The Memory of the Netherlands is an image library making available the online collections of museums, archives and libraries. The library provides access to images from the collections of more than one hundred institutions and includes photographs, sculptures, paintings, bronzes, pottery, modern art, drawings, stamps, posters and newspaper clippings. In addition there are also video and sound recordings to see and listen to. The Memory of the Netherlands offers an historic overview of images from exceptional collections, organized by subject to provide easy accessSearch 833928 objects from 133 collections from 100 institutions.
Ephemeral New York 'chronicles an ever-changing, constantly reinvented city through photos, newspaper archives, and other scraps and artifacts that have been edged into New York’s collective remainder bin.' [more inside]
The history of Toronto in photos is 90 some odd posts linked to provide a thematically organized visual overview. The vast majority of the photographs featured derive from the Toronto Archives. Should you be interested in a less visually oriented take on Toronto history, there is also the Nostalgia Tripping series, which was designed to be a bit more about storytelling than just the photos.
"John Smith, Youngest, of Crutherland, was given the honorary degree of LL.D in 1840. In 1842 he announced the bequest to the University [of Glasgow] of his runs of publications from learned societies, and his volumes of ephemeral items. These came to the library on Smith’s death in 1849." Some examples: Playbill, Theatre Royal, York Street. Broadsheet account of an attempted prison break. Radical Party election ballad. See also: Glasgow Broadside Ballads: cheap print and popular song culture in nineteenth-century Scotland and Glasgow Broadside Ballads: The Murray Collection
The Mitchell and Kenyon collection consists of 800 rolls of nitrate film documenting scenes of everyday life in England between 1900 and 1913. This extraordinary archive, now painstakingly restored by the British Film Institute, includes footage of trams, soup kitchens, factory gates, football matches, seaside holidays and much else besides. Here are some sample images and a short clip of workers at a Lancashire colliery, all astonishingly evocative and reminiscent (to me) of Philip Larkin's poem MCMXIV: 'The crowns of hats, the sun / On moustachioed archaic faces / Grinning as if it were all / An August Bank Holiday lark .. Never such innocence, / Never before or since .. Never such innocence again.'