14 posts tagged with anime by filthy light thief.
Displaying 1 through 14 of 14.
"If I had been born 10 years earlier, I don’t think I would be an animator," wrote Makoto Shinkai. Despite the fact that even his earliest animations were completed with a Mac and a tablet, his style is influenced by the works of prior Japanese animators, even earning him the title "the next Miyazaki," which he says is an honor, but overstating his skills. From his earliest short, Other Worlds, he set some of the tone and pacing featured in his subsequent works, which are discussed in the lead up to an interview Shinkai did with Tested. [more inside]
Abandoned artificial satellites. Tanks jettisoned from shuttles. Refuse generated during space station construction. This junk, space debris, is traveling around the Earth at speeds approaching 8 km/s. This is a story of 2075, a time in which this space garbage has become a serious problem. This is Planetes, a near-future hard sci-fi story that focuses on a small group of debris collectors who are part of a larger company. Both the original manga and the anime adaptation set small personal stories and dramas in the realistic context of near-future space exploration, complete with radiation sickness, impacts of growing up on the moon, and of course, the dangers of space debris. The reality of the show is emphasized by a recent JAXA presentation was titled PLANETES could be a true story?: Instability of the current debris population in LEO, and the English DVDs include interviews with NASA staff who work on assessing orbital debris.
' “Episode one, and a robot sprouts from a lump on a boy’s forehead. I certainly did not see that coming” (Tamplin 304). Director Tsuramaki was quoted in an interview, “I'd like you to think of FLCL as imagination being made physical and tangible, just as it is for me when I take whatever is in my head and draw it.” (Surkult). [FLCL, pronounced] Furi Kuri, or Fooly Cooly, keeps its audience on its toes waiting for the next bizarre turn of events. However, if the viewer pushes past the first layer – which can at first be confusing – they can reach the heart of this anime. This series is, quite simply, a coming of age story.' Of course, it's not really that simple, so let's dig in! [more inside]
[Two Guys] decided that they have spent too much time in paradise and decide to take a vacation to Japan. Through the entirety of the film, there is no major conflict, there is no primary antagonist, there is no massive plot that involves saving the world or some other thing like it. It is a simple, but comic, slice of life story, their small daily adventures while exploring a modern Japanese culture, such as shopping, going to amusement parks, saunas, and pools, with it all ultimately culminating in a celebration of the Christmas holiday and a ushering in of the new year. Saint Young Men, a buddy/room-mate comedy anime about Buddha and Jesus that is perfect for the online GIF culture. [more inside]
Joe Hisaishi in Budokan was a series of concerts given in August 2008 to commemorate both the Japanese theatrical premiere of Ponyo and the 25 years of musical collaboration between composer Joe Hisaishi and film maker Hayao Miyazaki. This massive concert featured performances of these signature Miyazaki film scores composed by Hisaishi, conducting from the piano, and the 200-member New Japan Philharmonic World Dream Orchestra, along with six featured vocalists, the 800 combined voices of the Ippan Koubo, Ritsuyuukai and Little Singers of Tokyo choirs, plus a 160-piece marching band. Altogether there were some 1160 musicians and singers on stage, backed by images from Miyazaki's films projected on a giant screen. The almost two hour long show is on YouTube in HD, for your viewing pleasure.
