Kyle Kallgren finishes "Shakespeare Month" on his art house movie review series "Brows Held High" (previously) with a smashing take down of Roland Emmerich's 2011 Shakespeare-was-a-fraud conspiracy thriller "Anonymous". [more inside]
Introducing Sociology: Tim Kreider's influential 1999 essay (previously) on how Stanley Kubrick's Eyes Wide Shut uses sex and infidelity to cover up a story of greed and murder by the elite gets a brand new afterward by the author to introduce a new site for his non-fiction writing, TimKreider.com
The Dissolve (previously, previously) looks at the Coen Brothers' 1996 "homespun Midwestern murder story" Fargo: Masculinity And Mike Yanagita, Keynote: Fargo in Five Quotes, Morality And The Coens
Drop Kicker is a blog that investigates products on Kickstarter and Indiegogo that look scientifically implausible, outright impossible, or completely scammy
"But The Shining speaks to what makes Kubrick such an interesting and, for a lot of people, troublesome filmmaker, because he does not give you what you want. At all. He does not give you a Vietnam movie set in the jungle, and he does not give you a horror movie that is just like Stephen King’s The Shining. He doesn’t even give you scares for a long time, [just] ominous foreboding. And it takes people a while to figure out, “Oh, maybe I don’t know what I want. Maybe this is better.” - Mefi's Own Jon Hodgman talks about Full Metal Jacket with Scott Tobias for "The Last Great Movie I Saw."
"The internationalized art world relies on a unique language. Its purest articulation is found in the digital press release. This language has everything to do with English, but it is emphatically not English. It is largely an export of the Anglophone world and can thank the global dominance of English for its current reach. But what really matters for this language—what ultimately makes it a language—is the pointed distance from English that it has always cultivated. " - Triple Canopy magazine on why do artists' statments and press releases sound so utterly odd and confusing.
For the release of the Hobbit, Lindsay Ellis of the Nostalgia Chick (previously) has decided to look back at all the LOTR films in order to analyze how they changed genre film-making, expected movie length, extended cuts, the problems of adaptation, and why Eowyn and Merry are made for each other. (Fellowship Of The Ring, Two Towers, Return Of The King Part 1, Part 2) Still need more? Then why not watch Kerry Shawcross and Chris Demarais of Rooster Teeth (previously) try to walk the 120+ mile journey across New Zealand from the filming location of Hobbiton in Matamata to the filming location of Mount Doom, Mount Ngauruhoe in A Simple Walk Into Mordor.
"The screenplay keeps so many balls in the air that everything feels lively and inventive and fun, even when the plot isn’t being forwarded, or especially when the plot isn’t being forwarded. " Todd Alcott, director, actor and screenwriter, is known for his exhaustive analysis of screenplays (previously, previously) turns his eye to the modern Superhero Genre with a complete break down of Marvel's The Avengers Part 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9 / 10 / 11 / 12 / 13 / 14 / 15 / 16 / 17
Essayist and cartoonist Tim Kreider is no stranger to film criticism ( previously) but his thoughtful, surprising, detailed analysis of Lynch's The Straight Story and Spielberg/Kubrick's AI deserve special attention.
Hey remember Lindsay Ellis' The Nostalgia Chick (previously) and her reviews of all things nostalgic and girly? She's done a lot more since then - Cruel Intentions- Jem! - The Craft - Mulan - and the Ne Plus Ultra of wish fulfillment Meg Ryan movies Kate & Leopold.
Dorothy Gambrell of Cat And Girl fame spends an awful lot of time talking about education, class, debt, money, and the hollow promise of aspirational media to discuss how much she hates Good Will Hunting
Is Batman a State Actor? Could you pass a Mutant Registation Act? Law And The Multiverse considers legal matters in a world of capes, supes, and alternate dimensions. (via Mefiprojects)
On Tor.com, Mefi'sown Patrick Garcon (smoke) is writing lively essays on Victorian fantasy illustration, from the Pre-Raphaelites to Orientalism. [via mefi projects]