46 posts tagged with animation by filthy light thief.
46 posts tagged with animation by filthy light thief.
Displaying 1 through 46 of 46.
Cab Calloway's song "Minnie the Moocher" is familiar to many people, due to its status a one of Cab's swinging classics, which was used for the title and inspiration for a spookly little Bettie Boop short cartoon, complete with a spectral walrus whose dance moves were rotoscoped from Cab himself. Flash forward to 1980 with Calloway in his 70s, Cab returned to belt out the tune in The Blues Brothers in classic Cab Calloway swinging style, returning the song to broad prominence. But do you know how the song came to be? You've probably heard the somber "Saint James Infirmary," but have you heard of "Willie the Weeper" or "Willie the Chimney Sweeper"? Mix the two, and you have a few pieces of the story behind Cab Calloway's big hit (Google books preview). [more inside]
"If I had been born 10 years earlier, I don’t think I would be an animator," wrote Makoto Shinkai. Despite the fact that even his earliest animations were completed with a Mac and a tablet, his style is influenced by the works of prior Japanese animators, even earning him the title "the next Miyazaki," which he says is an honor, but overstating his skills. From his earliest short, Other Worlds, he set some of the tone and pacing featured in his subsequent works, which are discussed in the lead up to an interview Shinkai did with Tested. [more inside]
Since at least the late 1950s, Walt Disney Studios had a morgue on site (auto-playing music, with option to pause), but rather than a place to temporarily keep dead bodies, the name is a reference to "morgue files" kept by newspaper reporters, where old materials were kept for reference. In 1989, the archives moved to larger, more modern facilities, renamed the Animation Research Library (ARL), a 12,000 square foot housed in a nondescript structure, which guests are required to not describe or identify by location or even neighborhood, as noted in this Telegraph article, The Jungle Book: the making of Disney's most troubled film. Given the limited access and strict controls over what can be recorded in ARL, Ultimate Disney's 2006 tour write-ups with photos and D23's Armchair Archivist interview with select Disney staff may be the closest you can get to getting inside. [more inside]
“Je Suis La Jeune Fille.” “Yes, that’s French they’re speaking. But no, these children aren’t French – they’re American!” If you grew up in the late 1980s and early 1990s, or watched children's TV programming from that era in the US or UK, no doubt you saw that commercial for Muzzy (formally titled Muzzy in Gondoland). The show was first produced by the BBC in 1986 to teach English as a second language, as seen in this playlist of five videos, and later expanded with Muzzy Comes Back in 1989 (six episode playlist). The shows were both translated in to French, German (playlist), Spanish (and the Spanish vocabulary builder), and Italian (Muzzy in Gondoland, Muzzy Comes Back).
Butter Ya'Self (Vimeo; YouTube) is "basically ... the story of Drake and Lil’ Wayne [as told with an anthropomorphic banana, hot dog bun, and stick of butter]. ButterKrust is 100% based on Wayne – Nana Splits isn’t based on anyone real but his relationship to ButterKrust is based on Drake’s relationship to Lil’ Wayne. The most important thing I wanted to express in this video is the relationship between them, how tight they are and how much Nana Splits looks up to ButterKrust." That's the story from Julian Petschek, who is studying at The California Institute of the Arts. [more inside]
Christian Zander may have a commercial design background, he has a significant amount of work in a more abstract, generative style, as seen in his House and Bike blog posts, and strewn among his work portfolio. He has also worked with animations, both live (Kiss Kiss Kiss - "Ponte 25") and recorded (Kenton Slash Demon - "Ore" / I Got You On Tape - "Run From The Rain").
Animator Adam Brown took two Calvin and Hobbes comics as keyframes and animated the pair in motion, with some sound: dancing in the forest (Vimeo; YouTube; GIF without the background) and a fireside tiger attack (Vimeo; GIF). [more inside]
Take a bit of nonsense rhyming about Moses' toeses as set to a lively tap dancing number by Gene Kelly and Donald O'Connor turns into something else in this short animation of a ghost girl joining a dancing pair of shoes (YouTube; Vimeo).
