MetaFilter posts tagged with YouTube and media

"I never doubted that it was all going to work out."

zarq — Tue, 05 Mar 2013 09:09:47 -0800

A life well lived. On October 4, 1973, Josh Miele (4) was permanently blinded in an acid attack by his neighbor (pdf). 40 years later, Dr. Miele has worked for NASA on the Mars Rover project, he's helped develop "WearaBraille", a virtual Braille keyboard interface, and has a new project launching this month: the Descriptive Video Exchange (DVX), which will allow "sighted video viewers to seamlessly add audio description to DVDs as they watch." "...the Descriptive Video Exchange ... is a tool we have developed at Smith-Kettlewell that gives anybody, anywhere, the ability to describe anything, so that anybody, anywhere else, can hear the description. This technology uses a web-based server to store and maintain all of the descriptions associated with videos available on the web, on DVD, or from streamed sources such as Netflix. The server does not store the videos. The server only stores the descriptions, along with the identification and timing information. The server works with a video player that plays whatever video you want to watch, along with the stored descriptions. This system gets around a couple of interesting problems. For example, many videos simply are not described. There is no way to get a described version because it doesn't exist. That's one problem. With this system, anybody anywhere can volunteer to describe that video from their own home and upload the information. Then you, somewhere else, can take advantage of that description and play it back in synchronization with the video that you want to watch. This system does a sort of end run around a number of the issues related to modifying and distributing copyrighted materials. In today's model for video description, it's necessary to record a described version of a film or TV show and redistribute that version. To do that, it's necessary to get permissions. All sorts of legal and financial issues are involved. Our system does not modify or redistribute anybody's copyrighted material. It simply plays the descriptions along with the material from a legitimate source. That means it becomes much simpler to create descriptions."
A sample of a DVX video (mov file), using The Lion King. WearaBraille: * Video Demo * Technical Specs (pdf) Related article: Seattle Revolution: From Your Eyes and Mouth To Their Ears

The Bully Pulpit

zarq — Mon, 13 Aug 2012 09:54:30 -0800

Late last month, after vocally anti-gay evangelical author and blogger Jonathan Merritt's essay defending Chick-Fil-A appeared in The Atlantic, Azariah Southworth outed Merritt on his blog. An interview with Merritt about his sexual orientation. Follow-up column from Southworth: Why I outed a Christian star. Southworth is the former host and producer of The Remix, a once-popular Christian reality TV show, which was pulled from the airwaves back in 2008 after he came out. Jonathan Merritt is the son of Dr. James Merritt, former President of the Southern Baptist Convention. "Outing" public figures as gay or lesbian (who hide their sexual orientation, typically out of fear of homophobia) without their permission is not a new practice, but it remains controversial. The term "outing" gained prominence in March 1990 after Michaelangelo "Mike" Signorile wrote a cover story for the now-defunct magazine Outweek: "The Secret Gay Life of Malcolm Forbes." (pdf of that issue here, archive of Outweek's entire run, here.) Profile of Signorile from June 1990. In 2007, he wrote about the Forbes story. Throughout his career, Signorile has outed many celebrities and public figures, and was likely one of the first to do so as a form of pro-gay political activism, by outing those whose rhetoric or political policies were anti-LGBT. In 2009, a documentary by Kirby Dick called Outrage was released. (Previously.) It's available in its entirety on YouTube in nine parts. English, with Portuguese subtitles. The movie outed a number of closeted gay politicians who create or vote for discriminatory, anti-LGBT legislation. NPR's review of the film was censored prior to press, to remove the names of three politicians. For American media, there is no industry-wide standard regarding the ethics of outing. Back in 2010, a panel discussion about outing public figures was held during the National Lesbian and Gay Journalists Association's 20th annual national convention in San Francisco. Signorile was one of the panel members.

And Shopping. Always Shopping.

The Whelk — Fri, 10 Aug 2012 14:24:31 -0800

Propaganda - A film alledged to be from North Korea about the excess of Western decadance and public relations propaganda - hits Youtube (1:35:52)

Internet killed the television star

stbalbach — Sat, 29 Oct 2011 11:08:01 -0800

YouTube (Google) is spending $100 million dollars to create 25hrs a day of new original content. Intending to compete with cable TV, they'll have 100 "channels" with regular series and well-known talent. The channels are being developed "specifically for the digital age," which sounds like they're trying to create a new type of media, they compare it to the advent of cable television. There's a graveyard of ideas like this that failed, but maybe YouTube is different this time. First channels show up in a few weeks, most appear in 2012.

