Ahmet Ertegun was profiled by George W. S. Trow in The New Yorker in a classic piece back in 1978. Ertegun was the son of the Turkish ambassador to the US and he remained behind in D.C. studying medieval philosophy at Georgetown. Instead of devoting himself to his studies he founded Atlantic Records with his friend Herb Abramson. Trow charted how Ertegun moved from tramping through muddy, Louisiana fields in search of hot new sounds to the whirl of Studio 54. Below the cut are links to the songs mentioned in the article, as best as I could find, in the order in which they appear. [more inside]
posted by Kattullus on Aug 17, 2009 - 25 comments

Legendary record man and music producer Jerry Wexler died on August 15, at the age of 91. His keen insight, and his deep love and appreciation for the artists he worked with resulted in an extraordinary enriching of American music. [more inside]
posted by flapjax at midnite on Aug 17, 2008 - 16 comments

Aretha. Aretha. Aretha. Aretha. Aretha. Aretha. Aretha. Aretha. Aretha. Aretha. Aretha. Aretha. Aretha. Aretha.
posted by flapjax at midnite on Nov 20, 2007 - 37 comments

The best CD I've purchased so far this year is the latest from the Blind Boys of Alabama. this record features superb vocalizing, great bluesy guitar, and a Sones(!) and Tom Waits(!!) cover. In an age where "gospel music" has sunk into the quagmire of "Contemporary Christian", its easy to forget that old-school gospel both black and white were huge influences on rock and roll. Little Richard, for one, took his trademark "Whoo!" from Marion Williams and countless rockers from Aretha to Elvis learned to sing in church. Now, can I get an Amen?!
posted by jonmc on Apr 2, 2002 - 25 comments