Lilo & Stitch is an odd movie to come from Disney for a number of reasons: a rare work based on an original story, set in a realistic version of the "island paradise" of Hawaii, focusing on strong female characters who have a realistic/varied bodyshapes. For more insight into the making of the "affordable" Disney film, here's Lilo & Stitch revisited, Part I, interviewing the creators Chris Sanders and Dean DeBlois, and Part II, featuring master animator Andreas Deja. For a taste of the animation, here are four teaser clips of Stitch invading other Disney films, the official full version of the Lion King interrupted trailer, and making of Lilo & Stitch short docu-clip.
The "2.5D" Parallax Effect: How To Animate a Photo provides a quick tutorial of the methods used to animate still images, as seen in the documentary The Kid Stays in the Picture (see the trailer for some fleeting examples), and clearly employed by this video that utilized only images from the World Wildlife Foundation's photo archives. The technique is also used in what appears to be more standard animation, as seen in this thesis animation project from Arquis B. Silp, and this animation by Frederic Kokott (look behind the scenes). [more inside]
Redditor bubbleweed took a five and half hour time-lapse of Jupiter, and made this gif to show Jupiter from Io's frame of reference [WARNING: 4.6mb GIF | alternate: 60kb HTML5 video]. But why simply photograph Jupiter, when you can take the time to really know the planet and draw it, repeatedly, as Frédéric Burgeot has done. His work included a flat texture map* which Pascal Chauvet turned into an animated version of Jupiter (Vimeo). [more inside]
It all started on Christmas Eve 1965 (Google books preview), as a cold and wet Michael Bond was doing some last minute shopping. He had missed a bus, and ducked inside a department store to get out of the sleet. It was there that he saw a small bear, all alone on a shelf. On a whim, he picked it up as a stocking stuffer for his wife. The couple named him after the Paddington railway station that was near where they lived at the time. A few months later, Bond turned to Paddington to break his writers block, and the Paddington books were born. Paddington was turned into the UK's favorite animated character thanks to the 56 five-minute long episodes and three longer specials that were originally aired in the 1970s and 1980s, and are online in one form or another. [more inside]
Forward March (YouTube) is a silly little animated film, featuring four formal British military men and a furry fellow who emerges from the sewer. This short is one of the graduation pieces (Google auto-translate; original link) from the French arts school, ESMA (official French site). You can find more short animations on their YouTube and Vimeo accounts.
Matthew DiVito is a motion graphics designer and an aspiring game developer, whose current specialty is animated GIFs that are hypnotic and beautiful. You can see a series of his animations on his Tumblr and a few individual works on Cargo Collective, which has a few of his short videos from Vimeo
Mickey Mouse in Ghoul Friend is a new Disney short, featuring the reanimated corpse of Goofy. With this information, you might get the idea that this is not what you might expect from modern Disney cartoons, and you'd be right. It's one of 19 new shorts that are part of the new Mickey Mouse series of shorts that are inspired by the 1930s era Disney shorts. If you'd like to see more, 11 of the shorts are currently available to view on YouTube (in a playlist with two bonus behind the scenes clips), from the DisneyShorts YouTube acccount. [more inside]
Zach Dougherty's hateplow tumblr is a surreal collection of looping animations, of distorted sculptures and glitches in reality.
ライナーノーツ (translation: "liner notes") is a short video clip that makes sense if you imagine a fan of Terry Gilliam was inspired by the animated scenes from Monty Python, but set them in the grim future of Brazil, with the added twist that the dark future is built in/around giant giraffes, turtles, whales, and bison. From the Japanese artist Yuta Ikehara, whose website and additional work is available here (Google auto-translation; via Dark Roasted Blend's post on contemporary Japanese 2D artists)
Andy Martin has a plan to draw a different alien every day for a year, and animate and score a different alien world each month. He's now on month #7. You can see the aliens on the Illustrated Aliens tumblr, or jump right to The Planets on Vimeo. You can read more about his process in this Skwigly interview.
