Oh yeah. There he is, Mr.
RL Burnside, in the year of nineteen and seventy eight, Independence, Mississippi, porch fulla kids, singin' about
when his first wife left him, million-dollar smile on his face. And there he is again, with his guitar and amp, out by the barb wire fence, a
poor boy a long way from home. These two little gems just added to the
Alan Lomax Archive YouTube channel, where you'll also find some wonderful newly-uploaded clips (filmed in 1983) from
fretless banjo plucker Tommy Jarrell, the toast of Toast, North Carolina.
posted by flapjax at midnite
on Mar 15, 2012 -
9 comments
Within that small and very specific sub-genre of musical Americana identifiable as the
train imitation, there is one amazing performance, from 1926, that set the standard:
Pan-American Blues. The man who recorded it did a fine and fanciful job of evoking the sounds of a
fox chase as well, and his rhythmically compelling solo rendition of
John Henry stands as testament to the potential for musical greatness achievable by one man and a humble harmonica. He was an African-American who was a founding member of the Grand Ole Opry, a musical institution that we rarely (as in,
never) today associate with black people, and his touching and tragic story, documented
here, is one that will be of interest to those concerned with the racial, economic and socio-cultural history of American popular music. He stands at one of its more unexpected intersections: his name is
DeFord Bailey.
[more inside]
posted by flapjax at midnite
on Dec 30, 2010 -
15 comments
Born in Big Sandy, Texas in 1874,
Henry Thomas was one of the oldest black musician who ever recorded for the phonograph companies of the 1920′s and his music represents a rare opportunity to hear what American black folk music must have sounded like in the last decade of the 19th century.
[more inside]
posted by flapjax at midnite
on May 11, 2010 -
21 comments
"Men working on the river would move in time to the beat of the music. It was everywhere: on the street, in the church. In the tonks and barrelhouses where people went to be together. Like the beating of a big heart. It gave everyone a good feeling." The Cradle is Rocking is a delightful 12-minute film that, though somewhat damaged (Folkstreams has found what may be the only surviving print), is highly recommended viewing for anyone interested in American roots music: in this case, New Orleans jazz. The film's thoughtful and affable narrator is trumpeter
George "Kid Sheik" Cola, who can be heard along with Captain John Handy serving up some fine old-school Dixieland jazz
here and
here.
posted by flapjax at midnite
on Dec 9, 2009 -
13 comments
The
foot bone connected to the ankle bone, the
ankle bone connected to the leg bone, the
leg bone connected to the knee bone, the
knee bone connected to the thigh bone, the
thigh bone connected to the hip bone, the
hip bone connected to the back bone, the
back bone connected to the shoulder bone, the
shoulder bone connected to the neck bone, the
neck bone connected to the head bone, now
hear the word of the lord...
and be sure to check the hover-overs for link details on all this bony business,
posted by flapjax at midnite
on May 2, 2009 -
24 comments
Eighty one years ago to the day, barber, banjoist and balladeer
B.F. Shelton travelled from his home in Kentucky to take part in a recording session in Bristol Tennessee. Now referred to as the "
Bristol Sessions", these recordings are widely viewed as some of the most important and influential in American music history. The four songs Shelton recorded that day, stark, simple and immensely powerful in their unadorned honesty, can all be heard
here. After Bristol, Shelton never recorded again.
[more inside]
posted by flapjax at midnite
on Jul 29, 2008 -
16 comments
Dreams and Songs of the Noble Old, a film by Alan Lomax, takes a loving look at the talents and wisdom of elderly musicians, singers, and story-tellers from southern American folk traditions. All the musicians featured in the film have soul and musical energy to spare: great, great performances and engaging reminiscences make this film a real treat. Please see the [more inside] for a collection of links to several of the outstanding performers featured in the film.
[more inside]
posted by flapjax at midnite
on Mar 25, 2008 -
15 comments
Each of the following
MySpace Music pages features bios and/or photos and/or videos and/or miscellaneous related materials and/or up to four songs by each of the following Old Time, Traditional, Appalachian folk (and related) artists:
Lowe Stokes,
Clarence Ashley,
Charlie Poole,
Gid Tanner and the
Skillet Lickers,
Roanoke Jug Band,
Roscoe Holcomb,
Hobart Smith,
The Weems String Band,
Burnet & Rutherford,
Bascom Lamar Lunsford,
John Masters,
Dock Boggs,
Tampa Joe & Macon Ed,
William Stepp,
Buddy Thomas,
Buell Kazee,
Isidore Soucy,
John Salyer,
Cousin Emmy,
Luther Strong,
Elizabeth Cotten,
Fred Cockerham,
G.B. Grayson,
Melvin Wine,
Lewis Brothers,
Uncle Dave Macon,
George Lee Hawkins and
Wilmer Watts. And here's some general Old Time (etc.) pages, featuring various artists:
Dust To Digital,
Traditional Music of Beech Mountain and
North Carolina Folklife Institute.
[more inside]
posted by flapjax at midnite
on Oct 24, 2007 -
17 comments