What just happened? That's not a teenager!

Apropos of Something — Mon, 08 Aug 2011 20:30:39 -0800

Benny and Rafi Fine are video producers filming how kids react to Rebecca Black, Charlie Sheen, Numa Numa Kid, Keyboard Cat, Nyan Cat, and other viral videos.

Orange you glad you got your Nickelodeon?

Rhaomi — Mon, 25 Jul 2011 13:33:49 -0800

Two and a half years ago, we explored the early history of Cartoon Network... but it wasn't the only player in the youth television game. As a matter of fact, Fred Seibert -- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's truly venerable forerunner: Nickelodeon. Founded as Pinwheel, a six-hour block on Warner Cable's innovative QUBE system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire. Much has changed since then, from the mascots and game shows to the versatile orange "splat." But starting tonight in response to popular demand, the network is looking back with a summer programming block dedicated to the greatest hits of the 1990s, including Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple, and All That. To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon. (warning: monster post inside) PART 1: The Early Years Nick started out as a young children's program called Pinwheel that mixed puppetry and live action with animated shorts from overseas. Only a few bootlegs survive from this era, making video hard to track down. As the nascent channel struggled to find an audience, it started rerunning episodes of the Canadian comedy show You Can't Do That On Television!, which proved to be a big hit and laid the groundwork for future variety shows like it once the network found its legs. The show also introduced the infamous green slime that would characterize the network's later game show programs. Semi-active fansite YCDTOTV.com provides official recipes, and is positively overflowing with other content about this era. PART 2: "From Worst to First" Fred Seibert arrived at Nickelodeon fresh from success at MTV, where he and colleague Alan Goodman had developed the iconic "Man on the Moon" sequence that launched the channel in 1981. The Fred/Alan team found Nickelodeon floundering, hemorrhaging millions of dollars and dead last in the ratings. Their solution: a complete re-branding, starting with the logo. Out went the clunky silver balloon, in came The Splat. Inspired by MTV's shifting psychedelic design, The Splat was an all-purpose wonder, an amorphous blob of bright orange gunk that could be anything and everything. Using fun style guides, producers applied the Nick name to bones, rocket ships, dinosaurs, and dozens of other forms across hundreds of products over the next few decades. The logo was so versatile, in fact, that it went through only one major revision (blog post; guide) before Viacom, in the way of all corporate giants, dispensed with The Splat in 2009 for a new unified brand -- one very similar, ironically enough, to the logo that saddled the network in its infancy. To introduce Nick's new brand, Seibert and Goodman contracted with dozens of artists to create a series of striking and innovative "bumpers" all showcasing the bright orange Splat. Perhaps the most fortuitous hire was a capella band The Jive Five. As Seibert explains in his article "The Doo-Wopping of Television":

Alan's former colleague, writer and producer Marty Pekar, had started Ambient Sound to capture contemporary recordings of classic doo-wop groups from the 50s and 60s. He introduced them to the leader of The Jive 5, Eugene Pitt, as "not only a great singer, but a smart man." They found Eugene to be, as Rock and Roll Hall of Fame CEO Terry Stewart said, "the most underrated soul singer in America," and a wonderful collaborator. When the opportunity to work with Nickelodeon presented itself, Fred, Alan, and producer Tom Pomposello immediately knew the Jive 5 would be the perfect underpinning for defining the vocabulary of the network. Convincing Nickelodeon was another story. [...] Fred/Alan tried a lot of arguments to bring them around to a doo-wop sound, but they fell on deaf ears. "Doo-wop's 30 years old, no kid has ever heard of it." We won the day on two grounds. Fred played on the executives' liberal backgrounds. "We love all forms of African-American music, and using doo-wop will be a great way to educate American kids without anyone being the wiser." Alan's worked even better. He opened his mouth and, quoting The Marcels' arrangement of chestnut "Blue Moon," sang: "Bom-ma-bom, a-bom-bom-a-bom, ba-ba-bom-bom-a-bomp, b-dang-a-dang-dang, b-ding-a-dong-ding." "What kid isn’t going to relate to that right away?" Alan asked. Case closed.