Francoise Gamma makes bizarre, convoluted, abstract GIFs, and is a generally mysterious individual. Gamma provided answers to a visual interview, and you can get a quick overview of Gamma's animation from The Creators Project. Gamma also created works in the physical realm, first as part of a group guerrilla art installation project, then etched into a transparent material by "harnessing the power of rare crystals and secret lasers". [more inside]
Vine is a smartphone app that makes up to six-second long clips that play back on a loop, which might not seem like enough to do much more than capture odd little moments. But Ian Padgham has elevated the format to an art, with a wooden figure animated in stop-motion, animated "postcards" of famous places, art in the making and moving art, and comedy on loop. And to answer the question, "how the heck did you do that?", Ian has a few helpful tutorial videos. (via)
"I have a huge collection of fighting game backgrounds as gifs. Figured you guys might appreciate it."
Strange Oaks is the latest teaser trailer from the Barcelona-based Headless Productions (and friends), this time about a retirement community for witches. The Headless Productions Vimeo account has 13 more teasers and trailers, mostly featuring hand-drawn animation, some of which has since made its way into full movies. [more inside]
Sometimes you want to be somber, or serious, or just enjoy some peace and quiet. And in some of those instances, you get jazz that nobody asked for. Jazz that just won't die. [more inside]
New York Biotopes deals with abstract plants and creatures, which change their forms because of insufficient living space and adapt themselves to the surroundings of the metropolis New York City. Set to the music of Man Mantis. More videos from Lena Steinkühler on her Vimeo channel.
"Few characters are as memorable as he: tall, black-cloaked, face scarred, eyepatch over his right eye, and ever-ready with his saber-rifle. He is the epitome of Leiji (Reiji) Matsumoto's male hero, an SF version of the wild-West lone gunslinger." The Space Pirate Captain Harlock is coming back in a new CG movie, a decade since his escapades were last animated, and back with Toei Animation, who first brought his one-eyed scowl to the small screen 35 years ago. If this is all news to you, read on for more of the mysterious man who fight's for no one's sake. [more inside]
Welcome to mcbess, a land of odd illustrations in black and white*, something of a dark and dingy take on Merry Melodies, where the men are bearded, and the ladies are toothy, busty (and often topless, in a vaguely NSFW cartoony way). There are also some large-scale illustrations with all those elements, and more. Matthieu Bessudo, aka mcbess, is also in a band, The Dead Pirates, and his art and music met with the video Wood (Vimeo; also on YouTube; more info here). [more inside]
Jan Svankmajer: "Succumb totally to your obsessions; Keep interchanging dream for reality and vice versa"
"Jan Švankmajer is a major figure of contemporary East European animation whose surrealistic, often macabre work owes more to the nightmarish visions of Kafka and Buñuel than to the sunny daydreams of Walt Disney and his creative progeny. Noted for investing otherwise ordinary objects with ominous overtones, Švankmajer reached his widest audience to date with a feature-length adaptation of Lewis Carroll's "Alice" (1988) which blended animated and live-action footage--a technique he had earlier used to hair-raising effect in "Down to the Cellar" (1983)." -- TMC. Often credited with influencing the Brothers Quay, they hadn't actually seen his work until relatively late in their careers, as they mentioned in an introduction to their documentary on Švankmajer (YT playlist). More of Švankmajer inside. [more inside]
Three cute shorts from the Bellecour School of Art's 3D graphics program: Boringtown (3:38), about three youths who battle monsters; Monsterbox (7:38), about a little girl, her monsters, and a kind old garden shop keeper; and Destiny (5:26), about a fellow and his relationship with time. [more inside]
"Over the years in animation, there have been a lot of great animators. Ub Iwerks was one of those people. We know his work, but we don't necessarily know the man." The Hand Behind the Mouse: The Ub Iwerks Story (in 5 parts on DailyMotion: 1, 2, 3, 4, and 5) tells of the life of Ubbe Eert Iwerks, from the formation of the friendship with Walt Disney when they met at advertisement studio in Kansas City, their artistic collaborations and Ub's 20 years of animation, to Iwerk's technical creations that kept Disney animated pictures ahead of other studios. [more inside]
The first color cartoon came out in 1957, from the Miami, Florida studio Soundac, beating out LA-based Hanna-Barbera's The Ruff & Reddy Show by a few months. Soundac's Colonel Bleep was styled after space-age design ideas of the era, featured in three to six-minute long segments with limited animation, designed for syndication into local kids shows with live hosts. Of the 104 episodes, less than half survive, as most of that and other Soundac material was stolen from a studio van in the ’70s, when the studio was closing. Luckily, episodes have been found in the collections and archives of various TV studios, so Col. Bleep and his side-kicks Squeek and Scratch are available online (YT), some clips on Archive.org, and more on YouTube (playlist with 43 clips).
