"Much has been said about the storytelling techniques of 'Serial,' which comes out in weekly installments even as the show’s host, Sarah Koenig, reinvestigates the conviction of a Baltimore-area teenager for the murder of his ex-girlfriend. The serialized approach teases its audience with cliffhangers, prompts its listeners to construct their own theories and invites outsiders to glimpse the tricky winnowing process of reporting. But 'Serial' also testifies to how much the criminal justice system itself is founded on storytelling." (Laura Miller, Salon: The new "In Cold Blood" revisionism: Why it doesn't matter if Capote’s classic wasn't fully true) [more inside]
We've Lost One Of The Great Fantasy Writers: R.I.P. Graham Joyce
"Graham Joyce was a monumental writer in the fantasy genre. His humane, intense writing was like a masterclass in how to put story first, and he knew how to write people, with all our blind spots and our hopeful mistakes. He died today of lymphatic cancer, and it's a huge loss to fantasy literature."[more inside]
It's This or Get a Real Job is the subtitle to Greg Fallis' blog in which the former military medic, private detective, counselor in the Psychiatric/Security unit of a prison for women, professor at The American University in Washington, D.C. and at Fordham University in New York City, writer and photographer, offers his opinions on a variety of topics, such as mistakes, "After the disastrous Charge of the Light Brigade, Field Marshal FitzRoy James Henry Somerset, 1st Baron Raglan (GCB, PC) acknowledged his error and said, “Well, let’s not do that again.” And he never ordered another cavalry charge against a redoubt with a battery of fifty cannons. That wasn’t Lord Raglan’s first mistake; he also had an arm shot to pieces at the Battle of Waterloo. But as his arm was being amputated, Raglan told the surgeon, “My bad, learned my lesson, sorry to be a bother.” And he never had another arm amputated for the rest of his life. Lesson learned."
William T. Vollmann: The Self Images of a Cross-Dresser [New York Times] From a profile on William T. Vollmann, in The New York Times. The profile centers around Vollmann’s latest book, The Book of Dolores.
For those of you thinking of taking your first whack (or second, or tenth) at Nanowrimo next month, take some inspiration in the story of John Creasey. [more inside]
On Wednesday, William Van Poyck was executed by the state of Florida for murdering a prison guard during a botched 1987 attempt to free an imprisoned friend. Poyck spent 25 years in solitary confinement on death row, during which time he wrote to his sister about his life in prison. Since 2005 she has published those letters to a blog called Death Row Diary. 'Poyck used to write about everything from the novels and history books he was reading and shows he watched on PBS to the state of the world and his own philosophy of life – punctuated by news of the deaths of those around him, from illness, suicide, and execution.' Excerpts. His final letter.
The Art Of Making Magazines "By making what they call "not a how-to book, but… a how-to-think-about-it-book," they help us look at something we've probably been taking for granted: What is a magazine?"
In theory: the unread and the unreadable - "We measure our lives with unread books – and 'difficult' works can induce the most guilt. How should we view this challenge?"
The author Samuel Langhorne Clemens, a popular MetaFilter topic, was born 177 years ago today (November 30th 1835) in Missouri. The printer, riverboat pilot, game designer, journalist, lecturer, technology investor, gold miner, publisher and patent holder wrote short stories, essays, novels and non-fiction under the pen name Mark Twain. This included The Adventures of Huckleberry Finn (recently adapted into a musical), one of the top five challenged books of the 1990s, published in 1884-85 to a mixed reception and with an ending that still causes debate. [more inside]
But I couldn't do it. I spent three months and I just couldn't do it. And the reason was because I kept on meeting people who worked in the credit industry and they were really boring. I couldn't make them light up the page. And, as I said in The Psychopath Test, if you want to get away with wielding true malevolent power, be boring. Journalists hate writing about boring people, because we want to look good, you know?A Chat With Writer Jon Ronson [more inside]
... [Thomas] Ligotti's stories tend to have a profound emotional impact. His vision is exceedingly dark, and it is possible for his stories to infect the reader with a mild-to-severe case of depression. It is even possible for them to effect a change in the reader's self-perception and view of the universe. This warning is not meant to be sensationalistic, nor is it meant to turn new readers away. It is simply a statement of fact based upon the experiences of actual readers. Ligotti writes about the darkest of themes with an amazing power, and he means what he says. Often his stories seem to communicate a message below their surface, a sort of subliminal statement that should not rightly be able to traverse the barrier of verbal language. - Matt Cardin (previously) [more inside]
James Salter's A Sport and a Pastime is one of those very rare novels that seems not so much to have been written as discovered. At its heart is a love story, an encounter, that transforms its relatively ordinary protagonists into beings around whom the entire cosmos shapes itself. The love story is delicate and ephemeral, put together out of bits and pieces, like a bird's nest. The vulnerable lovers tremble, in the most mundane circumstances, on the edge of catastrophe. Simply the way one of them moves across the room to meet the other seems miraculous and hazardous. Were they to become aware of themselves everything would be lost. But there is no danger of that. Oblivious, they tiptoe on a precipice. They do not and cannot know that their innocence cloaks them in a kind of divinity and infallibility. Actions and attitudes we expect to bring them down don't. They do things that seem so perfect, so poignant, without knowing they are doing anything at all. They arc beautifully across our path, and then vanish. - Michael Doliner (previously) [more inside]
Barry Unsworth, Booker prizewinner, dies at 81. [guardian.co.uk] Writer of historical fiction, who won Britain's highest literary honour in 1992 for Sacred Hunger, has died.