The Jive Five proceeded to record a number of joyful and infectiously catchy doo-wop melodies for the artists to animate in a wide variety of styles, spots that went on to form the core of the channel's new identity (and the first of which became the its enduring theme song):

N-Nick Nick Nick N-Nick Nick Nick... Nickelodeon! (Main Theme) - Hon De Laud Hup Hivvel Up Nick (Calling Cades MasterMix) - Orange you glad you got your Nickelodeon? (Fruit variant) - Bulldog Crew (Jungle) - Tweedley Dum (Space Beans) - Shoo Be Doo (Worms) - It's Time, It's Time (Haircut) - Say Hey Say Hi Say Ho (Skating) - Better Off By Far (Space) - Waiting for You (Fish) - Dino Bop - Doo-Wop-a-Saurus - Your TV Network (Jive Five) - Top of the Hour - Easy Groove - Alligator and Frog - Dragon and Frog - Full Montage

The campaign was a tremendous, CLIO award-winning success -- within six months Nickelodeon had rocketed to the number one slot on the ratings chart. And the doo-wop was just the beginning -- that first batch inspired a wider range of spots in later years, from the cute to the bizarre:

Pinchface - Bone - Picnic Ants - Big Beast Quintet - Nicktoons Blob - Scissors Man - Opera - Reggae - Toothbrush Morph - Monkey Balloon - Dancing Dogs - Monster Disco - Banner - Around the World - Waiter - Laundry - Rock Dance - Teacup - What You Want claymation - Doug - Spelling - Barnyard - Comet - Flying Chair - Origami - Asian ID - Sea Monster - Box Face - Stage - Cave Paintings - Octopus - Tractor - Head on Chair - Windshield - Lockers - Rugrats - Gymnastics - Nick Takes Over Your School - Compilation (with lots more) - Shorts: Inside-Out Boy and Angela Anaconda

A Maine summer camp was even invited to submit student-created bumpers, which turned into a fun campaign of its own. PART 3: Nickelodeon Studios Years of sustained success led to the 1990 foundation of Nickelodeon Studios, a combination film studio, animation mecca, and theme park at Universal Studios in Orlando. The studio, with its colorful facade and infamous Slime Geyser, would become the nerve center of the company and a backdrop for many programs throughout the next decade, especially game shows like Double Dare, the notoriously difficult Legends of the Hidden Temple obstacle course (which you can attempt yourself!), and Global GUTS with its imposing Aggro Crag. The network also developed spin-offs and sister channels, such as Nick Jr. (full of colorful fare like Face and Gullah Gullah Island for the toddler set) and Nick at Nite, which featured reruns of popular sitcoms from decades past (which, if you think about it, is basically what this '90s programming block is doing right now -- oh noes!). Sadly, the studios closed its doors in 2005 in the face of flagging attendance, storm damage, and staff relocations to other offices. The building still stands, but all has been stripped away, including the Geyser and the studio time capsule (reburied at a company resort talked about previously). Gone, but not forgotten, though -- enjoy this thorough behind-the-scenes guided tour of the facility from before the closure by a former employee. PART 4: Live Action The Nick Studio was home to many live action programs, from sitcoms to horror to variety shows (and Stick Stickly!): Two early sitcoms, Hey Dude and Clarissa Explains it All, have been given full retrospectives by the AV Club, while fan favorite The Adventures of Pete & Pete is getting an episode-by-episode review. Speaking of which, don't miss the full version of "Hey Sandy," the great theme song by Polaris that carried some surprisingly dark undertones, or this original short uploaded by Fred Seibert. As for the cast, where are they now? Horror series Are You Afraid of the Dark? went through several incarnations, many episodes of which can be found online. Brave the list of scariest episodes (or TVTropes' High Octane Nightmare Fuel page for the show) ...if you dare. And of course there were the two big variety shows, both the work of Dan Schneider ("the Norman Lear of children’s television"). Each were modeled on the earlier YCDTOT -- the SNL-lite All That and spin-off Kenan & Kel (both of which helped propel star Kenan Thompson to actual SNL stardom). The nature of the shows makes video more scattered, but there's plenty to take in; this 100+ video playlist is a good start, as is the TVTropes page. (And lest we forget: Camp Anawanna, Alex Mack, Cousin Skee-- well, you can probably forget that one.) For the cynics out there: The Nostalgia Critic's skeptical 18-minute mocking of the above (except for Pete & Pete, which he loves unconditionally). PART 5: Nicktoons Of course, the most well-known Nick properties were their many original animated series, or Nicktoons. A ToonZone member explains their genesis:

Sometime in 1989, at the Montclair, New Jersey house of Nick president Geraldine Laybourne, Laybourne, her husband Kit, Herb Scannell, Fred Seibert, and others had a meeting where they watched TV shows currently running at the time and compared them to classic shorts such as the Looney Tunes. They came to the conclusion that then-current animation from studios such as DIC and Hanna-Barbera was formulaic and had no unique style. Geraldine Laybourne believed that the best characters, such as Mickey Mouse, Bugs Bunny, and Kermit the Frog, were those characters who were linked to their creator. Laybourne and the team decided that the creator should be the one who was the center of the production, just as it was in the old days. Also, having a library of animated shows that they owned would allow them to both prevent having to license other animation and make money for the network- and also eventually make back the high cost of producing original animation, since animation is costly to produce, but has a long shelf life. It was an expensive and laborious project- around $12 million in total ($1 to $2 million per pilot) to commission eight pilots, of which they hoped four would be able to air as an animated block with a target date of August 1991.

Only three of the eight made made it through to production: Doug, Rugrats, and the wonderfully edgy Ren & Stimpy. The success of these inspired others throughout the next decade, including:

Rocko's Modern Life, whose first season is on review at AV Club Hey Arnold!, whose main voice actress (for Helga) recently did an informative Q&A over at Reddit Kablam!, the comics-inspired variety animation show with one catchy theme song ("Two Tone Army" by The Toasters) The ongoing Spongebob Squarepants juggernaut, whose first few seasons could be pretty twisted Invader Zim (lots of episodes here), whose twistedness was a little more obvious And of course plenty of Mefites are familiar with the artistry and good storytelling of Avatar (no, not the 3D one)

One notable project was Seibert's Oh Yeah! Cartoons, an innovative series of one-off creator-driven shorts that would inspire later work on Cartoon Network's World Premiere Toons series (which in turn led to programs like Dexter's Lab and Powerpuff Girls, discussed here). There's a full list of shorts to peruse on Wikipedia -- many are on YouTube, but far to many to post here. Seibert himself has put a lot of media from the show on the web, like multiple 100+ page books of art from his Frederator Studios, which helmed the project and now makes series like Adventure Time. Don't miss the ongoing 16-part history of the studio (full table of contents are only in that last post). Also interesting, if unrelated, is Seibert's collection of media from his time at Hanna-Barbera in the early '90s. If you want more (lots more), check out Jerry Beck's Not Just Toons: Nicktoons! or Heather Hendershot's more scholarly Nickelodeon Nation. (The Nostalgia Critic is slightly more tolerant of the 'toons) PART 6: Nickelodeon Magazine For years, Nick promoted subscriptions to Nickelodeon Magazine, its flagship print product with a peak circulation of more than seven million. Interestingly, while the magazine was largely concerned with pranks and jokes and celebrity interviews, it was also a haven for the underground comix scene, featuring work from cartooning luminaries like Kim Deitch and Craig Thompson, whose works were popular enough to justify periodic all-comic specials and support award programs and convention events. As cartoonist Rod McKie described his first read through an issue:

So, having heard good things about Nickelodeon Magazine (US), I decided to get a hold of the thing and go over it with a fine tooth-comb, and try to think my way into the thing. The thing was, I had no idea what to expect, it was a kids magazine after all. Well, I was astonished when I saw it, really astonished. I'm not kidding, I was really bowled over by the magazine, I had never seen a publication more visually literate, more cartoon and illustration friendly, it was a cartoonist's delight. [...] I found myself responding to it with the same levels of wonder and delight as a cartoonist, as a parent, and as a teacher. I had never seen anything like this, and I had never seen such a range of mainstream and indie cartoonists all gathered together in one publication.