Animation veteran Steve Moore recently posted a short from the archives of Disney TV Animation, written by Dan O’Shannon, narrated by Garrison Keillor, and voiced by Mia Farrow, Michael Richards, June Foray, and Adam West, all set to a jazz soundtrack. Take 15 minutes and watch Redux Riding Hood. Steve tells the story of the short on his blog. (Via Cartoon Brew)
If Everyday Cute (currently found on Tumblr) is too much not-cat for you, Pusheen the cat should satiate your need for simple animated cat GIFs. Most of the time you just watch Pusheen on a broom, wearing a hat, or on a teeter-totter, but you can also dress Pusheen up.
Kevin J. Weir is an artist, making ads (1, 2, 3, 4, 5), and more interestingly, not ads. In the latter category, he has made 3 stand-alone sites: the Flux Machine, a tumblr of public domain images turned into animated GIFs, ranging from amusing to surreal (with an extra dash of Lovecraft), which Cartoon Brew likened to Terry Gilliam and Stan VanDerBeek; Nyan Waits, another spin-off of the Nyan Cat meme/theme, now with more Tom Waits; and Loud Portraits, an interactive portrait gallery. [more inside]
The world of science fiction is filled with strange tales of alternate futures where one minor event reshaped the entire history of the world. In our world, one minor event in 1935 could have changed the world of animation and science fiction ushering in an era of adult animation. But, alas, that did not happen and is the topic of our sad story today. Though Bob Clampett is often remembered for his Warner Brothers cartoons, including some surreal shorts, he could have been known for bringing John Carter of Mars to life in animation. [more inside]
Gauche the Cellist [Google video, 63 minutes] is based on a story [Japanese; English translation #1, #2] by Kenji Miyazawa, one of the most-loved poet/storytellers in Japan (Miyazaki and Takahata love his works, and have been influenced by him). The movie was made as an independent project by a Japanese animation studio, OH Production (wiki), and took 6 years to complete. It is rather difficult to make a Kenji story into a movie because there are many Japanese just waiting to rip you apart if you screw up, but Gauche has been highly acclaimed, and is considered one of the best Miyazawa movies (IMDb). The story is about a cellist, Gauche, who becomes a better cellist by interacting with animals who visit his home every night. *
Journey back to the late 1930s, and see how Walt Disney cartoons are made, with a focus on that groundbreaking new Disney title, Snow White and the Seven Dwarves. Now let's dash ahead a few decades, to watch Ed Wynn and Jerry Colonna as they inspire the animators in a test-run of dialogue from Alice in Wonderland, synced with final animation for comparison.
Frédéric Back was born in 1924 in France, where he studied drawing and lithography. He was lured to Canada by Jack London's stories and Clarence Gagnon's paintings, as well as correspondence with a Canadian pen-pal. Back moved to Canada in 1948, married his pen-pal Ghylaine Paquin, and was hired by Radio Canada at the birth of their television network to create still images for display on and to promote moving pictures. The drawings lead to experiments with animations, which lead to a series of animated shorts, starting with the wordless short Abracadabra (9:23, YT) in 1970. You can read and see more about Frédéric Back on his extensive website, and see more animations inside. [more inside]
The story that lead to the creation of The Critic is an interesting one, starting as an idea for a behind-the-scenes show with a focus on the make-up lady for a morning talk show, which transitioned into the animated series that ran for two seasons on two different channels, plus 10 online shorts (on the blue, previously). If this is all news to you, you can peruze an old fansite and, or watch all 23 episodes online, plus the webisodes in two sets. Bonus: the Simpsons/Critic crossover, which did not amuse Matt Groening.
