Ten years ago today, Cartoon Network aired a very special episode of
The Powerpuff Girls. Though nominally a harmless kids series about three adorable kindergarten superheroes,
creator Craig McCracken attracted an unexpectedly diverse audience (50% male, 25% adult) by sneaking in a surprising amount of
violence and
adult in-jokes -- and on that last point, this particular episode was king. Broadcast on the 37th anniversary of their debut on the
Ed Sullivan Show,
"Meet the Beat-Alls" was an extended and sophisticated metaphor for the rise and fall of The Beatles, cramming
more than forty song references and dozens of visual jokes into only ten minutes of animated allegory. Catch the original episode
here or read
the transcript, but for the
full effect,
watch this remarkable YouTube mash-up that splices the referenced song clips directly into the audio track and plasters the screen with helpful annotations. Want more PPG goodness? You can start with the special
"Powerpuff Girls Rule!!!" (
part 2), a sly, hyperkinetic celebration of the show's tenth anniversary directed by McCracken himself that features every character (and totally subverts an important one). But as far as weirdness goes, it's hard to top
Powerpuff Girls Doujinshi, a long-running fan-made webcomic which stars the trio alongside Dexter, Samurai Jack, Invader Zim, and
tons of other network icons in an unusually dark manga adventure. Oh, and don't forget
your plate of beans.
posted by Rhaomi
on Feb 9, 2011 -
82 comments
"
As a child, there was nothing to me more fantastic than than the M.U.S.C.L.E. toys. I don't know if it's just my love for the weird, or the fact that I like pro-wrestling that makes it so special to me, but there's something about a guy from outer space with a fin on his head who would fight against a walking, talking urinal.
That's right, a urinal." In the US, they were known as Millions of Unusual Small Creatures Lurking Everywhere, or
M.U.S.C.L.E., but they were
basically bendable plastic duplicates of
Kinkeshi, a line of
collectable erasers from Japan. More than peachy-salmon colored minifigs, they were based on the world of
Kinnikuman, which started as
manga in 1979, then
an anime series, and
more, and
more, and
more...
[more inside]
posted by filthy light thief
on Jun 8, 2010 -
45 comments
Inglourious Basterds looks promisingly offensive, but it certainly doesn't appear to be the
most offensive thing that could possibly be written as a comedy about World War II. No, for that, you'd have to have -- no,
not Jerry Lewis, that won't do. Say it was based on a comic that was originally a
webcomic. Say it was produced in one of the former Axis countries. And that it featured all of the major players as
anthropomorphized stereotypes of those countries. And that these stereotypes were all young, attractive men who spent a
lot of time with each other. Call it "Useless Italy" -- or, in Japanese,
Hetalia: Axis Powers. [more inside]
posted by Countess Elena
on Aug 22, 2009 -
69 comments
"Nisan didn’t mean to fall in love with Nemutan. Their first encounter -- at a comic-book convention that Nisan’s gaming friends dragged him to in Tokyo -- was serendipitous. Nisan was wandering aimlessly around the crowded exhibition hall when he suddenly found himself staring into Nemutan’s bright blue eyes... 'I’ve experienced so many amazing things because of her,' Nisan told me, rubbing Nemutan’s leg warmly. 'She has really changed my life.'
Nemutan doesn’t really have a leg. She’s a stuffed pillowcase — a 2-D depiction of a character, Nemu, from an X-rated version of a PC video game called Da Capo." The New York Times' Lisa Katayama on "2-D lovers" in Japan, the latest outgrowth of
otaku subculture.
posted by digaman
on Jul 23, 2009 -
166 comments