Though the magazine unfortunately folded in 2009, information and art from its many features can still be found on the web: Fiona of the Felines by Terry LaBan - Grampa and Julie: Shark Hunters by Jef Czekaj - Impy & Wormer by James Kochalka - Juanita and Clem by Craig Thompson - Mervin the Magnificent by Richard Sala - Patty-Cake by Scott Roberts - Sam Hill & Ray-9 by Mark Martin - Scene But Not Heard by Sam Henderson - Southern Fried Fugitives by Simon and Kim Deitch - Teeny Weeny, the Tiniest Hot Dog in the World by Mark Martin - The Uncredibly Confabulated Tales of Lucinda Ziggles by Andy Ristaino - Underpants-On-His-Head Man by Michael Kupperman - Yam by Corey Barba Lots more material in the unofficial Nickmag-Comics LiveJournal site, or browse an old issue at Archive.org. PART 7: Nick News In 1992, the channel hired respected journalist Linda Ellerbee to helm Nick News, a new educational program meant to air periodically in classrooms and in primetime. The show gained renown (and eventually won a Peabody and an Edward R. Murrow Award) for tackling difficult and complex issues like AIDS and global warming in a frank way, taking its young audience seriously and relying heavily on interviews with kids and teens to explore their problems and concerns. Politically aware, the program's regular "Kids Pick the President" mock election correctly called five of the last six winners (save Kerry in 2004). Perhaps the most notable episode of the show was the controversial 2002 special report "My Family is Different" (discussed previously), which dealt with same-sex parentage and attendant issues such as sexual harassment and hate crimes. In a time when homosexuality enjoyed far weaker public support in America, Ellerbee's earnest and nonjudgmental take on the subject provoked bitter outrage from conservative groups, who pledged to boycott Nickelodeon in retaliation. The episode, the show's highest-rated, went on to win a GLAAD Media Award for Outstanding Television Journalism. The show's still going strong, most recently covering the long-term consequences of the Haiti earthquake. PART 8: Nick Movies In its heyday, the company produced original live-action movies, such as Harriet the Spy (1996) and Good Burger (1997), in addition to adaptations of its animated stable. It later branched out into producing big screen versions of other works, from A Series of Unfortunate Events and Nacho Libre to Rango and the terrible M. Night Shyamalan version of beloved Nicktoon Avatar (The Last Airbender). PART 9: SPECIAL MUSICAL BONUS!! An official "Best of Nicktoons" CD featuring a random assortment of earwormy tunes from across the network; available for download here or with selected tracks on YouTube: Nick Nick Nick (Main Theme) - 3D Laughing Boy Open - Rugrats Theme - Nick Video Open - Kablam! Theme - Thunder Girl - Nick-o-Las Tell Underture - Ren & Stimpy Theme - Happy Happy Joy Joy - Log Commercial - Calling Cades - Aaahh!! Real Monsters Theme - Artman Open - Angry Beavers Theme - I Think I Like You - Hey Arnold! Theme - Haunted Train Blues - Darling You Left My Heart - Look Up! - Simple Things - Rocko's Modern Life Theme - Orange You Glad? - CatDog Theme And what musical bonus is complete without a little amateur a capella? PART 10: It all comes back For the foreseeable future, rotating blocks of the old shows are now set to air weeknights at midnight EST on sister network TeenNick, starting with All That, Kenan & Kel, Clarissa Explains It All, and Doug. If you're not a fan of those, changes will be made to the schedule in response to feedback online through Facebook, Twitter, and other social media channels. Also, regular marathons of the old animated shows run overnight on fellow sister network Nicktoons at the same time, offering some variety for anybody who wants it.

Bringing Perry v. Schwarzenegger to the public in spite of the US Supreme Court

Blazecock Pileon — Wed, 03 Feb 2010 18:45:29 -0800

In its January 13, 2010 ruling, the U.S. Supreme Court blocked the public broadcast of Perry v. Schwarzenegger, a U.S. District Court case challenging the constitutional validity of California's Proposition 8, despite the ruling of Judge Vaughn Walker. Working directly from court transcripts and first-hand accounts from bloggers who have been present at the trial, marriagetrial.com is re-enacting the trial, to provide a "non-biased, objective presentation" of the case for public benefit.

