Zdeněk Miler, the animator of the beloved Krtek ("Little Mole") animations died today. Conceived in 1954 after stumbling on a mole's burrow on his evening walk, Krtek appeared in about fifty films all drawn by Miler. The first Krtek film ("
How Krtek Got His Pants"), originally an educational video about the manufacture of linen, won first prize at the Venice Film Festival in 1957. The Krtek films have been aired in about eighty countries. Miler's young daughters did the uber-cute vocalizations for Krtek, and were the films' test audience as Miler tweaked the films per their suggestions. Here are some perennial favorites:
Krtek and the Radio,
Krtek and the Green Star,
Krtek at Christmas,
Krtek and the Robot.
Miler, like most film buffs, was surprised that Krtek had remained largely unknown in the United States.
"Pretty much the whole world knows Krtek," Mr. Miler said. "America, which is usually first in everything, is last in this. I always look at American history," he said, "and it is a very hard one. People came. They conquered a continent. They suffered hardships, and that hardship is reflected in its movies. I look at children there and think what they are watching is a reflection of that hardness. If you look at America, it is epic. Whereas here, it is more poetic. I feel here there is more lyricism."
posted by Atrahasis
on Nov 30, 2011 -
23 comments
ROSA (vimeo) A sci-fi short animated film created by a new Spanish artist, Jesús Orellana. This was a year-long, solo project created without a budget.
[more inside]
posted by zarq
on Nov 11, 2011 -
8 comments
The book covers at Paris's famed Shakespeare and Company bookstore come to life in this stop-motion collaboration between director Spike Jonze and designer Olympia Le-Tan,
Mourir Auprès De Toi (To Die By Your Side).
[more inside]
posted by Horace Rumpole
on Oct 19, 2011 -
15 comments
Gauche the Cellist [Google video, 63 minutes] is based on a story [Japanese; English translation #1, #2] by Kenji Miyazawa, one of the most-loved poet/storytellers in Japan (Miyazaki and Takahata love his works, and have been influenced by him). The movie was made as an independent project by a Japanese animation studio, OH Production (wiki), and took 6 years to complete. It is rather difficult to make a Kenji story into a movie because there are many Japanese just waiting to rip you apart if you screw up, but Gauche has been highly acclaimed, and is considered one of the best Miyazawa movies (IMDb). The story is about a cellist, Gauche, who becomes a better cellist by interacting with animals who visit his home every night. *
posted by filthy light thief
on Oct 8, 2011 -
8 comments
Nants ingonyama bagithi baba! It's been nearly two decades since that glorious savanna sunrise, and once again
The Lion King is
at the top of the box office. It's a good chance to revisit what made the original the capstone of the
Disney Renaissance, starting with the music. Not the gaudy show tunes or the Elton John ballads, but the soaring, elegiac score by Hans Zimmer which, despite winning an Oscar, never saw a full release outside of
an unofficial bootleg.
Luckily, it's unabridged and high-quality, allowing one to lay Zimmer's
haunting,
pulse-pounding,
joyful tracks
alongside the original video (
part 2,
3,
4), revealing the subtle leitmotifs and careful matching of music and action.
In addition, South African collaborator
Lebo M wove traditional Zulu chorals into the score, providing
veiled commentary on
scenes like this; his work was later
expanded into
a full album,
the Broadway stage show, and
projects closer to his heart. Speaking of expanded works, there were inevitable sequels -- all of which you can experience with
The Lion King: Full Circle (
download guide), a fan-made, three-hour supercut of the original film and its two follow-ups.
Want more? Look...
harder... [more inside]
posted by Rhaomi
on Oct 1, 2011 -
22 comments
Two and a half years ago, we explored
the early history of Cartoon Network... but it wasn't the only player in the youth television game.
As a matter of fact,
Fred Seibert -- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's
truly venerable forerunner:
Nickelodeon.
Founded as Pinwheel, a six-hour block on Warner Cable's innovative
QUBE system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire.
Much has changed since then, from the mascots and game shows to
the versatile orange "splat." But starting tonight in response to popular demand, the network is
looking back with
a summer programming block dedicated to the greatest hits of the 1990s, including
Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple, and
All That.
To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon.
(warning: monster post inside) [more inside]
posted by Rhaomi
on Jul 25, 2011 -
116 comments
The Academy of Motion Picture Arts and Sciences’ Margaret Herrick Library today launched its latest online research tool, the Production Art Database. The database contains records for more than 5,300 items from the library’s collection, including motion picture costume and production design drawings, animation art, storyboards and paintings. Nearly half of the records include images, making this an invaluable online resource for researchers interested in motion picture design.
posted by Trurl
on Jul 2, 2011 -
7 comments
"What do you get when you combine 15kgs of silicon, 2km of wool, 46 highly enthusiastic filmmakers and 2 years of hard work? …
Zero." (youtube / also on
vimeo) Official
site.
[more inside]
posted by zarq
on Jun 30, 2011 -
14 comments
It was bound to happen eventually. After
a quarter-century,
26 Academy Awards, and an unparalleled streak of
eleven artistic and commercial triumphs, Pixar's latest project,
Cars 2, is
Certified Rotten. Critics have
assailed the film as a slick but hollow vehicle for Disney's
$10 billion-dollar Cars merchandising industry "lifestyle brand," replacing the original's serviceable tale of small-town redemption with
zany spy games,
hyperactive chase sequences, and even more
lowbrow aww-shucks potty humor from
Larry the Cable Guy. But it's not all bad news! Along with
a fun new Toy Story 3 short, preceding today's (3-D) premiere showings is a first look at next year's
Brave --
a darkly magical original story set in ancient Scotland featuring the studio's first female lead (and
director).
