Ektoplazm is now the world’s largest distributor of free (and legal) psytrance music specializing in high-quality Creative Commons-licensed content from netlabels and independent artists, all released in MP3 and lossless CD-quality FLAC and WAV formats.
posted by Trurl
on May 23, 2012 -
47 comments
Wendy Carlos is best known for
Switched-On Bach, the best-selling album that popularized the Moog synthesizer, and the soundtracks for
A Clockwork Orange and
Tron. But what she calls her "most important album" is the 1986 recording
Beauty in the Beast, whose experiments with instrumentation, tonality, and scaling are described in
these two PDF reproductions of contemporary articles from
Keyboard magazine.
[more inside]
posted by Trurl
on May 21, 2012 -
30 comments
When
Captain America throws his mighty shield, all those who chose to oppose his shield must yield. Doc Bruce Banner, pelted by gamma rays, turns into
The Hulk; ain't he unglamorous?
Tony Stark makes you feel; he's a cool exec with a heart of steel. Cross the Rainbow Bridge of Asgard, where the booming heavens roar, you'll behold in breathless wonder the god of Thunder, mighty
Thor. Stronger than a whale,
he can swim anywhere; he can breathe underwater and go flying through the air.
[more inside]
posted by Trurl
on May 17, 2012 -
61 comments
OkayAfrica keeps up to date with pop culture and news from across the continent. Africa In Your Earbuds gives DJs and musicians from across the diaspora the chance to curate a playlist or mixtape of their favorite African and African diaspora music. Chief Boima of
Dutty Artz starts off
Africa In Your Earbuds.
[more inside]
posted by ChuraChura
on May 1, 2012 -
8 comments
In
The Geographic Flow of Music (
arxiv), researchers Conrad Lee and Pádraig Cunningham propose a method to use data from the
last.fm API to track the world's listening habits by location and time, showing where shifts in musical tastes have originated and subsequently migrated. Results show music trends originating in smaller cities and flowing outward in unexpected ways, contradicting some assumptions in social science about larger cities being more efficient engines of (cultural) invention.
posted by Blazecock Pileon
on Apr 26, 2012 -
13 comments
On January 13 and 14, 1972,
Aretha Franklin sang during services at the Reverend James Cleveland's New Temple Missionary Baptist Church in the Watts neighborhood of Los Angeles. The audio recordings released as
Amazing Grace remain the largest-selling gospel album in history. However, of the 20 hours of 16mm film footage by Sydney Pollack - intended as a concert movie for tandem release -
only a few snippets have ever been seen.
(previously: 1, 2)
posted by Trurl
on Apr 22, 2012 -
8 comments
Eric Dolphy [auto-music] was a true original with his own distinctive styles on alto, flute, and bass clarinet. His music fell into the "avant-garde" category yet he did not discard chordal improvisation altogether (although the relationship of his notes to the chords was often pretty abstract). While most of the other "free jazz" players sounded very serious in their playing, Dolphy's solos often came across as ecstatic and exuberant. His improvisations utilized very wide intervals, a variety of nonmusical speechlike sounds, and its own logic. Although the alto was his main axe, Dolphy was the first flutist to move beyond bop (influencing James Newton) and he largely introduced the bass clarinet to jazz as a solo instrument. He was also one of the first (after Coleman Hawkins) to record unaccompanied horn solos, preceding Anthony Braxton by five years. -
AllMusic (previously: 1, 2)
posted by Trurl
on Apr 21, 2012 -
18 comments
We shrugged when friends told us Prince's Sign "O" the Times was the greatest rock concert movie ever. There are limits to how great a rock concert movie can be, and we figured Jonathan Demme's--and Talking Heads'--Stop Making Sense had stretched them as far as they were liable to go. But even though Sign "O" the Times was directed by the artiste, whose previous cinematic exploits haven't exactly put him in Demme's class, Prince has come up with a contender. Where Demme goes for a sinuous, almost elegant clarity, Prince's movie is all murk, scuzz, steam, and, oh yeah, sex. With all due respect, which one sounds more like a real rock concert to you? -
Robert Christgau [more inside]
posted by Trurl
on Apr 20, 2012 -
31 comments
In the seven years since its
last appearance in the blue,
Encyclopaedia Metallum has more than quadrupled in size - now containing 84,000+ bands and 65,000+ reviews of 30,000+ albums.
posted by Trurl
on Apr 17, 2012 -
35 comments
In the sixty-odd years since their composition, the Four Last Songs have acquired in many people’s minds an unassailable status as simply the most beautiful music known to them, to be listened to in a dimly lit room and a state of rapt meditation, surrendering to the extraordinary spell of profound, other-worldly calm that they cast. This is not surprising. They were, indeed, the last things of any significance that Strauss wrote, between May and September 1948, at the age of eighty-four. (previously) [more inside]
posted by Trurl
on Mar 24, 2012 -
11 comments
When artist Troy Gua wanted a new project to cheer himself up with, he hit on the idea of making a tribute to his favorite musician.
Le Petit Prince, a 1/6 scale doll of The Purple One, was born.
posted by BoringPostcards
on Mar 22, 2012 -
19 comments
The first episode of the second season of PBS Arts web-original series Off Book is
Animated GIFs: The Birth of a Medium (mini-documentary, ~7 min). "OFF BOOK explores cutting edge arts and the artists that make it. Breaking the mold of the definition of art, OFF BOOK explores the avant-garde, the experimental and the underground artforms that are supported by online communities."