Arcangel and the future of digi/net art

0bvious — Tue, 08 Dec 2009 05:44:50 -0800

Corey Arcangel is perhaps the internet's most infamous hack, masher-upper, digi/net artist. His work stands for a growing culture of artists who run wildly through animated GIF landscapes populated with corrupted data-compressed bunny rabbits and tinny, MIDI renditions of Savage Garden ballads. As the Lisson Gallery, London, opens its archives to Arcangel's curatorial eye, could digi/net art be set to infect the real, fleshy world, like a rampant Conficker Worm? Has YouTube become the truest reflection of our anthropological selves? Are we destined to roam the int3erw£bs like the mythic beasts of yore, hoping, in time, that digi art can free us from the confines of this fleshy void? [...previously]

Persuasion: Why men in ads are dumb, goofy or completely inept

five fresh fish — Fri, 07 Aug 2009 09:47:44 -0800

Persuasion: Why men in ads are dumb, goofy or completely inept. Several YT commercials and a thoughtful essay.

We'll do it live!

JHarris — Sat, 04 Oct 2008 13:31:32 -0800

The Li'l O'Reilly Factor SLYT
via Ectoplamosis, via The Percy Trout Hour

Jump to it

Korou — Tue, 30 Sep 2008 01:35:03 -0800

Sometimes with Youtube, there's a specific part of a video you want people to see. Splicd generates a url to send people that clip. For instance: cooking a rat or an interesting part of a lecture. (On load, a small amount of each clip's beginning is played.) The spliced video's url can be easily manipulated: http://www.youtube.com/watch?v=a9A_31-osm8 http://splicd.com/a9A_31-osm8/330/374 http://splicd.com/[video-code]/[starting-second]/[ending-second] In Google Video, add #[number]m[number]s to the end of a url and jump to that time: http://video.google.com/videoplay?docid=4915875929930836239#7m00s

