such as "Umbrella","Hot n Cold","Call Me Maybe", "Tik Tok", and "Poker Face".
Home-recorded piano cover goodness! Harder Better Faster Stronger - Note for note and Fur Elise Slightly Different. [more inside]
At long last you can finally hear Six Pence None The Richer's 1997 hit "Kiss Me" the way it was intended to be heard, in the original Klingon.
I don't know how this guy got 8-12 perfectly harmonized versions of himself stuck in a Nintendo, or why, but the results are basically pretty amazing. with bonus intruding kitty!
Kathryn Bigelow's striking bin Laden manhunt thriller Zero Dark Thirty arrives in wide release tonight on the heels of a final artful trailer -- one with oddly familiar musical accompaniment. The funereal hymn, a cover of Metallica's "Nothing Else Matters" (lyrics), deftly recasts the 90s power ballad as a haunting dirge of quiet grief, shattered ideals, and a singleminded focus on revenge, a perfect distillation of the film's profoundly grim thesis. But while the song may be fitting, it wasn't composed for the project -- it's just the latest success story from Belgian women's choir Scala & Kolacny Brothers, whose mournful reinterpretations of classic and modern rock -- catapulted by their rendition of "Creep" in The Social Network -- have made them famous around the world, with star turns in the likes of Homeland ("Every Breath You Take") and Downton Abbey ("With or Without You"). Cover comparison site WhoSampled offers a list of YouTube comparisons between the covers and the originals; look inside for more of their work in movies and television. [more inside]
"Mele Kalikimaka" (Ukelele cords) is a Hawaiian-themed Christmas song written in 1949 by Robert Alex Anderson. The phrase is borrowed directly from English but since Hawaiian has a different phonological system - Hawaiian does not have the /r/ or /s/ of English and doesn't have the phonotactic constraints to allow consonants at the end of syllables or consonant clusters - "Merry Christmas" becomes "Mele Kalikimaka". Enjoy the canonical version with Bing Crosby And The Andrew Sisters (lounge remix) or by KT Tunstall or Bette Milder or Jimmy Buffet or Gianni And Sarah or The Puppini Sisters or Reel Big Fish or Country Western style or pared down instrumental or Celtic Rock style or performed on the Metro by Pokey LaFarge or ..whatever the hell this is.
Gotye makes a mashup/remix of youtube covers of his hit single - "Reluctant as I am to add to the mountain of interpretations of Somebody That I Used To Know seemingly taking over their own area of the internet, I couldn't resist the massive remixability that such a large, varied yet connected bundle of source material offered. " [SLYT]
"Call Me Maybe" (Chatroulette version) is Steve Kardynal's latest costumed lip-sync cover video - and as usual it comes complete with hilarious & happy audience reaction shots. If you like this, you'll probably also enjoy his Chatroulette versions of Katy Perry's "Peacock" (previously) and Lady GaGa's "Telephone" (previously). All videos may be considered NSFWish. [more inside]
The female bandmembers of Chairlift, Au Revoir Simone, Class Actress, and This Frontier Needs Heroes get together with "an essentially revolving cast of indie Brooklyn sirens, twice a year in a living room in Greenpoint to cover a single, classic song that they learn and arrange right before they perform. Calling themselves Girl Crisis, the group covers a classic (mostly a capella) from a male artist each Winter and a female artist each Summer. The performances are are filmed with a Super 8 camera, are not open to the public and exist only online. Their latest: Leonard Cohen's "Dance Me To The End of Love". (Via) [more inside]
In the wake of their grunge-y breakout hit "Creep" and the success of sophomore record The Bends, Thom Yorke and the rest of Radiohead were under pressure to deliver once more. So they shut themselves away inside the echoing halls of a secluded 16th century manor and got to work. What emerged from that crumbling Elizabethan castle fifteen years ago today was a shockingly ambitious masterpiece of progressive rock, a visionary concept album that explored the "fridge buzz" of modernity -- alienation, social disconnection, existential dread, the impersonal hum of technology -- through a mosaic of challenging, innovative, eerily beautiful music unlike anything else at the time. Tentatively called Ones and Zeroes, then Your Home May Be at Risk If You Do Not Keep Up Payments, the band finally settled on OK Computer, an appropriately enigmatic title for this acclaimed harbinger of millennial angst. For more, you can watch the retrospective OK Computer: A Classic Album Under Review for a track-by-track rundown, or the unsettling documentary Meeting People is Easy for a look at how the album's whirlwind tour nearly gave Yorke a nervous breakdown. Or look inside for more details and cool interpretations of all the tracks -- including an upcoming MeFi Music Challenge! [more inside]
Ben Howard performing a cover of Call me Maybe by Carly Rae Jespen on BBC Radio 1's Live Lounge. [more inside]
Between their inscrutable lyrics and lead singer Liz Fraser's quicksilver voice (here she is singing with Massive Attack live in 2006), the Cocteau Twins are not an easy band to cover. A male "bedroom musician" might seem like a particularly unlikely choice. Nevertheless, Youtube artist Matt Gurley (aka fooberdoobs) has posted some understated but worthy takes on Know Who You Are At Every Age, Heaven or Las Vegas, and Serpentskirt. [more inside]
Former Broadway actress Carrie Manolakos performs a cover of Radiohead's 'Creep', and hits all the notes.