[more inside]
posted by flex
on Mar 8, 2012 -
10 comments
Marian McPartland's Piano Jazz is the longest-running cultural program on National Public Radio - having been hosted by Ms. McPartland from June 4, 1978 through November 10, 2011. Her guests included
Eubie Blake,
Carla Bley,
JoAnne Brackeen,
Ray Charles,
Alice Coltrane,
Chick Corea,
Bill Evans,
Herbie Hancock,
Andrew Hill,
Dick Hyman,
Ahmad Jamal,
Keith Jarrett,
Hank Jones,
Oscar Peterson,
Michel Petrucciani,
Marcus Roberts, and
McCoy Tyner.
posted by Trurl
on Feb 19, 2012 -
25 comments
Contrary to popular belief,
cats can make great DJs. It's just a small sample, but it's nice to see him really get into it as the set progresses.
posted by gman
on Jan 27, 2012 -
32 comments
Marc-André Hamelin composed
Circus Galop for the player piano. Performing it is impossible for a mere pair of human hands, but two people have tried to
fake it until they make it. Another has
transcribed it (or half of it, perhaps) for
one player. Often, people will run it through a MIDI sequencer of their choice, to make a
lively animation. Some have built
Arduino robots that
perform it. But, in the end, the best medium for a work this insane is the humble, yet manic
player piano (less manic, but clearer-sounding performance
here). Hamelin
himself has run his composition through one, managing to get his television host to start dancing as the closing credits fade out...
posted by Blazecock Pileon
on Jan 3, 2012 -
34 comments
One of the more famous suppressed films of recent years is Superstar: The Karen Carpenter Story, an early work by writer/director Todd Haynes (Safe, Velvet Goldmine, Far from Heaven). Filmed in 1987, the short film -- which relates the rise and fall of Karen Carpenter with a cast of Barbie dolls -- barely got a year's worth of festival time in 1989 before the twin iron boots of A&M Records and Richard Carpenter came down on Haynes.* [more inside]
posted by Trurl
on Dec 31, 2011 -
29 comments
A decade on, the Coen brothers' woefully underrated
O Brother, Where Art Thou? [alt] is remembered for
a lot of things: its sun-drenched, sepia-rich
cinematography (a pioneer of
digital color grading), its
whimsical humor,
fluid vernacular, and
many subtle references to Homer's
Odyssey. But one part of its legacy truly stands out:
the music.
Assembled by
T-Bone Burnett, the soundtrack is a cornucopia of American folk music, exhibiting everything from
cheery ballads and
angelic hymns to
wistful blues and
chain-gang anthems. Woven into the plot of the film through radio and live performances, the songs lent the story a
heartfelt, homespun feel that echoed its cultural heritage,
a paean and uchronia of the Old South.
Though the multiplatinum album was recently
reissued, the movie's medley is best heard via famed documentarian
D. A. Pennebaker's
Down from the Mountain, an
extraordinary yet
intimate concert film focused on a night of live music by the soundtrack's stars (among them
Gillian Welch,
Emmylou Harris,
Chris Thomas King, bluegrass legend
Dr. Ralph Stanley) and wryly hosted by
John Hartford, an accomplished
fiddler,
riverboat captain, and
raconteur whose struggle with terminal cancer made this his last major performance. The film is free in its entirety on
Hulu and
YouTube -- click inside for individual clips, song links, and breakdowns of
the set list's fascinating history.
[more inside]
posted by Rhaomi
on Dec 22, 2011 -
107 comments
"everything is good that / has a good beginning / and doesn't have an end / the world will die but for us there is no / end!" Thus ends
Victory over the Sun (
part 1,
part 2), the "first Futurist opera".
[more inside]
posted by daniel_charms
on Dec 21, 2011 -
8 comments
Maggie and Terre Roche started performing professionally in the late '60s, just a little late for the folkie boom but also a bit too distinctive to blend easily with the singer-songwriters of the early '70s, even when they became acolytes of Paul Simon and recorded backup vocals on There Goes Rhymin' Simon
. By 1975, they had their own album on CBS, with tracks produced by Simon (and backed by the Oak Ridge Boys and the Muscle Shoals Rhythm Section) and ex-Yardbird Paul Samwell-Smith... Seductive Reasoning is not completely a folk nor a country album, which no doubt hurt its commercial potential... Songs such as "West Virginia", "Down the Dream", and "The Mountain People" touch on early joy and disillusionment/disappointment, while "Jill of All Trades" and "The Burden of Proof" reflect a few more years of life under one's belt and the smoothing out that can come with them. "Underneath the Moon" and "Wigglin' Man"... are more straightforward getting-laid songs, funny as hell... while several of their albums have been as good as Seductive Reasoning
, none were better. Nor did they have to be. -
Todd Mason (previously) [more inside]
posted by Trurl
on Dec 16, 2011 -
29 comments
As a historical document the book is exhaustive and valuable. But I did not come away feeling that I knew or understood Hüsker Dü — the musicians themselves, their music, or any of the people around them — any more intimately than I already did. Earles’ writing is at once densely opinionated and emotionless. He expertly follows the chronology of the band’s tours and releases, but he never makes it understandable why some of us look back on this band so reverently, or why it would be worth somebody’s time to discover Hüsker Dü today. (previously)
posted by Trurl
on Dec 3, 2011 -
52 comments
