Sacred Steel is a pedal-steel guitar style that evolved in the African-American Pentecostal denomination The House of God, Which Is the Church of the Living God, the Pillar and Ground of the Truth. Brothers and lap steel players Willie and Truman Eason, inspired by the electric blues and Hawaiian steel guitar of the 1920s and 30s, brought the sound to two branches of the church, the Keith and Jewell dominions. Its hallmark: "talking guitar," in which the sliding steel emphasizes and mimics the words of preachers and singers. In the 1970s, a new "Motor City" tradition began, featuring the more complicated pedal steel guitar. This body of music was known mainly in church circles until two things happened: first, folklorist Robert Stone became interested in the music and relased several CD collections. And then, church player Robert Randolph (and his Family Band) began taking Sunday morning's music out onSaturday night.
posted on Apr 8, 2008 - View this thread

Sounds of America is a new monthly streaming audio program, a collaboration between the National Museum of American History and Smithsonian Global Sound. Up now are 3 episodes: African-American music in New Orleans, Women in American Music, and Freedom Songs of the U.S. Civil Rights Movement.
posted on Apr 2, 2008 - View this thread

Did Anyone Really Follow the Drinking Gourd? Were you taught that slaves in the antebellum South sang this traditional song to convey coded instructions for escaping Northward? Were you taught that quilt block patterns could be read as a map to freedom, or that quilts were hung outside safe houses as signals to escaping slaves?Though these are among the most often taught stories of the operation of the Underground Railroad, current scholarship indicates that these aren't survivals of pre-Civil War African-American folklore, but legends constructed and popularized within the twentieth century, frequently by white writers and performers. In today's New York Times, these legends battle it out with fact in debate over the proposed design of a new Frederick Douglass memorial [PDF].
posted on Jan 23, 2007 - View this thread

Steppin' is an hour-long documentary on an African-American dance tradition, most closely associated with historically black fraternities and sororities (though it's also found in high schools, clubs, and professional dance companies). Combining footwork, hand-clapping, chanting, singing, use of props, and changing configurations of dancers, it's a tightly coordinated dance form in which teams vie for honors in competitions nationwide.
posted on Dec 7, 2006 - View this thread

That's the Sound of the Man Working on the Chain Gang Among all genres of American folk music, prison songs may be the most viscerally compelling. They evolved from plantation songs and field hollers of slaves in the American South before the civil war (whose origins can in turn be traced to patterns found in the music of West Africa) but their tone and content is quite different. Limitless in length, bitter and pained, offering little hope of freedom or redemption, these songs were first heard during Reconstruction. Harsh and unevenly enforced laws incarcerated legions of black American men, consigning them to long sentences of labor for minor offenses like insult, fistfighting, and shoplifting. To shore up a tanking Southern economy, prisons leased convict labor to plantation owners as a low-cost replacement for slave labor. When reform efforts brought that to an end, state governments became the contractors. Sweetheart deals awarded lucrative contracts to prisons to provide labor for rebuilding the railroads and highways of the war-destroyed South. Slavery in all but name, these work conditions gave rise to a body of music that is one of the most significant antecedents of the blues. In hundreds of variants, cadenced to axe-fall, hoe stroke, or the drop of a maul, the songs set a working pace a man could sustain from dawn to dusk, while remaining fast enough to satisfy an armed 'Captain' on horseback.
posted on Aug 27, 2006 - View this thread

North by South : web content on the Great Migration, the result of a six-year, NEH-funded collaboration between Kenyon College and K-12 students in Ohio and various Southern communities.
posted on May 1, 2006 - View this thread