The Nightmare Before Christmas' " This Is Halloween " sung by everyone's favorite turrets and murderous AI in " This Is Aperture "
What do you get when you cross the low key folk rock of Bon Iver with the arena rock of Bon Jovi? You'd probably get something like Bon Joviver. [more inside]
What is Pink Lady? In Japan they are remembered for a string of pop hits in the 70s, but Americans might remember them either from their disco single "Kiss In The Dark" or from an attempt to sell them to the US market in 1980 via a short-lived NBC variety show Pink Lady & Jeff (TVParty summary) with comedian Jeff Altman. (Opening). The show featured their Japanese hits, UFO, MONSTER (a bit more rock and roll), and SOS along with US hits like Boogie Wonderland, McArthur Park and the occasional guest star. (with encore) Also, Roy Orbison. Sadly, the show failed to break out and the two returned to Japan for a series of farewell concerts and retrospectives. Much, much more available at this charmingly retro, utterly exhaustive fan site devoted to them. Or just read the recaps. [more inside]
One's a spine-tingling howl of alienation gleaned from a spaghetti western. One's a bluesy transatlantic barnstormer that turned a young British singer into an icon of soul. Both feature powerful voices in unconventional styles mulling over intense feeling. And together, thanks to mash-up artist Divide & Kreate, they make for one of the best remixes out there [.mp3]. There's a similar mix with Cee Lo if you're so inclined, or check out the dueling cover by Upstart to hear the vocals beautifully intertwine. Mash-ups previously on MeFi.
Live From The House Of Blue Leaves, It's The 5. 6. 7. 8.'s! This all-girl Japanese punk/surf rock trio is best known in the west for performing "Woo Hoo" in Kill Bill Volume One, but two other performances were filmed during shooting, "I Walk Like Jayne Mansfield " and "I'm Blue" (Music starts at 3:01) Bonus Material: (I'm Sorry Momma) I'm A Wild One. Teenage Celopatra Hanky Panky Bomb The Twist Roadrunner Interviewed on Chic-A-Go-Go
In their 25 year career San Fransisco-based Kronos Quartet might be most famous for creating the go-to dramatic movie trailer music but they've recently courted controversy with their latest album, 9/11, with Steve Reich (NPR First Listen). The album is another in a long line of collaborations with composers such as Phillip Glass, Terry Riley, and Pēteris Vasks. And like any good instrumental ensemble, they've covered Hendrix, Sigur Ros, and Tom Waits. Oh, and they've been on Sesame Street. [more inside]
A nice thing to start a Wednesday with. Also, I didn't know you could do so much with loops.
You've been rickrolled on the blue. And you've seen nyan cat on the blue. But not in this righteously metal way. These are youtube posts to 331Erock's page for his metal covers of crazy, pop culture stuff.
The Story of Bohemian Rhapsody: Parts: 1, 2, 3, 4, 5 and 6. (From BBC Three.) Oh, and... [more inside]
Don't make me sing this part of the song, the lyrics are so bad, so we're going to skip ahead — to the single ladies part instead.
Nouvelle Vague covers New Wave and Punk (MLYT) Nouvelle Vague (no, not this one) does Bossa Nova covers of New Wave and Punk songs, including: Dance with me (Lords of the New Church), Master and Servant (Depeche Mode), Love will tear us apart (Joy Division), Making plans for Nigel (XTC), Blue Monday (New Order), This is not a love song (PiL), The guns of Brixton (The Clash), and one NSFW title [more inside]
YouTube user ChrisDodgen posts videos of covers he's done. What separates him from the rest is how he mixes multiple videos of himself to harmonize on covers (Fleet Foxes' White Winter Hymnal and Ragged Wood, and The Get Up Kids' Holiday).
Who knew when Arnel Pineda, lead singer of a Journey cover band called "The Zoo," posted videos of his band on YouTube that he'd grab the attention of Journey itself and be invited to be its new lead singer? (via) [more inside]
"I just turned on my little iMovie, and here I am!" This week, Hollywood Records announced a record deal with female vocalist and underground sensation Marié Digby. Over the past few months, she has over 2.3 million cumulative Youtube hits, and has become a veritable rags to riches story - a testament, if you will, to how the Internet is changing the world of entertainment. What the label failed to mention was that Digby had already been signed to Hollywood Records for almost two years, well before she became a hit. A case of manufactured networking, or simply a "major" misunderstanding?