"In Japan, animation is not seen as the exclusive realm of children's and family films, but is often used for adult, science fiction and action stories, where it allows a kind of freedom impossible in real life. Some Hollywood films strain so desperately against the constraints of the possible that you wish they'd just caved in and gone with animation." -- Roger Ebert on anime, with this excerpt being related to Tokyo Godfathers. Ebert has been a fan of anime for a while, especially the works of Hayao Miyazaki. Ebert has reviewed 6 of the 18 Studio Ghibli films released to date, and even interviewed Miyazaki with a bit of fanboy glee. More reviews and videos inside. [more inside]
Beware the Electronic Automatic Sound-Spectrograph Computing Digit Translator Playback Recognizer Machine
Telephoneme: Even if your Alphabet Conspiracy succeeds and you destroy the books, machines have no minds of their own. They are easily confused by different voices and different accents. It is the brain of man that tells them what to do. [more inside]
Lucasfilm Animation is currently developing an all-new animated Star Wars series. Not that one, a new series. And no relation to the holiday special (1978) or Ewoks, the animated series (1985), or even Droids: The Adventures of R2-D2 and C-3PO (1985). The new new series is set to feature creative involvement from Seth Green and Matthew Senreich, creators and executive producers Robot Chicken, writing from The Daily Show's Brendan Hay, produced by Jennifer Hill (The Backyardigans), and directed by Todd Grimes (Back at the Barnyard). Unlike the Clone Wars animated series, the latest venture into animation will be one more humorous in tone and aimed at younger kids. Pre-School to Kindergarten aged kids young, and the working title is believed to be "Squishies" (or not).
While some might believe that Walt Disney had the first feature-length animated film with Snow White and the Seven Dwarves in 1937, the Disney film is the fourth animated feature-length film, and was two decades late for first place. The first two animated feature-length films were directed by an Italian in Argentia in 1917 and 1918, though all prints of those films are presumed lost or destroyed. The third animated full-length feature, Die Abenteuer des Prinzen Achmed (The Adventures of Prince Achmed), came out the same year that the first two were lost to fire. This third animated film was a silhouette animation made by a German artist named Lotte Reiniger. The original negatives are considered lost, but a supposedly first-generation positive (from the camera negative) remains and the film has been restored from this stock (full film with limited subtitles, 5 minute preview with English subtitles and the full film viewable with Veoh plug-in). More information and videos inside. [more inside]
Jon Klassen is an illustrator and designer, with a blog and a lovely website full of artwork, including The Miser (3:53, 2004, made with Kyle McQueen and Dan Rodrigues), An Eye for Annai (5:27, 2005, previously, also made with Dan Rodrigues, .MOV video link), an interpretation of a Mayan folktale (available in full in Flight vol 4, previously), The Adventures of Ship, a family art project, visual development and drawings for sets and props for the movie adaptation of Coraline (a couple previous), amongst other bits and bobs. Illustration Mundo had an interview with Klassen earlier this year.
Sam Kieth is an interesting guy, coming from an artistic family (including a cousin who created the animated series Cow and Chicken). His professional work has mostly been in the world of comics, though he did direct a movie for Roger Corman, entitled "Take it to the Limit" (2000), as a way "to recharge [his] batteries after the Maxx." The Maxx was a 35 issue comic (plus a few bonuses), and later animated and aired on Mtv's Oddities in the mid 1990s. (More videos inside) [more inside]
Since the mid 1990s, Don Hertzfeldt has been making animated shorts by hand. To date, his 8 primary films have an apprioximate runtime of 75 minutes, and in total have won 117 awards, all shot on 16 or 35 milimeter film. (There is another 8 minutes or so that was part of the Animation Show (previously).) His recent films have been shot on the same camera rig that recorded It's the Great Pumpkin, Charlie Brown (1966), as he noted in a 2007 interview (part of a Scene Unseen Podcast (direct link to the MP3)). Hertzfeltd is currently two thirds of the way through his most ambitious project to date, a trilogy of films which have been called "the closest thing on film yet to Kubrick's 2001: A Space Odyssey." (Video links inside) [more inside]