"Few characters are as memorable as he: tall, black-cloaked, face scarred, eyepatch over his right eye, and ever-ready with his saber-rifle. He is the epitome of Leiji (Reiji) Matsumoto's male hero, an SF version of the wild-West lone gunslinger." The Space Pirate Captain Harlock is coming back in a new CG movie, a decade since his escapades were last animated, and back with Toei Animation, who first brought his one-eyed scowl to the small screen 35 years ago. If this is all news to you, read on for more of the mysterious man who fight's for no one's sake. [more inside]
Yomiko Readman is a librarian with amazing paper-manipulating abilities who works for a secret division of the British library, when she isn't a substitute schoolteacher. The division, run by the ancient Mr. Gentleman, is in charge of collecting and monitoring rare books throughout the world. And that's where the trouble starts. The R.O.D. world started with the first of 12 novels in 2000, followed by a manga series and then a three episode OVA (original video animation, usually short direct-to-video series). Each format covers different stories, with the OVA being the most dramatic, opening with a seemingly magical samurai attacking the White House. The samurai is an artificial human clone (or I-Jin in R.O.D.) of Hiraga Gennai, Edo-era samurai, pharmacologist, writer and inventor, showing off a greatly improved electrostatic generator. There are two more episodes in the OVA, then two further spin-offs: Read or Dream manga, which follows the three unrelated young ladies who can manipulate paper and work together in the Paper Sisters Detective Company; and the 26 episodes of R.O.D the TV, a series about three actual sisters with the power to control paper. [more inside]
Studio 4°C is a Japanese animation studio, named for the temperature at which water is most dense, which they convey in their creative manifesto: "create only works that are dense with substance and extreme quality." The studio has produced a range of works, from commercials (Honda Edix | Nike iD REALCITY) and music videos (Ken Ishii - 'Extra' [prev] | Utada Hikaru - 'Fluximation'), to animated series (The Adventures of Tweeny Witches | Thundercats reboot [prev]) and feature-length films (Memories  | Mind Game ). More on their movies inside. [more inside]
Gauche the Cellist [Google video, 63 minutes] is based on a story [Japanese; English translation #1, #2] by Kenji Miyazawa, one of the most-loved poet/storytellers in Japan (Miyazaki and Takahata love his works, and have been influenced by him). The movie was made as an independent project by a Japanese animation studio, OH Production (wiki), and took 6 years to complete. It is rather difficult to make a Kenji story into a movie because there are many Japanese just waiting to rip you apart if you screw up, but Gauche has been highly acclaimed, and is considered one of the best Miyazawa movies (IMDb). The story is about a cellist, Gauche, who becomes a better cellist by interacting with animals who visit his home every night. *
If you recognize the name Hayao Miyazaki, it's most likely due to his anime films. But along with his involvement in animation, Miyazaki has produced some manga and illustrated story books. Part of the reason his work in still images is less known is lack of translation and distribution. That's where the fans come in, digging up and translating many Miyazaki works, back to his first published manga, which was a serious serialized work, in 1969-1970. [more inside]
Neon Genesis Evangelion was an anime series created by Hideaki Anno, a rather mysterious and reclusive director who has declined most interviews and has been likened to Alan Moore in his attempt to up-end a major genre. Where Moore doesn't want to work on anything Watchmen-related, Anno has returned to NGE in a very major way with Rebuild of Evangelion, a tetralogy of films to re-tell the original story and present a new ending (again). [more inside]
"In Japan, animation is not seen as the exclusive realm of children's and family films, but is often used for adult, science fiction and action stories, where it allows a kind of freedom impossible in real life. Some Hollywood films strain so desperately against the constraints of the possible that you wish they'd just caved in and gone with animation." -- Roger Ebert on anime, with this excerpt being related to Tokyo Godfathers. Ebert has been a fan of anime for a while, especially the works of Hayao Miyazaki. Ebert has reviewed 6 of the 18 Studio Ghibli films released to date, and even interviewed Miyazaki with a bit of fanboy glee. More reviews and videos inside. [more inside]
They'er ugly! They're weird! They're tiny! They're terrible! And they're pink! They're Kinkeshi, er MUSCLE Things!
"As a child, there was nothing to me more fantastic than than the M.U.S.C.L.E. toys. I don't know if it's just my love for the weird, or the fact that I like pro-wrestling that makes it so special to me, but there's something about a guy from outer space with a fin on his head who would fight against a walking, talking urinal. That's right, a urinal." In the US, they were known as Millions of Unusual Small Creatures Lurking Everywhere, or M.U.S.C.L.E., but they were basically bendable plastic duplicates of Kinkeshi, a line of collectable erasers from Japan. More than peachy-salmon colored minifigs, they were based on the world of Kinnikuman, which started as manga in 1979, then an anime series, and more, and more, and more... [more inside]
Keanu Reeves is looking to create a live-action Cowboy Bebop movie with Erwin Stoff, and he wants the role of Spike Spiegel. (via io9) [more inside]