MetaFilter posts tagged with antisemitism and holocaust

Is your crazy contagious?

mkb — Fri, 09 Feb 2007 18:28:35 -0800

Elie Wiesel was attacked in a San Francisco hotel today by a Holocaust denier, intenton forcing the Nobel Prize winner confess that his book Night was a fictionalized account of his survival of Dachau. Incredibly, someone is taking credit for the attack.

What do you think you're looking at, sugar tits?

turducken — Sat, 29 Jul 2006 18:55:38 -0800

"F*****g Jews... The Jews are responsible for all the wars in the world." The ugly truth about Mel Gibson's drunk-driving arrest oozes out, with exquisite timing. (Enter his name on linked form.) Apple/tree, etc. (via tmz)

"The Holocaust is ultimately a ghost story, and Poles have many reasons to be haunted."

matteo — Sun, 25 Jun 2006 08:25:52 -0800

In 1945-46, some of the (very few) Polish Jews who had survived the Final Solution returned -- sick, poor, wounded -- to Poland. In Elie Wiesel's words, "they had thought all too naively that antisemitism, discredited 6 million times over, had died at Auschwitz with its victims. They were wrong." In 2001 Princeton professor Jan T Gross published the story of the 1941 destruction of the Jewish community at Jedwabne, Poland, and proved how Jews were rounded up, clubbed, drowned, gutted or burned to death not by German forces as previously believed but by mobs of their own non-Jewish neighbors. Now professor Gross tells the story of the Kielce pogrom in his new book, "Fear". Of course, the Kielce butchery took place in 1946 -- more than a year after the end of WWII and defeat of Nazism. More inside.

Full Fathom Nine

matteo — Mon, 10 Apr 2006 09:09:22 -0800

Mahler performances were rare in Vienna in those days because Mahler's city had already been contaminated by the acolytes of Adolf Hitler. By their reckoning, Mahler's music was loathsome — a product of "Jewish decadence." To put Mahler's music on the program was therefore a political act. It was to protest and deny the hateful faith that blazed across the border from Germany. That much I understood quite clearly, even as a boy.
The New Yorker's Alex Ross reprints Hans Fantel's New York Times 1989 essay on Bruno Walter's 1938 performance of Mahler's Ninth Symphony -- the last performance of the Vienna Philharmonic before Hitler invaded Austria.