"On February 2, 2011, Harper’s Magazine and New York University’s Creative Writing Program held a discussion between Harper’s New Books columnist Zadie Smith and Reviews editor Gemma Sieff. The following is a transcript of their conversation, which covered such topics as the influence of motherhood on female novelists throughout history, the peculiar pitfalls faced by authors who write both fiction and criticism, and the place of Eminem in the hip-hop canon. Smith’s first New Books column for Harper’s appears in the March 2011 issue, now available on newsstands and to subscribers on harpers.org."
posted by chunking express on Feb 23, 2011 - 6 comments

"You can’t help feel a little swell of pride in this 2.0 generation. They’ve spent a decade being berated for not making the right sorts of paintings or novels or music or politics. Turns out the brightest 2.0 kids have been doing something else extraordinary. They’ve been making a world." Zadie Smith on Mark Zuckerberg, The Social Network, and Facebook.
posted by Rory Marinich on Jan 18, 2011 - 155 comments

Nabokov, Meet 50 Cent: Zadie Smith's Changing My Mind. "Those who have been paying attention to Zadie Smith since her White Teeth debut likely already know about her affinities for E.M. Forster, Lil Wayne, George Eliot, Kafka, and Fawlty Towers. She's one of probably three working writers capable of smuggling a riff on the perils of "keeping it real" into The New York Review of Books."
posted by geoff. on Nov 11, 2009 - 15 comments

Speaking in Tongues is a terrific piece of writing by Zadie Smith. It's a little bit about Barack Obama. Mostly, though, it's about "world"-traveling and polyvocality. (pdf)

The first stage in the evolution is contingent and cannot be contrived. In this first stage, the voice, by no fault of its own, finds itself trapped between two poles, two competing belief systems. And so this first stage necessitates the second: the voice learns to be flexible between these two fixed points, even to the point of equivocation. Then the third stage: this native flexibility leads to a sense of being able to "see a thing from both sides." And then the final stage, which I think of as the mark of a certain kind of genius: the voice relinquishes ownership of itself, develops a creative sense of disassociation in which the claims that are particular to it seem no stronger than anyone else's. There it is, my little theory—I'd rather call it a story. It is a story about a wonderful voice, occasionally used by citizens, rarely by men of power.

posted by anotherpanacea on Feb 26, 2009 - 16 comments

The Atlantic Monthly has helpfully indexed literary interviews from its archives. These include, among others, Alice Munro, Chinua Achebe, Dennis Lehane, Zadie Smith, Charles Simic, Salman Rushdie, Susan Sontag and John Irving.
posted by Kattullus on May 31, 2008 - 5 comments

Le Conversazioni: Last summer a group of writers including David Foster Wallace, Zadie Smith, Jonathan Franzen, and Jeffrey Eugenides gathered on the Isle of Capri to discuss language and identity. This year's lineup includes Ethan Coen, Martin Amis, Ian McEwan, Claire Messud, and Chuck Palahniuk.
posted by mattbucher on May 31, 2007 - 8 comments

Cornershop's "Brimful of Asha" and Panjabi MC's collaboration with Jay-Z don't mark Desi's lone inroads into mainstream European and North American culture. The creative hybridizaton might not be widespread, but the impact is felt well beyond pop music, from examples that often range from the comedic to the dramatic to the controversial, giving a glimpse into the ongoing conversation between widely disparate cultures and traditions, going beyond convenient media stereotypes.
posted by Rothko on Aug 1, 2005 - 5 comments