"
Welcome to the Zion Archive. You have selected Historical File #12-1: The Second Renaissance."
So begins the short film of the same name by Mahiro Maeda
[Flash: 1 2 - QuickTime: 1 2] -- a devastating yet beautiful work of animation.
Originally produced to explain the backstory behind the
Matrix trilogy, Maeda's project ended up telling a story far darker and more affecting than any blockbuster.
Using a blend of
faux documentary footage and
visual metaphor, his serene Instructor relates in biblical tones the saga of Man and Machine, how age-old cruelty and hatred birthed a horrifying, apocalyptic struggle that consumed the world.
Packed with striking imagery and
historical allusions galore, this dark allegory easily transcends the films it was made for.
But while "The Second Renaissance" is arguably the best work to come from the
Matrix franchise, it's hardly alone -- it's just one of the projects made for
The Animatrix, a collection of
nine superb anime films in a
wide variety of styles designed to explore the universe and broaden its scope beyond the usual sci-fi action of the movies.
Click inside for a guide to these films with links to where they can be watched online, along with a look at
The Matrix Comics, a free series of comics, art, and short fiction created for the same purpose by
some of the best talent in the business.
[more inside]
posted by Rhaomi
on Feb 14, 2011 -
54 comments
Ten years ago today, Cartoon Network aired a very special episode of
The Powerpuff Girls. Though nominally a harmless kids series about three adorable kindergarten superheroes,
creator Craig McCracken attracted an unexpectedly diverse audience (50% male, 25% adult) by sneaking in a surprising amount of
violence and
adult in-jokes -- and on that last point, this particular episode was king. Broadcast on the 37th anniversary of their debut on the
Ed Sullivan Show,
"Meet the Beat-Alls" was an extended and sophisticated metaphor for the rise and fall of The Beatles, cramming
more than forty song references and dozens of visual jokes into only ten minutes of animated allegory. Catch the original episode
here or read
the transcript, but for the
full effect,
watch this remarkable YouTube mash-up that splices the referenced song clips directly into the audio track and plasters the screen with helpful annotations. Want more PPG goodness? You can start with the special
"Powerpuff Girls Rule!!!" (
part 2), a sly, hyperkinetic celebration of the show's tenth anniversary directed by McCracken himself that features every character (and totally subverts an important one). But as far as weirdness goes, it's hard to top
Powerpuff Girls Doujinshi, a long-running fan-made webcomic which stars the trio alongside Dexter, Samurai Jack, Invader Zim, and
tons of other network icons in an unusually dark manga adventure. Oh, and don't forget
your plate of beans.
posted by Rhaomi
on Feb 9, 2011 -
82 comments
Contrary to a lot of idle criticism, Bungie's
Halo series of video games has
a surprisingly rich backstory -- a universe complex enough to support
seven bestselling novels,
a wiki with over 7,000 articles, and
one of the most successful ARGs in history (including
a full-fledged radio drama). The series has also turned out sweeping audiovisual work, from the games'
cinematic cutscenes and
epic music (lots of free previews) to
top-shelf anime and the Hollywood-quality short films --
ODST,
Believe,
Deliver Hope,
Landfall -- that were made to promote the games (the latter of which, produced by Neil Blomkamp,
inspired District 9). And that's apart from all the material produced by Bungie's dedicated fan base:
genuinely hilarious machinima from
Red vs. Blue,
professional-level graphic novels (table of contents at the top),
gorgeous artwork,
hours of recorded dialogue,
complete transcripts of
hidden apocrypha, and more
factual analysis,
story speculation, and
casual discussion than you can shake an energy sword at. But most of these pale in comparison to the latest and greatest exercise in Halo beanplating: the
Svmma Canonica, a 40-page, 17,000-word formal treatise on the nature of canon in the world that Bungie built, and how it will fare once Bungie moves on and the franchise is managed by 343 Industries. Discussion
over at Bungie's official site, or at decade-old fan forum
Halo.Bungie.Org.
posted by Rhaomi
on Jan 31, 2011 -
71 comments
"Five orphans with a spacecraft battle a lipsticked maniac from the Crab Nebula and his unlikely big flying robots. No one gets hurt."
In 1972, the anime action-adventure show
Kagaku ninja tai Gatchaman (
Science Ninja Team Gatchaman,) premiered on Japanese television. Featuring graphic violence, extensive profanity and a transgendered
villain, it was one of the most popular animated series of its time. Envisioning similar success in the US,
Sandy Frank Entertainment acquired the series in 1978 but deemed it too graphic and shocking for domestic audiences. So they hired two Hanna-Barbera vets to "
re-version" totally
bowdlerize the episodes with new scripts, voiceovers music and effects, animation, etc., at a cost of $5 million and turn it into a brand new show:
Battle of the Planets. Here are the
original 1978 Battle of the Planets feature film (in 7 parts,) and the
first 19 episodes of the show, all available on Youtube.
[more inside]
posted by zarq
on Jan 28, 2011 -
61 comments
It is the 16th century. From all over Europe great ships sail west to conquer the new world, the Americas. The men eager to seek their fortune, to find new adventures in new lands. They long to cross uncharted seas and discover unknown countries. To find secret gold on a mountain trail high in the Andes. They dream of following the path of the setting sun that leads to Eldorado, and
the Mysterious Cities Of Gold. [more inside]
posted by AElfwine Evenstar
on Jan 2, 2011 -
41 comments
I Love You is an animated short by Rinat Timerkaev that is reminiscent in style of the works of anime director Makoto Shinkai. Russian audio, no subtitles.
