Comics writer Kieron Gillen answers the question How do you go from story idea to finished script? Further tips from Kelly Sue DeConnick, Warren Ellis and Mort Weisinger via Alan Moore.
Writing advice from Oates, Wolfe, Levine, Pynchon, Stein, Welty, DeLillo, Chekhov, Gallant, and Elkin; Baldwin, Miller, Morrison, Vonnegut, Atwood, Nabokov, and Stein again; Maugham, Hughes, Duras, Orwell, Ashbery, Sontag, Creeley, and Steinbeck; O'Connor, Baxter, Didion, Yeats, Hejinian, Cocteau, du Plessix Gray, and Bolaño; Waldrop, Cary, Pessoa, Amis, Carroll, Atwood, and Le Guin; Vinge, Williams, Crane, Creeley once more, Gallant, Vargas Llosa, Mathews, and Wolfe again. [more inside]
Let’s say you’re a writer, working a novel set in Minneapolis. Your protagonist arrives home after a long day of doing whatever it is your protagonist does all day. To this point, you’ve been very specific with local landmarks and a general feeling of the city — your protagonist rides the 21A, eats breakfast at the Grand Cafe, and meets his or her attorney in an office on the 12th floor of the Rand Tower. All good so far. You’ve set the scene very effectively. People are going to say, “This is a great Minneapolis novel" after they read it. However, the time has now come for you to insert a specific street address into the text. You like specifics, and you need a real-sounding mailing address for, say, a situation where the protagonist receives a mysterious letter. How will you accomplish this? Here you have a problem. You only have two options, neither one very good. [more inside]
This past fall, comedians Sara Schaefer and Nikki Glaser (hosts of popular podcast You Had to Be There) had "the amazing privilege" of hiring a writing staff for their upcoming TV show, Nikki & Sara Live. Sara "was flattered and honored when hundreds of people applied. It was a super fun experience, but it was also an incredibly illuminating one. Reading so many packets made a couple of things very very clear: there are some really easy, basic things you can do to improve your chances of getting a job writing for TV." Step 1: Dedicate Your Entire Life to Comedy
"Be relentless. All over the world, people are working harder than you." Unsentimental advice from poet and memorist Sarah Manguso about building a career as a writer. (via FSG Work in Progress.)
This is an advice column by an L.A. party girl who likes to talk shit on the internet. E.g. She’ll take your questions about the point of Serious Relationships. And give you advice about your sexual identity. Or tell you about a little something called Prince Charming Disease. There’s some advice about managing your existential crisis too. Even replies to fifteen year old girls on tumblr about their teenage flirting. There is also tons of fun sized advice. In her own summary: “What I [write] may be unfiltered, but it’s still cooked up from the same basic ingredients as the rest of pop culture.” It’s “Shady advice from a raging bitch who has no business answering any of these questions.” It’s Dear Coke Talk. [more inside]
A reader asks Rumpus columnist Sugar, "what would you tell your 20-something self if you could talk to her now?" "Tiny Beautiful Things," column number 64, answers that question.
Jane Espenson is a tv writer you might have heard of if you've been watching few science fiction and related genre shows in recent years. For awhile now she's been answering questions about script writing from readers of her blog and gracing the blogosphere with her insights into the craft of writing a good story for tv and movies. Today she announced that she's taking a break from advice blogging because she's running out of new ideas for topics to cover.