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By employing directors with backgrounds in drama, the studios hope action-heavy films will be infused with greater depth. The catch, however, is that drama directors are usually inexperienced at, and thus incapable of, properly handling [the] material that is the film's main selling point .... "The Wolverine" is the latest example of this burgeoning trend. To name just a few examples from the past couple of years, "X-Men Origins: Wolverine" (dir: Gavin Hood), "Quantum of Solace" (dir: Mark Forster), "Skyfall" (dir: Sam Mendes) ... were all brought to the screen by filmmakers whose careers were predicated on dramas or comedies, not action. That fad remains in full effect this summer .... While no studio exec would dare hand over an Oscar-hopeful drama to Michael Bay, the opposite model—Hey, Marc Forster directed "Finding Neverland," so he's obviously the ideal candidate for a Bond film!—now reigns supreme.Nick Schager writes about action films helmed by a director who is not an action director.
This may only occur to the obsessive student of The Parent Trap, but once the subtleties are noticed, hints start stacking up, and a creeping sense of the mythic pervades the film...Join Chris Stangl, King of the Beanplaters, as he obsessively studies The Parent Trap, Little Shop of Horrors, Beetlejuice, Teen Wolf, the original Buffy the Vampire Slayer, and more.