US Presidential Campaign Videos

flibbertigibbet — Fri, 22 Aug 2008 00:03:41 -0800

The evolution of the US presidential campaign ad, 1952 to 1996... 1952: Eisenhower-Nixon (We Like Ike, The Man from Abilene) vs Stevenson-Sparkman (I Love the Gov [apologies for the intro], Ike... Bob..., Vote Stevenson/The Music Man, (Remember the Farmer, Back to the Days of '31). Bonus: Newsreels dealing with the campaigns. 1956: Eisenhower-Nixon (Eisenhower Answers America: The Cost of Living [excerpt], Corruption (california spot)) vs Stevenson-Kefauver (How's that again, General?, The Man from Libertyville [same annoying intro], Ad-lee, Ad-lie). Bonus: Election Day newsreel, including a santa Claus arriving in a flying saucer; Eisenhower, Suez, and hungary in 1956. 1960: Kennedy/Johnson (Harry Belafonte for Kennedy, West Virginia PRIMARY reel, Every Republican.../Nixon's Experience [higher quality version as part of this reel of Kennedy ads], Kennedy Kennedy Kennedy Kennedy, If We Fail..., Viva Kennedy, Medical Care for our Older Citizens) vs Nixon-Lodge (Peace without Surrender, A Little Help from Ike, Lodge: Our Responsibility is Great). Bonus: Nixon, a year after the election, playing his piano concerto; Nixon/Kennedy bio and debate, other parts of whicdh, dealing solely with Nixon and his life, are available here; Kennedy's inauguration, (part 2), Kennedy on November 9th, 1960. 1964: Johnson-Humphrey (I don't feel guilty being a Republican, Goldwater needs the KKK's help, The Daisy Ad, Which Barry?/Remember Him?, Great Society, Saw off the Eastern Seaboard [annoying intro]) vs Goldwater-Miller (I Don't like No-Win Wars, Bearded Dictator, 90-miles off/The Hand of Big Government/Is Moral Responsibility Out of Style/I Pledge Allegiance). Bonus: Johnson's 1965 inauguration newsreel, more on his inauguration. 1968: Nixon-Agnew (Honourable End, Endorsed by Bush/Endorsed by Baker, Freedom from Fear, Do Something WITH your Country, American Youth, Speaking For You, So Ineffectively as in Vietnam) vs Humphrey-Muskie (What has Nixon ever done for you?, Agnew for VP [annoying intro], Nixon's Silence, Political Winds, Do you want Castro to have the bomb?) vs Wallace-LeMay (Wallace has the courage). 1972: Nixon-Agnew (Nixon Now) vs McGovern-Shriver (This is about..., You have to make those hard decisions, He was hired by James McCord/Don't want to rock the boat/assorted 1984 primary advertisements, Our Economy... [annoying intro]). Bonus: CBS on Nixon's re-election efforts, in January, 1972; Nixon goes on Soviet TV; Shirley Maclaine goes on Cavett for McGovern. 1976: Carter-Mondale (I'm a Southerner (annoying intro), It's hard Work (Rosalyn Carter) (annoying intro), The Republicans assure us/two 1980 commercials, We've built walls) vs Ford-Dole (He was...). Bonus: Carter profile, Ford's debate gaffe, Ford at Republican National Convention, Reagan's Impromptu Concession speech, Ford's bicentennial minute, Mark Russell's special on the '76 campaign (1, 2, 3, 4, 5), Dole: Democratic wars. 1980: Reagan-Bush (Nancy deeply resents..., Ted Kennedy: No More, Can we afford four more years?, George Bush: a president we won't have to train [primary commercial, 25 seconds in], Slowly we slip..., Biographical sketch: a State of Crisis, The Ayatollah Votes, Home-owning and inflation, Inflation and the elderly) vs Carter-Mondale (Two men are the real contenders..., Jimmy Carter, Commander in Chief. Bonus: clip of the Reagan-Carter debate ("there you go again"), and that phrase reprised in the Reagan-Mondale debate, Reagan accepts the nomination, Carter's statement on the doomed Operation Eagle Claw, the birth of toll-free contribution numbers. 1984: Reagan-Bush (Reaganomics, World Leaders, The Bear, Morning in America, secure Peace, A New Beginning [part 2], Next Tuesday, This was America in 1980... Today, This was america (Foreign Policy) vs Mondale-Ferraro (American Dream, Arms Control, Whole world at stake, Polls don't vote... fight!, Your share of Mr. Reagan's Deficits, Rollercoaster, Mr. Reagan's People, Always Felt [annoying intro], Teach your Parents, Orbit KILLER WEAPONS, The Red Phone [annoying intro], Gary Hart's 'New Ideas' [primary, annoying intro], Computers will take control!, Deficits of the Presidents [annoying intro], Idle Tools [annoying intro, primary]). Bonus: Jesse Jackson at Tendley Baptist (David and Goliath), Gary Hart campaign, Jesse Jackson Blues, second Reagan-Mondale debate. 1988: Bush-Quayle (Boston Harbor, The Willie Horton ad [poor quality], "He opposed, Raised taxes [1:15 in; video also includes Newscenter 8 sign-off, an ad for Speedy, US Air, and after the Bush commercial, an ad for Geraldo], Vetos and furloughs) vs Dukakis-Bentsen (The Bush Record; [N.B. all videos that follow for the Dukakis-Bentsen campaign have an annoying intro]: Leadership: Crime, I'm Fed Up With It!, The Best America is Yet To Come, Packaging Bush, Packaging Quayle, The President if Mortal/One in Five, 60-day notice, Social Security, Hey Pal!, All of us are enriched, Furloughs: The Response, Jimmy did well..., Packaging Bush, part 2, Can't Afford to be a Republican, Packaging Bush/Furlough: Part 3, Where was George?, Stopped Seabrook: Seabrook Nuclear Power Station). Bonus: CNN analysis of the campaign commercial [poor quality], CNN highlight reel [poor quality], "You're no Jack Kennedy, Bush vs Rather on Iran-Contra [poor quality], Read My Lips, Debate: If Kitty Dukakis were raped and murdered..., Debate: What do you see in Dan Quayle?, Dukakis vs Ted Koppel on Nightline, Seabrook Today. 1992: Clinton-Gore (Can't Afford Four more years, Read my Lips, Read My Lips [2], Endorsed by over 600 economists, Biography [annoying into; part 2], Enough! [annoying intro], Read my Lips Alert [annoying intro], More than 30-second ads [annoying intro], Republican Neglect [annoying intro], A Plan for America) vs Bush-Quayle (no advertisements found) vs Perot-Stockdale (Let your vote say so!, plus bonus video: Perot profile on CNN, which features clips of some commercials, and an example of Perot's speaking style). Bonus: Letterman: Top Ten reasons Bush Should [not] Dump Quayle, Letterman: Top Ten: Quayle's complaints about Clinton, Potatoe and other Quayle quips, Murphy Brown responds (part 2, 3, 4, 5), Letterman: Top Ten Things Overhead at the President's Fundraiser, Clinton in Beasley School, Chicago, during the primaries, Clinton vs heckler, Clinton on Nightline [focusing on leaked letter re: Vietnam draft] (part 2, 3), Gore on campaign trail, Super 8 Clinton, A Different World election episode clip, 1992 review, Read My Lips MTV Mashup with discussion by Bill Moyers and guests. 1996: Clinton-Gore (In the line of duty: assault weapons [poor quality], growth and opportunity [annoying intro], quitting [annoying intro], If Bob Dole were already here... [annoying intro], Risky! [annoying intro]) vs Dole-Kemp (Too Liberal? [primary ad], versus Steve Forbes [primary, poor quality]) vs Nader (no ads, but there are interviews). Bonus: Again with the Mark Russell! (part 2, 3, 4, credits), Dole representative vs Charlie Rose, Charlie Rose and guests discuss the presidential debate, and many, many more; Clinton-Dole debate clip on Dole's age, football and CFC stories.

