5 posts tagged with alainresnais.
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Alain Resnais, 1922-2014

Alain Resnais, the French filmmaker who helped introduce literary modernism to the movies and became an international art-house star with nonlinear narrative films like “Hiroshima Mon Amour” and “Last Year at Marienbad,” died on [March 1] in Paris. He was 91. NYTimes Obit [more inside]
posted by chavenet on Jun 6, 2014 - 28 comments

Here we glimpse a future in which all mysteries are solved

Toute la mémoire du monde (1956: 21 minutes) is a remarkably lovely documentary short by Alain Resnais about the Bibliothèque nationale de France in the age of print. Via The Funambulist. [more inside]
posted by theodolite on Jun 8, 2013 - 5 comments

Nuit et Brouillard

Night and Fog is a 1955 documentary directed by Alain Resnais.

It is mortifying, for both its brutal imagery, and poetic narration, but moreso, the fact those two could seemingly live together.

Censored by the French over one shot it only came to fruition after writer Jean Cayrol, a camp survivor himself, agreed to write the script.

The soundtrack was by Hanns Eisler, whose music was banned by the Nazis in 1933.

[What follows is 30 minute documentary film concerning two Nazi concentration camps. Please be warned there are some very NSFL/triggers ahead.] [previously] [more inside]
posted by timsteil on Apr 12, 2013 - 32 comments

Last Year at Marienbad: An Intertextual Meditation

"Understanding that "A" and "M", and perhaps "X", in Marienbad are all holographs would enrich our enjoyment of an otherwise incomprehensible film ... Without Morel, Last Year at Marienbad is mostly an exercise in formalism; however, with the intertextual juxtaposition of the two, it becomes another, different work. It becomes an early false reality film, perhaps the first ... we now have a flood of these ontological vertigo films - Total Recall, Dark City, The Matrix, Existenz, The Thirteenth Floor, The Truman Show." Last Year at Marienbad: An Intertextual Meditation. (Now available on Blu-Ray!)
posted by geoff. on Jul 6, 2009 - 26 comments

“Yes, but in my film time is shattered.”

"I would like to do better, to be better than I am". He's the French New Wave maverick and Academy Award winner (at 26, for his first short) who, to commemorate the tenth anniversary of the liberation of Auschwitz -- with considerable personal pain and the admission that "no description, no picture can reveal the true dimension" of what happened in the camps -- made what François Truffaut called "the greatest film ever made", duly censored by French authorities. Four years later he baffled audiences with "the first modern film of sound cinema", shattering the rules of chronology to describe the “anguish of the future”: even if all he ever wanted was "to stop death in its tracks" (French language link), only for one minute. But he is also the unabashed lover of la bande dessinée who learnt English by reading comic books and in the Seventies dreamed (French language link) of making "Spider-Man" into a movie (the Hollywood studios were not convinced), the MGM old-school musical and operetta nut so in love with design that "half of the fashion photography of the past 40 years owes a debt" to him. Now, Alain Resnais' new work, just shown at the Venice Film Festival where his buddy David Lynch was awarded a lifetime achievement Golden Lion, is a French film inspired by an English play with 54 short scenes, music by the X-Files's Mark Snow. (more inside)
posted by matteo on Sep 8, 2006 - 20 comments

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