The Dissolve's Movie of the Week discussion series (previously 1 2 3 4 ) takes Airplane! for a spin:
- Comedy + Time = Absurdity
- What Airplane! gets right that its imitators get wrong
- The straight-faced lunacy of Airplane!.
Kyle Kallgren finishes "Shakespeare Month" on his art house movie review series "Brows Held High" (previously) with a smashing take down of Roland Emmerich's 2011 Shakespeare-was-a-fraud conspiracy thriller "Anonymous". [more inside]
Introducing Sociology: Tim Kreider's influential 1999 essay (previously) on how Stanley Kubrick's Eyes Wide Shut uses sex and infidelity to cover up a story of greed and murder by the elite gets a brand new afterward by the author to introduce a new site for his non-fiction writing, TimKreider.com
The Dissolve (previously, previously) looks at the Coen Brothers' 1996 "homespun Midwestern murder story" Fargo: Masculinity And Mike Yanagita, Keynote: Fargo in Five Quotes, Morality And The Coens
By employing directors with backgrounds in drama, the studios hope action-heavy films will be infused with greater depth. The catch, however, is that drama directors are usually inexperienced at, and thus incapable of, properly handling [the] material that is the film's main selling point .... "The Wolverine" is the latest example of this burgeoning trend. To name just a few examples from the past couple of years, "X-Men Origins: Wolverine" (dir: Gavin Hood), "Quantum of Solace" (dir: Mark Forster), "Skyfall" (dir: Sam Mendes) ... were all brought to the screen by filmmakers whose careers were predicated on dramas or comedies, not action. That fad remains in full effect this summer .... While no studio exec would dare hand over an Oscar-hopeful drama to Michael Bay, the opposite model—Hey, Marc Forster directed "Finding Neverland," so he's obviously the ideal candidate for a Bond film!—now reigns supreme.Nick Schager writes about action films helmed by a director who is not an action director.
A month after its release, Naughty Dog's sweeping interactive epic The Last of Us is being hailed as one of the best games of all time, with perfect scores even from notoriously demanding critics. Inspired by an eerily beautiful segment from the BBC's Planet Earth, the game portrays an America twenty years after a pandemic of the zombiefying Cordyceps fungus (previously), leaving behind lush wastelands of elegant decay teeming with monsters and beset by vicious bandits, a brutal military, and the revolutionary Fireflies. Into this bleak vision of desperate violence journey Joel, a gruffly stoic Texan with a painful past, and his ward Ellie, a precocious teenager who may hold the key to mankind's future. Boasting tense, immersive gameplay, compelling performances from a diverse cast, a movingly minimalist score from Oscar-winning Gustavo Santaolalla, and an array of influences from Alfonso Cuarón's Children of Men to Cormac McCarthy's The Road, it's already being slotted alongside BioShock Infinite and Half-Life 2 as one of modern gaming's crowning achievements. And while it's hard to disentangle plot from action, you don't have to buy a PS3 to experience it -- YouTube offers many filmic edits of the game, including this three-hour version of all relevant passages. And don't miss the 84-minute documentary exploring every facet of its production. [more inside]
"But The Shining speaks to what makes Kubrick such an interesting and, for a lot of people, troublesome filmmaker, because he does not give you what you want. At all. He does not give you a Vietnam movie set in the jungle, and he does not give you a horror movie that is just like Stephen King’s The Shining. He doesn’t even give you scares for a long time, [just] ominous foreboding. And it takes people a while to figure out, “Oh, maybe I don’t know what I want. Maybe this is better.” - Mefi's Own Jon Hodgman talks about Full Metal Jacket with Scott Tobias for "The Last Great Movie I Saw."
"The screenplay keeps so many balls in the air that everything feels lively and inventive and fun, even when the plot isn’t being forwarded, or especially when the plot isn’t being forwarded. " Todd Alcott, director, actor and screenwriter, is known for his exhaustive analysis of screenplays (previously, previously) turns his eye to the modern Superhero Genre with a complete break down of Marvel's The Avengers Part 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9 / 10 / 11 / 12 / 13 / 14 / 15 / 16 / 17
Essayist and cartoonist Tim Kreider is no stranger to film criticism ( previously) but his thoughtful, surprising, detailed analysis of Lynch's The Straight Story and Spielberg/Kubrick's AI deserve special attention.
Is The Shining really about the gold standard? Using unpublished info from the Stanley Kubrick Archives as a key source, Kubrick's Gold Story [part 1 of 4] is a film analysis that uncovers economic themes encoded in The Shining with regard to gold vs fiat monetary systems. Written, narrated and edited by Rob Ager [Previously].
Dorothy Gambrell of Cat And Girl fame spends an awful lot of time talking about education, class, debt, money, and the hollow promise of aspirational media to discuss how much she hates Good Will Hunting
This may only occur to the obsessive student of The Parent Trap, but once the subtleties are noticed, hints start stacking up, and a creeping sense of the mythic pervades the film...Join Chris Stangl, King of the Beanplaters, as he obsessively studies The Parent Trap, Little Shop of Horrors, Beetlejuice, Teen Wolf, the original Buffy the Vampire Slayer, and more.
Sebastian Pruiti offers the sort of analysis many of us like to see from the sports media. Instead of manufacturing controversy, his blog teaches us have a fuller appreciation of the game on the court. For example, instead of obsessing on Cousins' personality, we get a look at his sophisticated post game. [more inside]
"Shown backwards it is a heroic film about human experience: A man trapped in the logic of ghosts, trapped in a grayscale 2-D flat world, a photograph inside history, frozen in spectral finity: is unfrozen, and is lured outside of a maze where both his wife and son proceed to ‘undouble’ him and assist him in his war with his self and is finally able to drive away from the Overlook, from the lunarscape of this unreal summit and into a perfect mirror, earthmade."An excerpt of a large-scale guide to the inner workings of The Shining. [more inside]
Fantasy Space...a laughable pseudointellectual discussion of an old, weird movie I first saw in high school when HBO was still Home Box Office.