Libyan Desert Glass is strewn over an area of hundreds of square kilometers in the Great Sand Sea, a region desolate even by the high standards of the Sahara. As one account of a recent trip to acquire Libyan Desert Glass puts it: "Out there, death sits on your shoulder like a vulture." While some would have you believe that Libyan Desert Glass is evidence of ancient atomic warfare, it is probably evidence of a massive meteorite or comet explosion nearly thirty million years ago, similar to Tunguska, but much bigger. The stone age Aterian peoples made tools from it, but the remoteness and inhospitality of the Great Sand Sea has ensured that until recent times it has mostly been undisturbed. However, a breast ornament buried in Tutankhamen's tomb has a scarab made from Libyan Desert Glass, the only piece made of the material to have been found by Egyptologists, and how Tutankhamen's jewelers acquired it has remained a mystery. Until now. [Previously]
Digital Karnak documents and digitally reconstructs "one of the largest temple complexes in the world." The site includes digital models, photographs, a "time map" (allowing you to see alterations to the site under different pharoahs), and video. For projects devoted to more specific areas of the temple complex, see the Karnak Great Hypostyle Hall Project (University of Memphis) and the Mut Precinct (Brooklyn Museum).
Akhetaten (a.k.a. Amarna) was the city built by Pharaoh Akhenaten, famous for his monotheistic beliefs and his queen, Nefertiti and son, Tutankhamun. The Amarna Letters has translations of correspondence sent to the Akhenaten, but a trove of it was found at the Amarna site. During his reign a distinctive style of art rose to prominence, only to vanish after his death. The Boston MFA has 40 objects from the era in its collection. Perhaps the most famous of the cultural artifacts of Akhenaten is the Great Hymn to Aten (hieroglyphics, four different English translations: 1, 2, 3, 4). This poem was set to music by Philip Glass for his opera Akhnaten (information about the opera). Some see direct parallels between The Great Hymn to Aten and Psalm 104. Though it was billed as a new beginning, like many utopias, Amarna was no haven for the regular folk who lived there.
Locked in a Timeless Embrace: A third possibility. First documented gay couple (manicurists to the King) or just a case of conjoined twins? Same-sex closeness in historical Egypt.