HAL, Mother, and Father Watching the sixties and seventies through 2001 and Alien.
“Alien 3 was flawed from its inception and it was certainly flawed—actually, pretty fucked up—well before we started shooting. So there you go. Take all of the responsibility, because you’re going to get all of the blame.” — David Fincher [previously]
220 images from Alien including behind the scenes photos, concept art and early effects shots.
The Trouble with "Carrie": Strong Female Characters and Onscreen Violence.
Whether she's volunteering to take her sister's place in the arena or grooming her son to lead the resistance; gunning down the gangsters who sell drugs to the kids in her neighborhood or swinging swords to avenge her daughter, the "strong female character" is often stirred by a maternal concern, a quintessential desire to preserve her community, to protect the weak and vulnerable. Her bad-assery must be in the service of a greater good. Even when she's more ethically complex (like the Bride, who begrudgingly admits that all the people she killed to get to her daughter, "felt good"), she never takes a place at the table of Walter White's grand epiphany: "I did it for me."
Carrie does what Beatrix Kiddo and Ellen Ripley and Katniss Everdeen don't: She does it for herself. Her vengeance, her violence, is in service to no one, no noble good. She doesn't kill because her family and friends have been threatened. There are no friends, no fellow outcasts, to protect from the bullies. No little sister to shield from Mama's wrath. Only her. And she is enough. Carrie kills because she was wronged.
Inseminoid Academic criticism of Inseminoid has concentrated on the film's treatment of the female sex and female sexualities in the context of corruption by an alien source. In addition to its depiction of the abject Sandy, who is rendered a distorted Other in the aftermath of her unnatural impregnation, the film has been seen to incorporate a clash between the patriarchal and the maternal towards its climax, as the would-be-mother eliminates her former friends one by one. [more inside]
From The Weyland-Yutani Archives:
During Alien's pre-production, Ridley Scott drew up a story board presentation of Alien for 20th Century Fox. These storyboards are known as 'Ridleygrams'. This story board presentation contains scenes and FX shots that were later re-written or dropped due to budgetary reasons.[more inside]
Classic movies in miniature style. It all started 2 years ago with an experiment to blend traditional ‘oriental’ (Ottoman) motifs and contemporary ‘western’ cinema. After a positive response to "Ottoman Star Wars", I decided to take the theme further, and developed more film posters using the same technique.
In an exclusive interview with MTV, Ridley Scott releases further details on his latest project: two 3D Alien prequels, which will have a non-Ripley female lead and focus on the story behind the first movie's "Space Jockey." [more inside]
In praise of the sci-fi corridor -- a geeky look at that staple of sci-fi movie sets - the corridor.
Fox have offocially announced that Ridley Scott has officially signed on to direct the new 'Alien' prequel. He certainly did a great job on the original but can he match his previous truimph? Given the number of projects he has in gestation (heh) maybe any celebration is premature...
Concept art for the Alien 3 that never was - Before the Walter Hill version was shot, entirely in brown, by David Fincher there were many iterations of the Alien 3 script. One of the more exotic ones was the Vincent Ward & John Fasano "monks in space" script, illustrated here. [via io9]
Alien (1979; dir. Ridley Scott) original props and stuff for auction. Here's a Halloween costume the kids down the street won't soon forget. And wouldn't a plaster cast of Tom Skerritt's teeth make a great stocking stuffer? Also, this prop seems like it could be put to some alternative uses the makers never intended.