William Wallace Cook, seeking to help mechanize the art of novel writing, came up with the 1462 possible plots for all stories. He then devised the Plotto system, whereby an author need only consult the book of plots to construct the next best seller.
A couple of commentators present conflicting arguments about whether the golden age of tech blogging is over.
Reading Blaise Cendrars is like stepping into another universe. His fiction is unlike anything else I've ever read. His poetry influenced the mighty Guillaume Apollinaire and helped shape the face of modernism. But it is his mockery of biographical detail and the very notion of literature that fascinates me the most. If, like me, you're not a fan of autobiography, then Blaise Cendrars is the memoirist for you.
How do you write crime fiction in the wake of a massacre? The mass slaughter on Utøya in July shook Norway to its core. Now the country's crime writers must come to terms with what happened…
Clifton Fadiman's Lifetime Reading Plan, 3rd Edition (not to be confused with Clifton Fadiman and John S. Major's Lifetime Reading Plan, 4th Edition) [more inside]
The poet and translator Kenneth Rexroth, one of the central figures in the San Francisco Renaissance, only wrote prose for money. But he did it very well. (way previously) [more inside]
"And inevitably for a woman, she is not a complete master of a house, so that comes over in her writing too."
"I read a piece of writing and within a paragraph or two I know whether it is by a woman or not. I think [it is] unequal to me." VS Naipaul, no stranger to literary spats and rows, has done it again. This time, the winner of the Nobel prize for literature has lashed out at female authors, saying there is no woman writer whom he considers his equal – and singling out Jane Austen for particular criticism.
Binyavanga Wainaina remembers one night in the Kenyan countryside as a young man, an excerpt from his soon to be published memoir One Day I Will Write About This Place. [more inside]
Henry Roth had one of the most anomalous careers in modern letters: a brilliant novel at age twenty-eight, the incomparable Call It Sleep, lost for thirty years but never quite forgotten, then a torrent of words let loose in his seventies and eighties. ... Roth continued to resist any single explanation for his catastrophic writer's block, but it became evident that it was the incest, and the self-loathing that accompanied it, that threw the biggest roadblock across his path. [more inside]
Stefan Zweig (November 28, 1881 – February 22, 1942) was an Austrian novelist, playwright, journalist and biographer. At the height of his literary career, in the 1920s and 1930s, he was one of the most famous writers in the world. [more inside]
James Hadley Chase's No Orchids for Miss Blandish (1939) did for the gangster novel what Raymond Chandler’s The Big Sleep did in the same year for the private-eye novel. Both works were clarifiers, intensifiers, transformers. ... But, as so often happens, Orwell raises the important questions, and it is his essay that has kept No Orchids for Miss Blandish alive for serious consideration. (links may contain mildly NSFW cover art) [more inside]
Negative reviews prompt author meltdowns: Alice Hoffman. Lee Oi-soo. Alain de Botton. Ayelet Waldman. Previously on MeFi. [more inside]
The Willa Cather Archive is an incredible resource provided by the University of Nebraska-Lincoln, including biographies, letters, photos, and even full (often annotated) text of much of her writing, including scholarly editions of two of her greatest (and most famous) works, My Antonia and O Pioneers. About the archive.
Think you get a lot done? Isaac Asimov (pronounced like "has, him, of" without the h's) , who would have turned 87 today, wrote or edited over 500 books, including science-fiction novels, introductions to organic chemistry (a field in which he held a professorship at B.U.) , indispensable anthologies of early science fiction, jokebooks, guides to Shakespeare, and collections of lively essays on science that have introduced thousands of people to the pleasures of thinking hard about the universe. He also found the time to write a few essays and write postcards to his fans. His story "Runaround" , from his 1950 collection I, Robot, is the only piece of fiction I know centered on the properties of a differential equation. His Foundation Trilogy was given a special Hugo award in 1966 as the best science fiction series of all time; a movie version, to be written by Jeff Vintar and directed by Shekhar Kapur, is currently in development. Previous AsimovFilter: here, here, here. Feel like a slacker yet? Stop reading MetaFilter and get to work!
What is the current state of American poetry? Hank Lazer: Perhaps, contrary to the laments, we are now living through a particularly rich time in American poetry—an era of radically democratized poetry...In its anarchic democratic disorganized decentralization, poetry culture has developed in a manner parallel to the computer: the decentralized PC has beaten the main-frame. No one can pretend to know what is out there, or what is next. Who are some of the most notable American poets active in the beginning of the 21st century?
So You Think You Might Be A Writer? Just because you write? An astute essay by Joseph Epstein poses the uncomfortable question: are you weird enough? There's something very unnatural and unhealthy about writing (as opposed to reading, for instance) - but what is it? [Via Arts and Letters Daily.]
Isaac Asimov to blame for "al-Qaida"?
No more false IDs on Metafilter! Now researchers in Italy have developed a program that can spot enough subtle differences between two authors' works to attribute authorship.