Threads (1984). (1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13) Testament (1983). (1, 2, 3, 4, 5, 6, 7) [more inside]
Disaster movies are as old as cinema itself. But their golden age began in 1970 with Airport - which, despite being an Academy Award nominee for Best Picture, is now remembered chiefly for the parody it inspired. Earthquake - exhibited in Sensurround - set a record for the number of stunt performers used. But the Master of Disaster was Lost in Space producer Irwin Allen. His The Poseidon Adventure grossed the equivalent of $450 million in today's money. And The Towering Inferno - the filming of which destroyed all but 8 of its 57 sets - is still unsurpassed.
The Art of Memory - minimal film music art
Jacques Rivette, who emerged in the 1950s... as one of the primary filmmakers of the French New Wave, is the most underappreciated (and under-screened) of this legendary group. Rivette’s deliberately challenging, super-size films defy easy assimilation, and demand a level of attention unusual even to his compatriots’ works. In addition to being considered difficult, however, Rivette’s body of work is also, arguably, the richest of the New Wave era, possessing an intellectual inquiry and humanity unmatched in the French cinema of his time. [more inside]
Despite my absolute fidelity to Sade's text, I have however introduced an absolutely new element: the action instead of taking place in eighteenth-century France, takes place practically in our own time, in Salò, around 1944, to be exact. (some links extremely NSFW)
Glenn Gould plays Clavier Ubung bestehend in einer ARIA mit verschiedenen Veraenderungen vors Clavicimbal mit 2 Manualen - also known as the Goldberg Variations. (previously)
Do you like musical instruments with lots of keyboards? And lots and lots of dials? Then you may like 36 15 MOOG: Stuff with Moog and/or 60's and 70's vintage synths in it. (related Ask MeFi) [more inside]
Rock band reunions normally involve, at minimum, a little live music. But as The Velvet Underground are not your typical rock band, maybe none of us should have been surprised that the reunion of The Velvets at LIVE from the NYPL on Tuesday December 8th had none.
2010 is the bicentennial of the birth of Frédéric François Chopin - a reluctant instrumental virtuoso, an immortal Romantic composer, and all-around bastard. [more inside]
Henry Miller had always loved art. He first began painting after seeing some Turner prints in a Brooklyn department-store window. There was only one minor drawback: he couldn’t draw. But his best friend, Emil Schnellock, could, and Miller became his disciple. It wasn’t long before he realized that what he lacked in draftsmanship, he made up for in color and composition sense. (previously)
Pauline Kael called it "a huge, jerry-built, crumbling ruin of a movie". Roger Ebert called it "such a silly and stupid movie... our immediate reaction is pity". Few directors of Michelangelo Antonioni's stature have followed a film as acclaimed as Blowup (1966) with one as reviled as Zabriskie Point (1970). [more inside]
What [Francis] Bacon produced are not paintings, at least not satisfying ones. They are little more than rectangles of canvas inscribed with noirish graffiti: angst for dummies. Bacon turned his clever little quotations from the masters, old or modern, into the twentieth century's most august visual claptrap. [more inside]
The Smoke Filtration Systems are a series of sculptures that are also working marijuana water pipes. The mechanics of each pipe are thoroughly tested, but the actual sculptures are presented in clean, unused condition.