19 posts tagged with australia by filthy light thief.
Displaying 1 through 19 of 19.
Wondercore Island is a Melbourne-based label/ artist management and PR company label that supports a range of future soul, alternative and hip-hop acts, including Clever Austin, Ainslie Wills, Jaala, Oscar Key Sung, Vulture St. Tape Gang, Hiatus Kaiyote, and Sampa the Great, to name a few groups and artists. You can check out more from this umbrella group/ thing on Vimeo, YouTube, Soundcloud and perhaps most conveniently on Bandcamp, where they have a number of mixtapes and other musical collections available to stream and download for free.
In the 1990s, a group of Australian misfits who made anti-rave music [NSFW audio, present elsewhere, too], influenced by their local Newcastle industrial heritage and the international sounds of gabber. In 1994, they bashed out some tunes and pulled together enough money to make 102 hand-stamped records, officially starting Bloody Fist Records. The label gained recognition world-wide, but abruptly closed shop in 2004, and a decade later Bloody Fist was celebrated in Newcastle with Fistography, an exhibit to the history and legacy of the label. If you missed any of this the first time around, you can stream and buy much of the label's catalog on their Bandcamp page. [more inside]
Chris Lilley is an Australian comedian, television producer, actor, musician and writer, who got his major start as the drama teacher, Mr. G., in the sketch comedy series Big Bite. The series ended after one season, and Lilley went on to create four subsequent mocumentary-style series, We Can Be Heroes: Finding the Australian of the Year, Summer Heights High, Angry Boys, and most recently Ja'mie: Private School Girl. Each show consists of primary characters all played by Lilley, ranging from a 47 year old woman with skeletal dysplasia, a 13-year-old school boy with a Tongan accent (NSFW language), a 24 year-old African American rap artist from Los Angeles (NSFW language), and a 16 year old girl from a grammar school, to name a few. [more inside]
tholman.com is the playground and folio of interactive developer Tim Holman, where he has posted 15 different projects, both interactive (fizzy cam [info/demo]; ZenPen; Texter; and Image Nodes) and passive (Meet the Ipsums, more than 30 text generators, from corporate to batman; the useless web; dripping paint). [more inside]
Let's go back to 1982 and let Jim Butterfield not only tell you about the Commodore 64, but really show you what it's all about, in a two hour demonstration and training video that takes you from opening the box to coding with the Commodore. (on YouTube, and with a different intro on Archive.org) [more inside]
The history of people finding Australia goes a little something like this: Aboriginal Australians separated from a migration out of Africa into Asia about 70,000 years, and Australian archaeological sites have proof of humans going back 50,000 years. Jump ahead to 1606, when there were two European voyages that made landfall and charted portions of Australia. First was Willem Janszoon's voyage in late February or early March of that year, and then Luís Vaz de Torres came a few months later. Abel Jansen Tasman was the first European to come across Tasmania, and between 1642 and 1646, his crew charted the Australian coast, more or less (Google auto-translation, original page). Then of course, there was James Cook's 1770 voyage. With all these dates in mind, how did five copper coins from an African sultanate that collapsed in the early 1500s (Google books) end up on an uninhabited island in the Northern Territory of present-day Australia? [more inside]
Nicholas J. Johnson is a no good dirty rotten cheat. So when he invites you to play an incredible new game that he’s invented, you probably shouldn’t come…
Three young filmmakers from Melbourne, Australia were set to make a short film on the serenity of fly fishing, focusing on a man named Phipps who lived on a lake in central Tasmania. Once they met Phipps, however, that all changed. Here is a glimpse into Phipps' beautiful, quiet world. [more inside]
David Glasheen was a wealthy executive in the 1980's, but he lost about $10 million in the 1987 market crash. That was his family's fortune, which lead to their house was repossessed by the bank, then his marriage of 22-years ended. Glasheen found his way to the semi-remote Restoration Island, where Captain William Bligh landed after the mutiny on the Bounty. Once Glasheen settled down, it was his plan was to live as a custodian of the island, until he died. Unfortunately, the beer-brewing hermit who hopes for love might be forced to leave, due to the fact that he hasn't been able to get an eco resort built on the property. [more inside]
If you follow music chart news in Australia at all, you might have heard of a young chap who goes by Flume, born Harley Streten in November '91. Now a mere 21 years old, Flume's self-titled debut knocked One Direction off the #1 spot last November (though the boy band ended up out-ranking the homegrown talent in following charts) and earlier this month bumped Bieber down a notch on the Aussie charts, too. But what is the sound of this Australian chart-topper? There's plenty of the "spectral beats ... 21st-century, post-glitchpop" on his Soundcloud page, including the complete album, or as individual tracks on Grooveshark. [more inside]
