The zombie apocalypse. Threads. Pandemic. Doomsday Preppers. Post-apocalyptic pop-culture fiction of doom. What's it about? A Stanford scholar explains.
The world has ended many times - a supercut of apocalyptic visions.
"Apocalypses are not only catastrophes; they are also opportunities: chances for us to see ourselves, to change."
Apocalypse: What Disasters Reveal: An essay by Junot Díaz.
Steve McGhee is destroying the world as we know it. And it's a beautiful thing to see.
Dystopian storytelling is pillar of Western narrative tradition, but this decade has seen a significant shift in the way our apocalypse is told. Orthodox tales of government tyranny are giving way to visions of humans running helpless in the wake of environmental meltdown. From the plausible to the fantastic, most of this fiction remains hauntingly real while the non-fiction can get downright scary. In 2008, the 20th anniversary of climatologist James Hansen's landmark speech before Congress, popular art is beginning to reflect an increasingly bleak public sentiment on the future, playing out some of our worst nightmares. It may be that these writers and directors are wishing for the end of the world, but even so, they are certainly giving voice to the creeping feeling that indeed, we might not make it.
The Pale Horse Percentage. The demise of civilization has been predicted since it began, but the odds of keeping Planet Earth alive and well are getting worse amid a breakneck pace of scientific advances, according to Martin Rees, Britain's honorary astronomer royal. Rees calculates that the odds of an apocalyptic disaster striking Earth have risen to about 50 percent from 20 percent a hundred years ago.