This complete breakfast: Feedback Loops

huckhound — Tue, 20 May 2008 23:02:35 -0800

You Tube on You Tube . . .

Viral Obama

billysumday — Mon, 11 Feb 2008 08:30:58 -0800

John.He.Is turns John McCain quotes into a beautiful song. Two suburban women sit around discussing whether or not America is ready for a smart President. Filmmakers get ready to release Barackula: The Musical. Rap musician BigHitBuda drops Elect Obama. So here's an effort to nip this in the bud - I'm guessing the mods are getting sick of deleting or thinking about deleting so many Obama posts. Here's a place to dump all of your Obama viral/media links. Now, let's be done with this for awhile.

Art in the Age of Digital Ubiquity

billtron — Tue, 05 Feb 2008 00:14:12 -0800

I was going to share the many amazing videos that StSanders has uploaded to youtube featuring guitar gods like Van Halen and Santana shredding, since they have inexplicably only received scant mention on mefi so far. But StSanders' account has been suspended all all videos have been removed! So in the meantime the best I can offer is the work of John Michael Boling and Javier Morales. They are video artists whose hypnotizing and nostalgic and work can be seen at 53 o's. For those of you who didn't hover over that hyperlink, the website is http://www.gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com/.

Take your forms wrestled from the void and get the hell out

1f2frfbf — Thu, 20 Dec 2007 07:37:48 -0800

Wayne White's paintings Wayne Who? He left Tennessee to study at the New York School of Visual Arts with Art Speigelman (he posed holding a broomstick for some of the characters in Maus) and Red Grooms. He came back to Tennessee to do puppetry work for a children's show called Mrs. Cabobble's Caboose, (5th link down, mpg) which in turn caught the attention of CBS who hired him to do the set direction for Pee Wee's Playhouse (I'll defer to this excellent post for Pee Wee videos), for which he played Mr Kite, Randy and Roger the Monster. Where else have you seen his work? The video for Peter Gabriel's "Big Time", and the video for the Smashing Pumpkin's "Tonight, Tonight". This was inspired by my tiny little comment here and he seems to be mentioned in passing here and here. Also: Waxy weighs in along with jonson, his IMDb profile and his Wikipedia entry. Not for use with some sets, consult doctor before taking internally.

Sugar and spice and nothing nice

ZachsMind — Thu, 06 Sep 2007 22:54:24 -0800

"A paper around her neck said she was Ida, but Ida said nothing at all." So tells the story of the saddest, unluckiest girl that ever lived. Don't forget to watch part two, after part one, of course. Children R Skary dot net is available in flash too, if you're so inclined. These children have been very naughty, but methinks Santa fears them. Katy Towell isn't sad or unlucky, but she's a very busy little girl. If you like her stuff more than I do, you can help. heh... i can't believe no one before me has posted this artist's incredible work to The Blue. I did searches and can't find her. Well, she's here, but you have to know where to look.. and I'll leave it at that. =)

Toob to Beeb

goodnewsfortheinsane — Sat, 18 Nov 2006 13:38:40 -0800

"I feel guilty because I have friends that are working really hard to get into television or acting and I'm just sitting here having not done anything more than enjoy playing with gadgets."

Susi Weaser (24) makes little one-minute gadget reviews and posts them on YouTube . The BBC must have liked them - because they hired her.

Sometimes You Want To Glow

fandango_matt — Fri, 18 Aug 2006 15:29:42 -0800

The iBar (Interactive Bar). YouTube link.