"Brigitte Höss lives quietly on a leafy side street in Northern Virginia. She is retired now, having worked in a Washington fashion salon for more than 30 years. She recently was diagnosed with cancer and spends much of her days dealing with the medical consequences. Brigitte also has a secret that not even her grandchildren know. Her father was Rudolf Höss, the Kommandant of Auschwitz." [more inside]
posted by zarq
on Sep 10, 2013 -
Almost immediately upon my arrival in my first teaching job, I became the go-to guy for the Holocaust. Of course, this was partly due to my dissertation, but in larger part, I suspect, because of my Jewishness. This was fine with me for a number of reasons. First, as a junior faculty member, this identification, though merely professional, could only help in my quest for tenure. An expert on the Holocaust carried infinitely greater weight, I thought, than an expert on ministerial instability during the French Third Republic.
: My life as an accidental Holocaust expert—and why I decided to quit
posted by timshel
on Feb 25, 2012 -
802 Prisoners attempted escape from Auschwitz. 144 were successful. Kazimierz Piechowski, a Polish boy scout, was one of them. Today, at age 91, he tells his story
. [more inside]
posted by zarq
on Apr 13, 2011 -
Who owns the products of slave labour?
Or, more broadly, how do we remember the Holocaust? A unique dispute over ownership rights to artwork in the case of the Auschwitz Memorial Museum vs. former camp prisoner Dinah Gottliebova Babbitt illuminates underlying moral questions about the Holocaust and post-Holocaust culture. Babbitt, now living in southern California, is a university-trained Czechoslovak artist who has been fighting to reclaim her art from the Auschwitz Museum since 1973... [She] was a Jewish prisoner there in 1944 when Josef Mengele learned of her artistic skills and forced her to make watercolor portraits of dying Gypsies in order to get the kind of documentation he wanted on exact skin color and ear shapes. Gottliebova Babbitt made a dozen such portraits, seven of which are now tucked away in Room No. 11 of the Auschwitz Museum. [...] "Mengele ordered me to do it as slave labor. But it was my work, my paintings."
posted by jokeefe
on Mar 28, 2002 -