Fiber artist Judith Scott's style of assemblage sculpture may not be your cup of tea, but even her critics are impressed with the complexity and originality of her found object bundles. The Brooklyn Museum of Art is running the first US survey of her works through March. Her work is every bit on par with more famous assemblage artists like Robert Rauschenberg, made more remarkable by the fact that she was not only a mostly untrained "oustider artist," but Ms. Scott was born with Down's Syndrome and was almost completely deaf and mute.
"Collections wrap bare objects with cultural identity." Smithsonian archivist turned assemblage artist Tracy Hicks finds the seam between two things I didn't think were related -- dispassionate taxonomy and artistic whims. You can catch Hicks' installation at the American Association of Museums conference showing his interpretation of the future of museums (if by "future" you mean a Lovecraftian dystopia.) [more inside]
Cut & Paste - International exhibition of contemporary collage and assemblage is showing in Stockholm, Sweden (and also, on the interwebs). See it in person now through October 10.
First, interrobang got the ball rolling with his cool illustrations that can be shuffled in any order to create a new continuous panorama. Cortex added some coded widgetry to automate the process, creating a neat little toy. Then taz and iconomy joined in with their own creative spin. It's nice to see a contemporary techno version of the polyrama, a fine creative tradition dating back to the mid 1800s.
Joseph Cornell was enamored with ballerinas and starlets, the subject of many of his celebrated boxes. "He handed them, personally, to his most loved ballerinas. And they were almost uniformly sent back. He was rejected, laughed at, and, in one unfortunate case, tackled." Anecdotes about Cornell and his muses, via robot wisdom. [more]
Collagemania. 'collage, photomontage, assemblage'