Marion True, former curator at the Getty, discusses the charges of looting leveled against her in 2005. “The art is on the market. We don’t know where it comes from. And until we know where it comes from, it’s better off in a museum collection. And when we know where it comes from, we will give it back.”
A program at the Boston Museum of Fine Arts inviting visitors to don a replica kimono from a Monet work has sparked protests over appropriation. Boston Art blog Big, Red & Shiny also has a write-up. [more inside]
The Asians Art Museum is a parody site bringing a cirtical lens to orientalist tropes in art museums, prompted particularly by rhetorical choices of the San Francisco Art Museum's 2009 Lords of the Samurai exhibition [audio]. It highlights the tendency for museums showing Asian art to present their shows as a"a harmless trip to a fantasyland of romanticized premodern Otherness, a place where dreams of Manifest Destiny never have to die?" [more inside]
Savagery - Arcadia - Consummation - Destruction - Desolation. The five stages of The Course of Empire, a fascinating quintet of paintings by 19th century artist and Hudson River School pioneer Thomas Cole. In it, an imaginary settlement by the sea becomes the stage for all the dreams and nightmares of civilized life, a rural woodland grown in time into a glorious metropolis... only to be ransacked by corruption, war, and a terrible storm, at last reduced to a forgotten ruin. At times deceptively simple, each landscape teems with references to cultural and philosophical markers that dominated the era's debate about the future of America. Interactive analysis of the series on a zoomable canvas is available via the excellent Explore Thomas Cole project, which also offers a guided tour and complete gallery of the dozens of other richly detailed and beautifully luminous works by this master of American landscape art.
The Corning Museum of Glass (previously), not to be confused with the Museum of Glass in Tacoma, Washington (previously), has named 60 favorites of their own collection and campus. The choices range from ancient, like the glass "portrait" of the Egyptian pharaoh Amenhotep II, to the scientific, like the initial 200-inch disk intended for the Hale telescope at the Mt. Palomar observatory, to modern sculpture, like Family Matter by Jill Reynolds.
MUVA El PAIS has been conceived as a dynamic, interactive museum bringing together the most renowned works of contemporary Uruguayan art, an important contributor to Latin American art. MUVA is devoted to quality, content, education, information and recreation through the knowledge of visual arts. In Spanish and English, Flash and/or HTML.
The last phase of the Met's Timeline of Art History is now live and well worth visiting.
The Museum of Depressionist Art: a very funny collection of art parodies, all done with a 'depressionist' theme. ok, i suppose it's not that funny, but fellow art history buffs(?) might enjoy.