The sale of Glenn Brown's "Ornamental Despair (Painting For Ian Curtis) Copied from the Stars Like Dust, 1986 by Chris Foss" (1994) for roughly $5.7 million has again raised questions over whether copying something but larger and slapping your name on it constitutes art and how it can sell for so much. Here's why it does. Just don't talk about Shia LaBeouf.
Comic artist Chris Weston unilaterally declares it Kurt Russell week and produces a triptych of posters for Escape from New York, The Thing and Big Trouble in little China. These are just the roughs.
Rubix by University of Greenwich student Chris Kelly - an Escher-like surrealist film which mixes and rotates urban landscapes like a Rubik's Cube, created for his thesis "Time and Relative Dimensions in Space: The Possibilities of Utilising Virtual[ly Impossible] Environments in Architecture." (via)
The Clone Wars (previously) are over, with only a few last mopping up operations underway and a few Jedi unaccounted for. But there is another... Star Wars Rebels will be the new Lucasfilm animated series, and will be taking it's design direction from the work of Ralph McQuarrie.
In the wake of the rumoured demise of The Dandy, artist Jamie Smart writes about the necessity of All-ages comics and how to make them work. Bonus links: The origins of new British weekly kids comic, The Phoenix. Al Ewing on that most British weekly comicsy of institutions: The readers voice. Tips for aspiring comics creators.
Don't go to art school. Why it's a bad idea and what you can do with the money instead.
AMMO - oddly beautiful cross section photos of ammunition by Sabine Pearlman, taken in a WWII bunker. The io9 write-up has Redditor identification of the cartridges.
In 1997, Last Unicorn gave Zug the chance at recreating Frank Herbert's 'Dune' through a new trading card series. He was originally told to base his work off of David Lynch's film, but after complications with licensing, "they told me to avoid similarity to Lynch's visuals" says Mark Zug. Mark Zug's Dune trading cards.
The problem is that cinema, as I define it and as something that inspired me, is under assault by the studios and, from what I can tell, with the full support of the audience. The reasons for this, in my opinion, are more economic than philosophical, but when you add an ample amount of fear and lack of vision and a lack of leadership you’ve got a trajectory that is pretty difficult to reverse. - "Retired" director Steven Soderbergh speaks to the San Francisco International Film Festival about the state of cinema - (summary, full audio at bottom of page 2)
Lena Dunham shows her art-world roots in her 2009 web-series: Season 1 at Index Magazine, Season 2 at delusionaldowntowndivas.com. Meanwhile Season 2 of Dunham's HBO series "Girls" arrives Sunday night, expect online fireworks.
light AMPLIFICATION - Is the color of future of your future neon pink? Is the language Japanese? Are the city's an eternal nighttime of airbrushed martini glasses, glossy red lips and consumer electronics? Do you jam with the console cowboys in cyberspace? Then this is the tumblr for you. [via mefi projects]
Spain Rodriguez Fought the Good Fight - underground comics artist Spain Rodriguez, most famous for his violent antihero Trashman, passed away yesterday.
There are sixteen panels I can put in this grid. Six are televisions, three are flashbacks, six are close-ups of objects falling through space. The other one... hurts.
Giger's Necronomicon (yt) (nsfw) - a 1976 documentary about H.R. Giger with music by Joel Vandroogenbroeck of the Brainticket.
Decompressed is a podcast in which comics writer and former Rock Paper Shotgun journalist Kieron Gillen (X-Men, Thor, Phonogram) talks to artists and writers about the process involved in writing a single issue of a comic. Decompressed 6 broke format and is instead a discussion with Mark Waid and Matt Fraction about scripting comics using the "Marvel Method", or "plot first" - in which the artist draws the comic from a story outline and dialogue is added later, rather than the writer supplying a panel by panel script. For a while out of favour even at Marvel, the method is seeing a resurgance. The podcast page contains visual aids, and embedded version of the podcast, the script of DEFENDERS #9 complete with B&W art and additional links, including links to Warren Ellis’ 3-part tutorial on writing comics (1, 2, 3). Jamie McKelvie and a vultue put in guest appearances. Further example comicbook scripts are available at the Comic Book Script Archive (previously).
In preparation for his then upcoming retrospective Transe Forme, Fondation Cartier recorded Moebius doing a series of digital drawings. Recorded in late 2010, these are some of, if not, the last recordings of Moebius drawing that we are likely to see. - Moebius Drawing
Comics artist Frazer Irving adapts Mary Shelly's Frankenstein in hauntingly beautiful black and white: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18.
Revisiting Cinefex - a nostalgia wormhole into the golden age of model work and practical effects and the odd piece of early CG via backissues of the quarterly magazine of motion picture visual effects. The latest issues covered touches on Young Sherlock Holmes's Stained glass knight - mainstream cinema’s first fully-rendered CG character created by Industrial Light & Magic's Pixar group.
Patton Oswalt’s Letters to Both Sides - Oswalt addresses "all of the comedians in the room" and "all of the gatekeepers" at Montreal’s Just For Laughs 2012 about living in a living in a "post-Louie world".
Dear Sir, Regarding Your Affection for A Compacted Catwoman - Andrew Wheeler responds to the response to the response to the cover for Catwoman #0.
True Adventures in Better Homes - Here is a collision of two worlds: men’s adventure magazines or “sweats” meets Better Homes and Gardens. These photocollages are set against the backdrop of the McCarthy era, advertising, sexual repression, WWII and the Korean War. The cool, insular world of mid-century modern living glossed over all danger and darkness, which the heroic male fought off in every corner.
Spaceships that became other spaceships: The Millennium Falcon, The Colonial Viper, The Eagle Transporter - from the blog of Gavin Rothery, visual effects designer on Moon. Previously.
It took the graphic novelist Craig Thompson seven years to complete Habibi, his epic exploration of child slavery and sexual awakening in an imaginary Middle-Eastern kingdom. Here he charts its creation from first thoughts to finished pages.
The results of the Women Working in Comics survey are in. Meanwhile Comics Alliance has asked creators how comics can do better at female characters. (previously, previously)
Meatcraft - Real World Minecraft
Basically, the big hurdle on this title was a clause in the contracts stating that the likenesses of both Tony Curtis and Burt Lancaster MUST appear, and both MUST be the same size. And given the power imbalance between the two characters in the film, the idea of having the two of them just standing there, on equal footing with each other, felt really wrong… Eric Skillman on working with artist Sean Philips on the cover for the Criterion edition of Sweet Smell of Sucess.
The 50 best (American) comicbook covers of 2010 - as selected by Robot 6 (previously), who also have links to the best of the years best lists (The 5 worst comics of 2010 being a particular favourite.)