Things That Don't Suck
, Some Notes on The Stand
I recently reread The Stand for no particular reason other than I felt like it. I'm honestly not sure how many time[s] I've read it at this point, more than three, less than a half dozen (though I can clearly remember my first visit to that horrifyingly stripped bare world as I can remember the first reading of all the truly great King stories). It's not my favorite of King's work, but it is arguably his most richly and completely imagined. It truly is the American Lord of The Rings, with the concerns of England (Pastorialism vs. Industrialism, Germany's tendency to try and blow it up every thirty years or so) replaced by those of America (Religion, the omnipresent struggle between our liberal and libertarian ideals, our fear of and dependence on the military, racial and gender tension) and given harrowing size.
I'm happy to say that The Stand holds up well past the bounds of nostalgia and revisiting the world and these characters was as pleasurable as ever. But you can't step in the same river twice, even when you're revisiting a favorite book. Even if the river hasn't changed you have. This isn't meant as any kind of comprehensive essay on The Stand. Just a couple of things I noticed upon dipping my toes in the river this time.
[Spoiler alert: assume everything, from the link above to those below, contains SPOILERS.] [more inside]
posted by joseph conrad is fully awesome
on Aug 19, 2014 -
It's debatable whether the troubled World War Z
signals the end of the ongoing zombie craze, but the film that started it all is much more clear: Danny Boyle's
bleak, artful cult horror-drama 28 Days Later
, which saw its US premiere ten years ago this weekend.
From its iconic opening shots of an eerily abandoned London
(set to Godspeed You! Black Emperor's
brooding post-rock epic "East Hastings"
) to the frenzied chaos of its climax
, Boyle's film -- a dark yet humanist tale
of a world eviscerated by a frighteningly contagious epidemic of murderous rage -- reinvented and reinvigorated the genre that Romero built (though many insist its rabid, sprinting berserkers don't really count
And while sequel 28 Weeks Later
with its heavyhanded Iraq War allusions
failed to live up to the original (despite boasting one of the most viscerally terrifying opening sequences
in modern horror), and 28 Months
looks increasingly unlikely
, there remains a small universe of side content from the film, including music, short films, comics, and inspired-by games. [more inside]
posted by Rhaomi
on Jun 28, 2013 -
(MAJOR SPOILERS EVERYWHERE) [Michael Tolkin's The Rapture] is one of the most radical, infuriating, engrossing, challenging movies I've ever seen. There are people who love it and many who hate it, but few who can remain on the sidelines. ... Movies are often so timid. They try so little, and are content with small achievements. "The Rapture" is an imperfect and sometimes enraging film, but it challenges us with the biggest idea it can think of, the notion that our individual human lives do have actual meaning on the plane of the infinite.
- Roger Ebert
posted by Trurl
on Dec 8, 2011 -
. (1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13) Testament (1983)
. (1, 2, 3, 4, 5, 6, 7) [more inside]
posted by Joe Beese
on Feb 25, 2011 -
The Times are a changing and their seems to be more messages that the end is near...or is it? Martin Sheen of Apocalypse Now fame seems to be filming a movie http://www.people.co.uk/shtml/NEWS/P10S3.shtml on the end of the world as envisioned by St. Malachy of Ireland.
posted by AsiaInsider
on Oct 14, 2001 -