Evocative high-res concept art [mirror] is available at the official website, and
character sketches have leaked to the web, with the apparently striking teaser trailer sure to follow. Also, be sure not to miss the sneak peak of
Brave's associated short,
"La Luna"!
posted by Rhaomi
on Jun 24, 2011 -
263 comments
Hambuster: when your lunch goes berserk. Vimeo; Warning, funny, violent, and gory as Hell, so maybe NSFW. Also available in 3D.
[more inside]
posted by bwg
on May 21, 2011 -
18 comments
Bottle, a lovely stop-motion film by animator
Kirsten Lepore [NSFW], explores a long-distance relationship fueled by communication via not-so-instant message. [Kirsten Lepore
previously, kinda]
posted by bayani
on Apr 6, 2011 -
18 comments
1884: Yesterday's Future. A story of outstanding heroism in the face of deception, subterfuge and treachery. Conjuring up the belief that it was made forty years before film was even invented, 1884: Yesterdays Future tells of a future that might have been but never was. Directed by Tim Ollive, the film is a mix of animation, puppetry and two dimensional and three dimensional computer generated imagery (CGI) set against backgrounds created using stunning artwork, model sets and period photographs from the Hulton Picture Library division of Getty Images.
[more inside]
posted by Fizz
on Dec 21, 2010 -
5 comments
"We gathered our favorite cutting-edge content creators from across the internet and gave each of them a deceptively simple mission -- tell a short story in an innovative way." Showtime presents:
Short Stories. [more inside]
posted by zarq
on Dec 20, 2010 -
4 comments
Unlike many cinematic exports,
the Disney canon of films distinguishes itself with an impressive dedication to
dubbing.
Through an in-house service called
Disney Character Voices International, not just dialogue but songs, too, are
skillfully re-recorded, echoing the voice acting, rhythm, and rhyme scheme of the original work to
an uncanny degree (while still leaving plenty of room for
lyrical reinvention).
The breadth of the effort is surprising, as well -- everything from
Arabic to
Icelandic to
Zulu gets its own dub, and their latest project,
The Princess and the Frog, debuted in
more than forty tongues.
Luckily for polyglots everywhere, the exhaustiveness of Disney's translations is thoroughly documented online in
multilanguage mixes and
one-line comparisons, linguistic kaleidoscopes that cast new light on old standards.
Highlights:
"One Jump Ahead," "Prince Ali," and
"A Whole New World" (
Aladdin) -
"Circle of Life," "Hakuna Matata," and
"Luau!" (
The Lion King) -
"Under the Sea" and
"Poor Unfortunate Souls" (
The Little Mermaid) -
"Belle" and
"Be Our Guest" (
Beauty and the Beast) -
"Just Around the Riverbend" (
Pocahontas) -
"One Song" and
"Heigh-Ho" (
Snow White) -
"Bibbidi-Bobbidi-Boo" (
Cinderella) -
Medley (
Pinocchio) -
"When She Loved Me" (
Toy Story 2) -
Intro (
Monsters, Inc.)
posted by Rhaomi
on Nov 12, 2010 -
31 comments
Toy Story 3 hits theaters today, and it's already winning
universal acclaim as an enchanting and heartbreaking wonderwork, employing
understated 3D and a
"real-time" perspective that
deftly capitalizes on the nostalgia and can't-go-home-again angst of a generation that grew up with the series.
It has a strong pedigree, with 11-year-old predecessor
Toy Story 2 the rare sequel to equal its forebear, 1995's
Toy Story (itself the first CGI feature in history).
And it joins a lofty stable of films: over the last 15 years, Pixar has put out an unbroken chain of
ten commercial and critical successes that have grossed over $5 billion worldwide and collected
24 Academy Awards (including the
second-ever Best Picture nom for animation with
Up), a legacy that
rivals some of the greatest franchises in film history.
But there's rumbling on the horizon. Although the studio has been
hailed for its originality (of the 50 top-grossing movies in history, only nine were original stories -- and
five of them were by Pixar), two of their upcoming projects are
sequels, both of them based some of their least-acclaimed films (
Cars 2 in 2011 and
Monsters, Inc. 2 in 2012). And while 2012 will also bring
The Bear and the Bow Brave, the first Pixar flick to feature a female protagonist
[previously], fellow newcomer
Newt has been
canceled. With
WALL-E/Up/Toy Story 3 guru Andrew Stanton focusing on
his 2012 adaptation of
John Carter of Mars and with
forays into live-action already in development,
does this mark the end of the golden age of Pixar? Or is this latest entry lasting proof that even the toughest case of sequelitis can be raised to the level of masterpiece?
[more inside]
posted by Rhaomi
on Jun 18, 2010 -
227 comments
In 2001,
Marc Bertrand was tasked by the National Film Board of Canada with creating 26 one-minute films about science. The only constraints were that he had to use both archival footage and animation. The result was
Science Please!
And because the NFB is awesome, you can watch all 26 of them online:
Part 1 |
Part 2 | Or,
in French [more inside]
posted by 256
on Apr 26, 2010 -
17 comments
Announcing: The Art of Akira Exhibit Its stunningly fluid and detailed animation often required as many as nine separate cel layers. The 125 minute feature was comprised of over 160,000 cels and almost as many backgrounds, each one completely hand–drawn and hand-painted. Purists recognize Akira as the last completely hand-created animated feature.
Joe the Peacock, in collaboration with
Toonseum, presents a project to 'expose as many people as possible to the brilliance' of
Akira.
Akira previously: 1 2 3
posted by shakespeherian
on Feb 4, 2010 -
76 comments
