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	<title>MetaFilter posts tagged with artisdead</title>
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	<description>Posts tagged with 'artisdead' at MetaFilter.</description>
	<pubDate>Wed, 18 Jun 2008 16:27:50 -0800</pubDate> <lastBuildDate>Wed, 18 Jun 2008 16:27:50 -0800</lastBuildDate>

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		<title>Well, That Took Balls...</title>
		<link>http://www.metafilter.com/72614/Well%2DThat%2DTook%2DBalls</link>
		<description> Nicol&amp;#0225;s Guagnini has produced an art book entitled &lt;a href=&quot;http://www.andrewroth.com/guagnini.html&quot;&gt;77 Testicular Imprints&lt;/a&gt;.  You can see an example &lt;a href=&quot;http://www.artinfo.com/news/enlarged_image/25684/56631/&quot;&gt;here&lt;/a&gt;.  Not everyone is &lt;a href=&quot;http://www.artreview.com/profiles/blog/show?id=1474022%3ABlogPost%3A30891&quot;&gt;impressed&lt;/a&gt; (scroll to #4). &lt;em&gt;The paintings were produced with oil paint applied directly to the artist&#8217;s testicles and imprinted on various bound and ephemeral printed matter including: mainstream magazines such as Time and Life; art market staples such as Artforum, Art in America and Art News; exhibition and auction catalogues; rare magazines and artist&#8217;s books; personal letters; and lastly, on an assortment of original artworks, poems and studio notes by Vito Acconci, Simon Bedwell, Alejandro Cesarco and Dan Graham.&lt;/em&gt;

&lt;em&gt;Like Marcel Broodthaers&#8217; eagles, the testicular imprints also delineate a critical archive, acting like stamps of inclusion. What Guagnini establishes through this process are the relationships between Patriarchy, Private Property, Power, Progress, Position, Packaging and Personality in twentieth-century art production.&lt;/em&gt; </description>
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		<pubDate>Wed, 18 Jun 2008 16:27:50 -0800</pubDate>
		<category>art</category>
		<category>artisdead</category>
		<category>balls</category>
		<category>ballstamps</category>
		<category>hack</category>
		<category>testicles</category>
		<dc:creator>rooftop secrets</dc:creator>
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