The Story of Feminist Punk in 33 Songs: From Patti Smith to Bikini Kill, the songs that have crushed stereotypes and steered progress (Pitchfork). More than a list of songs, it's an overview of feminist expression through raw music, from 1975 to 2015, with an introduction by Vivien Goldman. "Because nothing beats jamming and singing with your sisters. That is punk. Punk freed female musicians. It is yours. Sing it, play it, live it now." [more inside]
Electric & Musical Industries was formed in 1931, initially releasing classical music, but went on to launch the Beatles, who changed the record label's operations and funded the company for years and years. The label's recording rules were further broadened by Queen and Pink Floyd. EMI ushered punk into the mainstream with Sex Pistols, and then embraced the New Romanticism and the polished excesses of Duran Duran. They made music videos big with Pet Shop Boys and made Brit Pop a thing with Blur, and were home to Radiohead. This is the inside story of EMI, one of the greatest British brands in recording history, as told by people involved with the record label's storied history, augmented by company and performance footage. [more inside]
In July 2008, there was a suspicious leak of new Ben Folds Five material, two months in advance of the (then) forthcoming album, Way to Normal. One month later, Ben Folds confessed that he and his touring band made the 6 fake songs in 8 hours (plus three tunes actually from the album), and he compared the fake tracks to the real album. Two years later, Wiley tweeted that he sacked his manager, and in a form of retaliation, shared 11 seemingly random collections of tracks in various forms of completion. [more inside]
120 Minutes is a tumblr page put together by a fan of the long running MTV alt-rock show, with links to dozens (at least) of videos from the show's heyday. There's no search nor sort that I could find, but the site makes for fun browsing for fans of that particular musical era. [more inside]
The 120 Minute Archive -- an attempt to gather all of the playlists of MTV's now-defunct late-night alternative rock program which ran from 1986 to 2003. Along with the videos were loads of live performances. Sure, it went down in quality in its second half. But where else in the pre-Internet days of 1992 could small-town kids discover Tom Waits, Morrissey and Sonic Youth in a single sitting?