The New(er) South, a 2013 essay by Patterson Hood of the Drive-By Truckers reexamines the questions and contradictions of the American south originally explored in their 2001 album Southern Rock Opera. [more inside]
"I would advise you when You do fight Not to act like Tygers and Bears as these Virginians do - Biting one anothers Lips and Noses off, and gowging one another - that is, thrusting out one anothers Eyes, and kicking one another on the Cods, to the Great damage of many a Poor Woman." Thus, Charles Woodmason, an itinerant Anglican minister born of English gentry stock, described the brutal form of combat he found in the Virginia backcountry shortly before the American Revolution. Although historians are more likely to study people thinking, governing, worshiping, or working, how men fight -- who participates, who observes, which rules are followed, what is at stake, what tactics are allowed - reveals much about past cultures and societies."Gouge and Bite, Pull Hair and Scratch" The Social Significance of Fighting in the Southern Backcountry [more inside]
My fellow Mefites, I implore you. Don't even think about clicking the more inside if you have anything pressing to do. [previously] [more inside]
"In 1911, the Saenger Brothers, Abe and Julian, operators of a drug business at Louisiana and Milam streets, decided to enter the amusement field. They were impressed with [Shreveport movie theatre operator E.V. Richards] and induced him to join them in their new field of endeavor ... In 1912 the Saenger Amusement Company was organized with Saenger Brothers, E.V. Richards and L. M. Ash as the stockholders. Richards continued as manager and an expansion policy was adopted which linked Texarkana, Monroe and Alexandria with Shreveport and thus formed the first Saenger chain of theatres in this area ... The company moved to New Orleans where the Strand Theatre, a building of magnificent modernity, was formally opened on July 4, 1917 ... In 1924 the company again inhaled deeply before exhaling a new record of expansion that established branches in 12 southern states. In 1926 and '27 further expansion took the company into Cuba, Jamaica, Panama and Costa Rica. During the expansion peak 320 theatres were involved in the holding company." Sadly, few remain. [more inside]
Southern Values Revived: How Our Elites Have Become Worse "It’s been said that the rich are different than you and me. What most Americans don’t know is that they’re also quite different from each other, and that which faction is currently running the show ultimately makes a vast difference in the kind of country we are. Right now, a lot of our problems stem directly from the fact that the wrong sort has finally gotten the upper hand; a particularly brutal and anti-democratic strain of American aristocrat that the other elites have mostly managed to keep away from the levers of power since the Revolution. Worse: this bunch has set a very ugly tone that’s corrupted how people with power and money behave in every corner of our culture. Here’s what happened, and how it happened, and what it means for America now." [more inside]
"Black Like me" : the notion of "Race" is know known to be scientifically meaningless, but now roll back the clock to 1959 : "...John Howard Griffin (1920-1980) was a true Renaissance man. Having fought in the French Resistance and been a solo observer on an island in the South Pacific during World War II, he became a critically-acclaimed novelist and essayist, a remarkable photographer and musicologist, and a dynamic lecturer and teacher. On October 28, 1959, after a decade of blindness and a remarkable and inexplicable recovery, John Howard Griffin dyed himself black and began an odyssey of discovery through the segregated American South. The result was Black Like Me, arguably the single most important documentation of 20th century American racism ever written....Because of Black Like Me, Griffin was personally vilified, hanged in effigy in his hometown, and threatened with death for the rest of his life."
James Branch Cabell's Jurgen: A Comedy of Justice. One of the many treasures at Documenting the American South. Mike Keith's James Branch Cabell Page (Mike Keith has also performed and recorded an obscure symphony based on Jurgen). Owlcroft's overview of Cabell's work.