At first, the new Jerry Seinfeld show seemed reassuringly like the old one. Spontaneous coffees with friends. Mindless chatter that occasionally verged on the hilariously brilliant. But look closer and you see that this show isn’t that show, and that new realities are upon us in America. Anand Giridharadas editorializes about Comedians in Cars Getting Coffee: Seinfeld, His Show, and Inequality. (SLNYT)
Wes Anderson's The Midnight Coterie of Sinister Intruders Last night Ed Norton hosted Saturday Night Live, and this short film trailer parody was the standout. [more inside]
Alec Baldwin has a podcast on WNYC, Here's the Thing, in which he has ~20 minute interviews with pretty much anyone he's interested in talking to. [more inside]
Glengarry Glen Ross endures mainly as a spectacular display of verbal warfare and alpha-male gamesmanship. There’s a musical quality to it, with a great composer and a great chorus hitting the complicated runs of broken dialogue and solos that weave into profane poetry and nuggets of philosophical wisdom. Perhaps the greatest sign of the movie’s success, owed equally to Mamet’s script and this cast, is that it does a great sales job in itself, convincing us that there’s nobility to men who lie for a living — a bill of goods we’re all too happy to buy. [more inside]
Alec Baldwin doesn't want you to give money to NPR, you effete liberal bastards.
How are your minds today? Are they good? Not blown, you say? 30 Rock is a ripoff of The Muppet Show.
Who's Your Daddy? Atlantic Monthly staff writer Caitlin Flanagan considers the impact of father-daughter relationships and once again opines about the emotional inner life of adolescent girls. Building off Alec Baldwin's much-publicized voicemail invective to his 11 year-old daughter, Flanagan concludes that apart from the celebrity personages, the Baldwin feud embodied all the classic traits of filial love between men and their little girls: "amorous engagement, maternal jealousy, and paternal protectiveness."
Just over sixty years ago the Reverend W. V. Awdry told his sick son a series of stories based on real life incidents with trains, which he later wrote up as the Railway Series. Now Thomas the Tank Engine and the other engines of the Isle of Sodor (somewhere between Barrow-in-Furness and the Isle of Man) are a global phenomena, with toys, books and of course the TV series - filmed using model trains on more than 70 1:32 scale 16-by-20-foot sets, and voiced by the likes of Ringo Starr and Alec Baldwin. 2008 has been a rough year for Thomas: George Carlin, who voiced the series in the US up until 1998, passed away (previously), as did David Mitton, who had written and directed over 180 episodes (and who has previously worked on the special effects for Thunderbirds). There's changes ahead for Thomas as well - this year saw the faces of the engines, which had previously been cast in silicone and attached with double sided tape, replaced by CGI faces, and from 2009 onwards Nitrogen studios in Canada will be taking over production with an entirely CGI Thomas. Meanwhile a group of British students continues the tradition of model engine-based storytelling with their YouTube based British Railway Series.
Fuck you. That's my name. You know why, mister? Because you drove a Hyundai to get here tonight, I drove an $80,000 BMW. That's my name.
Move over, crazy-pilotless-drone-guy. Alec Baldwin busts out the brass balls on his 11-year old daughter.
People for the Ethical Treatment of Alec Baldwin I'm not sure this is absolutely necessary to have on the Internet, and it may have been posted here before (sorry!) but I thought it was worthwhile. Make sure you check out the Baldwin Doofus-Alert Warning System - today, it's red.