"His work is rooted in the power of collaboration within systems: instructions, rules, and self-imposed limits. His methods are a rebuke to the assumption that a project can be powered by one person’s intent, or that intent is even worth worrying about. To this end, Eno has come up with words like “scenius,” which describes the power generated by a group of artists who gather in one place at one time. (“Genius is individual, scenius is communal,” Eno told the Guardian, in 2010.) It suggests that the quality of works produced in a certain time and place is more indebted to the friction between the people on hand than to the work of any single artist." The New Yorker's Sasha Frere-Jones on Brian Eno's career and new album High Life.
posted by porn in the woods
on Jun 30, 2014 -
Dave of Low Light Mixes spins together all manner of textural musical goodness into solid, themed sonic experiences. Component parts include but are not limited to ambient, jazz, "jazz", noise, field recordings and one hell of a lot of Brian Eno.
posted by colinmarshall
on Mar 18, 2009 -