Bowerbirds, a family of 20 species in eight genera, are a fascinating bunch of birds who range from New Guinea and Australia. Some are flashy, others drab, but all are named for the "bowers" (avenues, huts, or towers of sticks; source) that the males craft and decorate to attract a mate. There are regional styles (PDF) in the design of the bowers, and the male Greater Bowerbirds even employ optical illusions. Some, like the Vogelkop Bowerbird, add mimicry vocal to their repertoire of courting methods. Add accidental cultivation to the list of fascinating features of the bowerbirds. [more inside]
"Rhyece O’Neill is an intense young man. A polemical folk singer, a producer of bass-heavy dance music, a protester, and a digital media worker for a major record label. He’s unlike anyone else in Australia’s dubstep landscape." Cyclic Defrost interviews O'Neill, aka electronic/dub/dubstep producer Westernsynthetics, and head of the Sub Continental Dub label. You can skip the rest and hear two streaming mixes from Westernsynthetics, 19 tracks from the Sub Continental Dub label, plus the label's first three singles, or continue inside for background, context, and even more music. [more inside]
The cockatoos are talking, and they're borrowing our words. Wild cockatoos, native to Australia, have been heard to utter English phrases. Escaped or freed pet birds pass phrases to others as they move up the hierarchy of their flock, as explained in an 8 minute news clip (MP3 linked in the page) featuring an interview with Martyn Robinson at the Australian Museum. [more inside]
Four songs shot (and three directed by) Dylan Wiehahn, featuring Australian and New Zealand scenery, and (mostly) music from Australia: Jordie Lane - 'Not From Round Here' | Seagull - 'Company' and 'Tea' | Bon Iver - 'Holocene' (abridged) || Scenery from Tea Tree Lakes, Great Ocean Road (AUS), Queenstown (NZ)
Tsunehisa Kimura (1928-2008) was a Japanese artist best known for his photomontage art. There doesn't seem to be much about him in online in English, beyond reiterations of the same three images that BLDG BLOG copied from the 1979 book Visual Scandals, and a few short pages that are related to an interview on Australian radio back in 2002. Yet his imagery has caught the eye of various musical groups over the years, including Midnight Oil, Paul Schütze, and most recently, Cut/Copy join the fanclub, with their cover for Zonoscope. [more inside]
Dan McPharlin is an Australian artist who creates fantastic landscapes that seem more likely to come from sci-fi novels from decades past than an artist who who gives away his music for donations (YT sample). McPharlin also made a series of miniature analog synthesizers that were featured on album art for Steve Jansen's album Slope (YT sample), as well as Moog Acid by Jean-Jacques Perrey & Luke Vibert (YT sample). Currently, McPharlin's website only has an 18 page portfolio in PDF form and an email address, but his Flickr collection is a sight to behold. Even his house looks like something from a 1970s photo shoot. [more inside]
rage is a weekend-only night-time music video show on Australia's ABC1 that started back in 1987. The presentation was minimal, with an intro, hours of music videos, and then the outro, no adverts, and a few variations from this no-frills format. The format remains largely unchanged to date, and you can check the archive of playlists (back to 1998) and see a mix of local talent and international hits, but one thing was missing: the videos. Enter the rage YouTube playlist generator. [via mefi projects] [more inside]
In 2005, the first comprehensive characterisation of decapod fauna of the continental margin of southwestern Australia was performed. 524 provisional species were identified, including 175 species (33%) that were new to science, each needing to be named. Earlier this year the naming rights for one particular unnamed spotted shrimp went up for auction to support the Australian Marine Conservation Society. Bob Rosenberry, journalist and publisher of Shrimp News International was an enthusiastic bidder, with plans to name the species Lebbeus shrimpnewsii, until he learned he couldn't name it after a commercial entity. The winner was a surprise to all involved: Lucien James "Luc" Longley, retired NBA player. (via) [more inside]
"Normally subcultures in Australia are taken from other countries and just reproduced here. Sharps or sharpies are an Australian specific subculture, developed in Australian specific conditions." Sharpies were members of suburban youth gangs in Australia mainly from the 1960s to 1980s, particularly in Melbourne, but also in Sydney and Perth to a lesser extent. "Everybody was in a gang. Everybody. Every second street there was a gang. Um -- there was like you were either in a gang or you were the victim." The time of the sharpies is part of Melbourne folklore. Forget JFK. Where were you when Frankston erupted after the AC/DC concert in 1977? While the violence was legendary, so were the fashion and the music. Lobby Loyde and the Coloured Balls, Buster Brown, Skyhooks, Fat Daddy, Hush. And nobody danced like the sharpies (which resembles skanking of some sort). Anyone over forty who grew up in Melbourne has at least one story to tell about the sharpies (PDF). Some stories are about gang leaders with missing teeth and shit-eating grins, while others look back with some sort of fondness.