[more inside]
posted by dmit
on Dec 17, 2010 -
14 comments
"In Japan, animation is not seen as the exclusive realm of children's and family films, but is often used for adult, science fiction and action stories, where it allows a kind of freedom impossible in real life. Some Hollywood films strain so desperately against the constraints of the possible that you wish they'd just caved in and gone with animation." --
Roger Ebert on anime, with this excerpt being related to
Tokyo Godfathers. Ebert has been a fan of anime for a while, especially the works of
Hayao Miyazaki. Ebert has reviewed 6 of the 18
Studio Ghibli films released to date, and
even interviewed Miyazaki with a bit of fanboy glee.
More reviews and videos inside. [more inside]
posted by filthy light thief
on Aug 30, 2010 -
92 comments
Satoshi Kon, the director of such celebrated anime movies as
Perfect Blue,
Millennium Actress, and
Paprika, has died (reportedly of cancer) at the age of 47.
Kon's movies dealt with the slipperiness of the boundaries between performance and reality, truth and illusion. His death leaves the status of his next movie,
The Dream Machine (Yume miru kikai), in doubt. As outsourcing and a long recession have taken their toll on Japan's increasingly insular anime industry, David Cabrera notes,
I cannot think of a single person alive in the Japanese animation industry who would have been a greater loss than Mr. Kon.
posted by Jeanne
on Aug 24, 2010 -
99 comments
"
As a child, there was nothing to me more fantastic than than the M.U.S.C.L.E. toys. I don't know if it's just my love for the weird, or the fact that I like pro-wrestling that makes it so special to me, but there's something about a guy from outer space with a fin on his head who would fight against a walking, talking urinal.
That's right, a urinal." In the US, they were known as Millions of Unusual Small Creatures Lurking Everywhere, or
M.U.S.C.L.E., but they were
basically bendable plastic duplicates of
Kinkeshi, a line of
collectable erasers from Japan. More than peachy-salmon colored minifigs, they were based on the world of
Kinnikuman, which started as
manga in 1979, then
an anime series, and
more, and
more, and
more...
[more inside]
posted by filthy light thief
on Jun 8, 2010 -
45 comments
Announcing: The Art of Akira Exhibit Its stunningly fluid and detailed animation often required as many as nine separate cel layers. The 125 minute feature was comprised of over 160,000 cels and almost as many backgrounds, each one completely hand–drawn and hand-painted. Purists recognize Akira as the last completely hand-created animated feature.
Joe the Peacock, in collaboration with
Toonseum, presents a project to 'expose as many people as possible to the brilliance' of
Akira.
Akira previously: 1 2 3
posted by shakespeherian
on Feb 4, 2010 -
76 comments
Flying Panties?!? The closing credits for Episode 2 of "Sora no Otoshimono"("Heaven's Lost Property", about a 'fallen angel' of standard 'Anime Girl' variety: big eyes, big boobs plus big wings).
(clip is as SFW as women's underwear without the women can be)
posted by wendell
on Oct 24, 2009 -
105 comments
Inglourious Basterds looks promisingly offensive, but it certainly doesn't appear to be the
most offensive thing that could possibly be written as a comedy about World War II. No, for that, you'd have to have -- no,
not Jerry Lewis, that won't do. Say it was based on a comic that was originally a
webcomic. Say it was produced in one of the former Axis countries. And that it featured all of the major players as
anthropomorphized stereotypes of those countries. And that these stereotypes were all young, attractive men who spent a
lot of time with each other. Call it "Useless Italy" -- or, in Japanese,
Hetalia: Axis Powers. [more inside]
posted by Countess Elena
on Aug 22, 2009 -
69 comments
"Nisan didn’t mean to fall in love with Nemutan. Their first encounter -- at a comic-book convention that Nisan’s gaming friends dragged him to in Tokyo -- was serendipitous. Nisan was wandering aimlessly around the crowded exhibition hall when he suddenly found himself staring into Nemutan’s bright blue eyes... 'I’ve experienced so many amazing things because of her,' Nisan told me, rubbing Nemutan’s leg warmly. 'She has really changed my life.'
Nemutan doesn’t really have a leg. She’s a stuffed pillowcase — a 2-D depiction of a character, Nemu, from an X-rated version of a PC video game called Da Capo." The New York Times' Lisa Katayama on "2-D lovers" in Japan, the latest outgrowth of
otaku subculture.
posted by digaman
on Jul 23, 2009 -
166 comments
The global economic crisis claims another industry -
anime voice actors, or seiyu. In a country that produces
60% of the world's animation, competition has always been fierce, but the rewards can be great, as seiyu sometimes
achieve national fame, and are
lauded with awards. The fame does come with a price, though: Female seiyu have
fallen prey to stalkers, and male seiyu face the wrath of their fans
should they dare marry. And for most seiyu, life isn't at all glamorous. It's estimated that 80% need to take on part-time jobs (
at McDonald's, for example), or do voice acting for
hentai; pornographic anime, in order to make ends meet. The fact is,
the industry is glutted, and being a seiyu is no easy life.
posted by Marisa Stole the Precious Thing
on Mar 9, 2009 -
34 comments
